Tag Archives: one life to live

Episode 1008: This Terrible Truth

Joe Caldwell, May 1970, , , , , , , , ,

“No, it wasn’t in this room, it was in another room, but it was behind the same door!”

Young Daniel is drawn to the drawing room of Loomis House, aka the Old House to anyone who matters. He’s here on an art school field trip, on the advice of a spooky oil painting of a Collins ancestor who speaks to him through the pounding of an off-screen kettle-drum heartbeat. Once he enters the house, Daniel isn’t sure what he’s supposed to do, because it turns out kettle-drum heartbeat is not as precise a communications medium as people sometimes think.

Looking around, his eye lights upon a manuscript sitting on the sideboard. He picks up the top page and begins to read, because Daniel is nosy and he has no respect for other people’s intellectual property.

“For long enough,” he reads, “the world has lived in ignorance of this terrible truth.” Realizing that this must be a page of Will’s new book, Daniel sits down and helps himself to some literature.

So, yeah, me too. This is a thing that young Daniels do, apparently, when we find ourselves just south of episode 1006, wondering what happens next. We read a book.

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Episode 832: The Triangle Factory

September 1969, Violet Welles, , , , ,

“You don’t seem to be one certain age, the way others are.”

You know, when I started this blog back in April 1967, I figured the format was one episode a day, no more and no less. I would talk about the whole episode from start to finish, and I didn’t let stuff dangle over the side to pick up tomorrow. If there wasn’t a theme or a problem or a story that I wanted to tell, then that’s just how it went — so there are a bunch of posts back in the 200s that ended with “and that’s a really boring cliffhanger, see you tomorrow”.  They had a lot of boring cliffhangers back then.

Eventually I realized, wait a minute, this is my blog and I can write it any way I want, so now I jump around a lot more, pulling things from different episodes together if it helps whatever point I’m trying to make. I think that’s made the blog better, and I get to have more fun without stressing out about the rules.

But that style means that I don’t really spend a lot of time talking about cliffhangers, which is a shame, because they’re incredibly important on Dark Shadows. This is a show that doesn’t just have an exciting story beat at the end of every episode — they build to a suspense moment every six minutes, just to get you through the commercial break. So I should really treat the cliffhangers with more respect.

And yesterday’s cliffhanger is a top-of-the-line nailbiter. Secret werewolf Quentin Collins is locked up in a jail cell, which happens to be in his own basement for some reason. The sinister Reverend Trask has learned Quentin’s dreadful secret, and they’re going to stay down here until the full moon rises. Once Quentin transforms into a slavering man-beast, then Trask can head for the police station and alert the authorities. I guess some people just live for tattling.

So the episode ends with the two of them on opposite sides of the bars, waiting for moonrise. Although now that I think about it, that’s basically the same cliffhanger as the day before, when Trask found Quentin manacled to the wall, and told him they would wait until moonrise. Yesterday, they just said, well, it’s not quite dusk yet, and then they moved locations and said, this time it’s really dusk. So maybe I shouldn’t bother trying to respect the cliffhangers after all.

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Episode 732: Rules of Engagement

April 1969, Violet Welles, , , , , , , , ,

“Don’t you ever do that to me, or you’ll find yourself beyond the borderline of death!”

This is how Barnabas’ life is going these days — he walks into the cottage, and finds his ex-wife Angelique standing over Quentin, who’s out cold on the carpet. And Barnabas just sighs, and says, “Is he dead?” in the resigned tone that you use when the puppy’s peed on the rug again.

After all, this is the second time that Quentin’s died, just in the last two weeks. It’s like the Tom Cruise movie Edge of Tomorrow, except the aliens are sarcastic women and it all takes place in the same house.

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Episode 702: The Vampire Strikes Back

March 1969, Sam Hall, , , , , , , , , , ,

“Don’t touch me! Your grandmother knows how easily I bruise.”

It always starts with a box.

The malicious spirit of Quentin Collins has taken over present-day Collinwood, and he’s in the process of slowly murdering young David. Desperate to save the boy and unable to think of anything else, Barnabas turns to the I Ching, an ancient Chinese secret that has transported his soul back to the late 19th century. There, his astral body meets up with his physical body, which is trapped in a chained-up coffin.

And like any travel experience, it takes forever, there’s hardly any leg room, there’s nothing to eat, and he doesn’t even know where he’s landed. This is why you should never try to check yourself in as luggage.

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Episode 607: In a World of Turtlenecks

October 1968, Ron Sproat, , , , , , , , , , ,

“Put down that letter opener, you look ridiculous.”

We’ve watched our enormous teenage Frankenstein monster as he was brought to life from weeks-old corpse parts. We’ve seen him read poetry, and play chess. We’ve seen him kidnap women, break out of jail and jump off a cliff. We’ve even seen him cry.

But have you ever seen him in bed, wearing revealing nightwear? Welcome to Dark Shadows After Dark.

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Episode 556: Apotheosis

August 1968, Ron Sproat, , , , , ,

“I intend, my dear, to create a race of superbeings who will serve my master and control the world.”

It’s about surprise; it is always, always, entirely about surprise.

I’ve been dissatisfied lately with the show’s focus on Adam, who’s been sitting around in a storage room for several weeks, getting progressively grumpier. The problem isn’t Adam, because I like him, and it’s not that he’s doing mean things, because he’s fictional and who cares.

The problem is the word “progressively”. If Adam gets a little more demanding and a little more self-centered whenever we see him, then there’s no point in our checking in on him every day. He’s getting predictable, and that’s the opposite of television.

Solving this problem in the most efficient possible way, Dark Shadows unveils its latest plot twist — Nicholas has brought Angelique back to life, as a vampire. Now, it’s not clear exactly how he accomplished this — the last time we saw Angelique, she’d just died of old age in an armchair, so how could she be a vampire now?

Answering that question is not important. Angelique is a vampire!

Continue reading Episode 556: Apotheosis →

Episode 536: Advance Directives

July 1968, Sam Hall, , , , ,

“If that curse had been placed on you, or me… how would we have behaved?”

Barnabas Collins is dead! I mean, he already was. But now he’s even more dead than usual.

On Friday, Barnabas opened his front door and walked outside, and a huge bat shadow swooped down and bit him hard on the neck. Now he’s on the ground, weltering in gore. This was the shock ending to a three-month storyline that I am no longer under any obligation to discuss.

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Episode 535: The Point of Return

Gordon Russell, July 1968, , , , , , , ,

“I was standing here, waiting for the end to come, and it never did!”

Clinical notes of Dr. Julian Hoffman, ABC Daytime.
Session recorded on June 28, 1968, for broadcast on July 12th.

Patient is a two-year-old daytime soap opera that has recently gone through major changes in focus and storyline. Patient has been plagued for several months by a recurring dream, which is interfering with story progression and audience engagement. Patient is sponsored by Bactine, the modern no-sting antiseptic, and by Ajax double bleach cleanser.

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