Tag Archives: spectacle

Episode 1177: The Unfinished Dream

December 1970, Sam Hall, , , , , , , , , , ,

“Then we shall simply have to change the course of history, and find him.”

Let’s face it: 1840 has been letting us down on the visual spectacle. There used to be a monster in this storyline, split into two parts: the Head glowering in a glass case, and the Body roaming the woods like a murderous pantomime horse. There used to be vampires, feeding on the blood of the innocent. There used to be a guy in a wheelchair, which isn’t a monster but at least it’s something to look at. Now the only monster is a smooth-talking warlock, who rigs court cases, and casts spells that make governesses fall asleep.

These days, the show is dominated by people wearing old-fashioned clothes, gossiping with each other about who’s responsible for what. Oh, what I wouldn’t give to have a zombie, or a skeleton, or even a severed hand flying around the room. Think back: isn’t everything better when there’s a mischievous, floating severed hand?

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Episode 933: King Kong vs Godzilla

January 1970, Violet Welles, , , , , , , , ,

“I’m caught in something — a web!”

So Dark Shadows is pivoting, is the point, away from a weird story that nobody likes, and off into the uncharted territory of an even weirder story that nobody expects. And when Dark Shadows pivots, god damn, they pivot hard. Today, Fortune’s wheel takes a hairpin turn, directly into traffic.

There’s action and adventure today, up to and including frantic phone calls, rickety bridges, slammed doors, abrupt edits and giant fuck-off spiders, and if we’re not careful, we might lose a couple cast members before we’re done. And it’s only Wednesday, too. Nothing happens on Wednesdays, everybody knows that, but giant spiders don’t punch a timeclock. That’s a thing that you need to understand about giant spiders.

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Episode 826: Hungarian Crime Story

August 1969, Violet Welles, , , , , , , , , , , ,

“If I only knew how you died, maybe I would know how to banish you!”

Order in the court! The honorable Johnny Romana — King of the Gypsies! — presiding.

In today’s episode, the accused, Magda Rakosi, stands before a jury of her peers, charged with the theft of the Legendary Hand of Count Petofi, and the murder of Julianka, a miniscule gypsy witch who came to fetch the Hand back.

Magda actually did steal the Hand, but she was only indirectly responsible for Julianka’s death, so I’d call this a draw. As a tiebreaker, I’d like to point out that Magda is a major character played by Grayson Hall, one of the all-time most interesting actors to look at, so there’s no way she’s going to be executed by a crew of day players and walk-ons.

Still, having a gypsy trial in the secret room of the mausoleum sounds like a blast, so I’ll allow it. Proceed.

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Episode 648: Astral Disturbances

December 1968, Sam Hall, , , , , , , , , ,

“The letter M is very strong in this room.”

Yesterday, following Roger’s suspicious specter-assisted accident on the stairs, his sister Elizabeth found a tarot card on the drinks table in his bedroom. As everyone knows, discovering an unexpected tarot card is a sure sign of supernatural crisis, so she called Professor Stokes, the mad occult expert who is now making house calls at Collinwood on a weekly basis.

The Professor identified the card as the Tower of Destruction — the sign of the downfall of a great house. He agreed that this is extremely significant, and he promised to bring in a colleague who can investigate the unearthly events that have been piling up lately.

So here she is: Madame Janet Findley, the psychic sorceress on call. Apparently, things have gotten so bad at Collinwood that the occult expert is subcontracting with other occult experts.

Madame Findley walks into the drawing room, throws her hands in the air, and if there was ever a moment for somebody to say, is THIS your card? then this is it.

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Episode 640: Bad Wolf

December 1968, Sam Hall, , , , , , ,

“There’s a way that you can call people from the dead. I’ve seen them do it downstairs a lot.”

Christopher Jennings, handsome and mysterious bad boy with a heart of gold and a secret sorrow, comes over to Collinwood to collect his little sister, who he’s struggling to care for. Their parents are gone, and the more reliable twin brother has recently died, and now it’s just Chris and Amy, trying to make their way in the world.

Also, Chris just murdered a guy last week for walking into his hotel room at the wrong moment. I guess everybody has a different way of coping with stress.

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Episode 607: In a World of Turtlenecks

October 1968, Ron Sproat, , , , , , , , , , ,

“Put down that letter opener, you look ridiculous.”

We’ve watched our enormous teenage Frankenstein monster as he was brought to life from weeks-old corpse parts. We’ve seen him read poetry, and play chess. We’ve seen him kidnap women, break out of jail and jump off a cliff. We’ve even seen him cry.

But have you ever seen him in bed, wearing revealing nightwear? Welcome to Dark Shadows After Dark.

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Episode 592: And The Walls Fell Down

October 1968, Sam Hall, ,

“I felt it in that room! I felt LIFE being drawn out of me!”

Oh, thank God you’re here.

Seriously, I’m really glad you showed up to read the blog today. Every once in a while, I get scared that everyone will stop reading at the same time, and I’ll be all alone here, just me… and the episode.

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Episode 591: The Sound of Science

Sam Hall, September 1968, , , , , ,

“Adam, this is exactly the conversation I didn’t want to have.”

It seemed like such a good idea at the time.

We’ve got an empty basement, they said. We’ve got an apparatus, and some electricity, and a Mark 7 respirator, and a whole lot of spare time. Let’s go downstairs and make a human woman.

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Episode 581: Light My Fire

Gordon Russell, September 1968, , , , ,

“It has possessed me more than once, so that I’m no longer afraid of it. Death and I are old friends.”

Angelique just wants to be free.

She needs to expand her consciousness, liberating her life force energy and extending it beyond the limitations of the earthly plane. She needs to get outside her own head, transcending the guilt and hang-ups of the past, to be at peace with the harmony of the universe.

I mean, yeah, she’s a vampire. But apart from that, she’s just like every other young woman in 1968.

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