“It will give me great joy to see you rise from the dead, and walk the night.”
“Believe me, it would make me very happy to kill you,” said Angelique, “but I have decided that you would be more valuable to me alive.”
“Why?” Julia asked.
“For various reasons.”
And yeah, I guess so, because here we are again. That was from July, when the Parallel Angelique imprisoned the actual Julia for a week in a secret basement cell, and now it’s November, and the 1840 Angelique is back at it, but in a deserted lighthouse this time. The spectacle of a power-crazed Angelique tying Julia to a barrel of TNT is so irresistible that they’ve done it twice in four months.
We’re getting close to the end of Dark Shadows, and this story point is the logical conclusion of everything that’s happened since 1967. Strip away all of the details — the families, the time periods, the wannabe it ghouls — and this is the result.
Unable and unwilling to stop himself, Barnabas bites a pretty girl, and then stands around and feels bad about it. Angelique steps in and kills the girl, who turns into a vampire. Then the vampire girl bites Julia at Angelique’s instruction, and now Angelique stands there while Julia slowly succumbs to her wounds, and talks about how happy it makes her.
This is the culmination of all of Barnabas’ bad choices and general ineptitude, and he has no idea what’s going on. He’s just wandering around asking questions, while the women in his life are merrily murdering each other. This is basically the most obvious thing that could ever happen to Barnabas, so it’s good that we’re getting around to it while we’ve still got the time.