“I can see Collinwood — but not the Collinwood of today!”
As we careen toward the conclusion of this rattletrap of a television show, I’ve been peering into David Collins’ crystal ball, which now happens to be in my personal possession for reasons that I’ll tell you about later, and I’ve been looking forward into the future of Dark Shadows, to see what happens to this story, once the story is over. This is the War for Dark Shadows, the battle to determine what this story becomes in the decades ahead.
As we all know, the organizing principle of Dark Shadows is Oh my god, what are we going to do next, the agonized heartcry of a team of writers and producers trying desperately to stay ahead of the audience. The only way to do this is to triangulate based on what the viewers are currently responding to, and then steer towards the next surprise.
Continue reading Episode 1216: Return to Return to Collinwood →
“I don’t feel anything. I’m just glad it’s over.”
The road to Manderley lay ahead. There was no moon. The sky above our heads was inky black. But the sky on the horizon was not dark at all. It was shot with crimson, like a splash of blood. And the ashes blew towards us with the salt wind from the sea.
And then Snidely Whiplash tied me to a barrel marked TNT, Daphne Du Maurier didn’t say, on the last page of Rebecca. She probably would have, if she’d thought of it, but I bet it didn’t even occur to her. I guess some people know how to write exciting conclusions and some people don’t, and that’s all there is to it.
Continue reading Episode 1060: Dreams of Manderley →
“There’s such a fearful unreality about this place.”
It’s alive! as Dr. Frankenstein would say. It’s alive! Well, partially.
Cross-dimensional eccentric millionaire Barnabas Collins has been pulling the old wall switches and setting the apparatus humming in the basement again, trying to restore life force to a young woman who’s low on get-up-and-go.
For the last few months, the lady in Stokes’ back parlor has been flat on her back, donating her élan vital to prop up the dangerous regime of soap-vixen sorceress Angelique. Barnabas, always open to new experiences, has decided to inexplicably fall in love with this comatose couchsurfer, who so far has opened her eyes once and is otherwise resting in peace. So he’s kidnapped the girl, strapped her to some mad science junk in the Old House basement, put several minutes of lightning through her veins and then stroked her face, all of which managed to get her to open her eyes again.
Now, in a perfect world, Roxanne would leap up onto the table and do a high-kicking musical number, like the frog in the Looney Tunes cartoon. “Hello ma baby, hello ma honey, hello ma ragtime gal! Send me a kiss by wire — baby, my heart’s on fire!”
This doesn’t happen. She just opens her eyes, stands up and looks around with a bland expression. The world is still just as imperfect as we always feared it would be.
Continue reading Episode 1046: Woke →
“Not even the jaw of the wolf itself is more devastating than this cane, when it’s in my hands.”
Let’s see if we can figure this out, together. Eccentric millionaire Barnabas Collins is in a parallel dimension, as you know, and he’s convinced that Maggie’s in terrible danger, which she is. But all he knows is that she’s gone, and that’s not much to go on. She’s probably being held somewhere by someone, but if so, then where, and by who?
Barnabas stamps into the Old House and shouts for Will, his blood slave and parallel landlord. “Will, are you here?” he hollers up the stairs. “I need you!” No answer. He crosses over to the back parlor. Still nothing. Then he approaches the bookcase, flips the hidden switch, and opens up the secret panel.
Question: Why does Barnabas think that Will is hiding behind the bookcase? It doesn’t seem super likely, and I’m not sure why he even wants Will in the first place. Will is a drunk, he hates Barnabas, he doesn’t care about Maggie, and he has no missing persons expertise. What value does he bring to the operation?
Continue reading Episode 1033: Follow the Money →
“Will you feel the pain when this enters his body?”
Well, once again it looks like London Bridge is falling down; that’s today’s headline. We’ve got Maggie all locked up in a basement, so if anybody’s looking for her, then that’s where she’ll be. You can’t let these governess types run around loose for too long, or they get into mischief.
Continue reading Episode 1030: A Room of One’s Own →
“To think that on this night, this strange night, you might have come back to us in that dreadful condition.”
Well, Maggie Evans is all locked up again, as part of the Leviathan party’s continuing war on women. Well, on one woman in particular.
Three weeks ago, Maggie found herself on the far side of a door in the strange desert otherworld known as Collinwood’s secret passages, being menaced by an untamed teenage slime god who was pursuing some kind of board-game related vendetta. After three days of confinement, Maggie managed a daring escape by waiting for somebody to open the door for her.
Now she’s locked up again, this time in a crypt, by a zombie and an assassin and a guy with a box. So it’s just like the good old days, isn’t it, when Ron Sproat would bring the story to a screeching halt by locking up a pretty girl and keeping her there, while everyone else walks in circles and talks to police officers over the phone.
Continue reading Episode 943: From Within →
“I find most mortals difficult to understand.”
So I guess there’s no way around it; I have to write about the Quentin/Amanda/”Mr. Best” storyline. Two weeks ago, I got so exasperated with my Quentin/Amanda post that I didn’t even finish writing it. I got as far as Mr. Best showing up on the bridge, and I couldn’t go any further. I just stopped writing and hit Publish, and that was that. My thinking basically went like this: Some of my posts are heartbreaking and brilliant; some of them are not. I guess this is one of the ones that’s not.
But here I am, dragged back to the scene of the crime. The Quentin/Amanda story is wrapping up over the next two days, and I can’t just pretend it’s not happening. Can I?
Continue reading Episode 932: The Gates of Heck →
“I don’t want to know who you are!”
Did you ever have one of those days when nothing goes right? Well, this isn’t even one of those. Those are funny.
Continue reading Episode 926: The Shark, and How to Jump It →
“You know, I rather look forward to going to the future as Barnabas Collins.”
Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
Continue reading Episode 883: The Tate Murders →
“You live in another body now, but your own body waits for you!”
Incipient teen idol Quentin Collins died earlier this week after he was stabbed by his insane ex-wife, which for the Collins family is practically natural causes. But like almost everyone who dies on Dark Shadows, he’s returned for another lap around the track.
Zombie Quentin is being remote-controlled by Barnabas’ insane ex-wife, who’s using him to play pranks on the family. At the moment, he’s scooped up the governess and is carrying her out to the graveyard.
Now, he’s not trying to eat her brain or anything; he’s not that kind of zombie. The flesh-eating cannibal zombie was invented by George Romero in Night of the Living Dead, which was released six months before this episode was made. And they’re not called zombies in that movie anyway; the Night of the Living Dead characters just call them ghouls. It wasn’t until the 1978 sequel Dawn of the Dead that Romero started describing the creatures as zombies, changing the pop culture definition of that word.
So compared to the slavering fiends of The Walking Dead, Zombie Quentin is actually very polite, and exceptionally well-groomed. He doesn’t bite anybody, and his hair and his outfit are in flawless condition, even after busting his way out of a grave covered in cement.
In fact, the only way you can really tell that there’s anything the matter with him is that he doesn’t speak, and he’s always bulging out his eyes and staring straight ahead. The nice thing about Zombie Quentin is that you always know he’s paying attention.
Continue reading Episode 724: Exquisite Corpse →