Tag Archives: parallel time

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Episode 980: Next Stop Keystone City

“Trying to transcend that other time level can be very dangerous!”

Eccentric mass murderer and explorer of the outer realms Barnabas Collins is pacing the Collinwood drawing room, frowning heroically and making excuses. He’s been having one of his spells again.

His friend Julia takes a lap around the track. “Barnabas, why did you do it?” she wails. Barnabas drank Megan dry a few weeks ago, and now he’s about three-quarters of the way through Sabrina.

“I stayed at the Old House, and fought the urge to leave,” he says, striking an apologetic pose. “And then she came to me.”

“You couldn’t help yourself,” Julia observes.

Barnabas swivels, and snaps, “Do you think I do this by choice?”

“No, Barnabas,” she reassures him. “I know what you’re going through.” Yeah, he’s going through the entire female supporting cast, is what he’s going through.

Continue reading Episode 980: Next Stop Keystone City

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Episode 977: Things That I Already Like About Parallel Time

“You don’t know what it’s like, suddenly seeing yourself walk into a room.”

Everyone’s talking about it! Here’s what people are saying about Parallel Time, opening Friday:

“I can’t help but be fascinated by that room, and everything I’ve seen there!” — Barnabas Collins

“Somehow, we must discover the secret of this room!” — Roger Collins

“You must take me to that room immediately, I want to see this for myself!” — Professor T. Eliot Stokes

“There must be something very special in the east wing, because suddenly everyone’s so interested in it!” — Elizabeth Collins Stoddard

I will regret this, I’m sure. I will regret all of this. The upcoming Parallel Time storyline will fail in some spectacular way — like Adam did, like Nicholas Blair and Count Petofi, and all the other disappointing men in our lives — and I’ll end this period of the show trying to figure out how it all went wrong, as I always do.

But this feeling, right now, this tickle of heightened expectations? Give me this. Even if it’s only for a little while. Just give me this.

Continue reading Episode 977: Things That I Already Like About Parallel Time

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Episode 972: Gold-Hatted Lover

“My guess is that the time band is always there, but one can only glimpse it through the warp.”

Then wear the gold hat, if that will move her;
If you can bounce high, bounce for her too,
Till she cry “Lover, gold-hatted, high-bouncing lover,
I must have you!”

Continue reading Episode 972: Gold-Hatted Lover

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Episode 970: A Less Rational Explanation

“I have the feeling that perhaps all of us are leading a different life in that room.”

Yesterday, eccentric millionaire Barnabas Collins had a strange and frightening experience, namely: watching an episode of Dark Shadows that he wasn’t in.

He was poking around in the deserted east wing of Collinwood, opening doors and closing doors and hunting for a coffin — you know, typical Dark Shadows stuff — when he suddenly came upon a room where Elizabeth and Julia were dressed up in other people’s clothes, and talking about other people’s problems.

We’re meant to be intrigued by this strange desert otherworld, so they made use of that great guarantor of television mystery: the unheralded pronoun.

“I’m cleaning out her clothes,” says Liz. “You will not touch her clothes,” says Julia. “It will be their room,” Liz proposes. “It is hers; it will always be hers,” Julia counters.

She is dead! She’ll be back! and back and forth they went, acting for all the world as if proper nouns were prohibited by law, and then they slammed the door and ran away into the night, giggling.

It’s a good gag, if you can pull it off. Other people have trolled Barnabas in the past — like all gloomy and self-involved people, he is particularly susceptible to trolling — but I don’t think anybody’s ever done it by just standing around in a room and pretending they don’t notice him. They’re breaking new ground in the field of Barnabas-bothering.

Continue reading Episode 970: A Less Rational Explanation

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Episode 969: PTED

“Quentin! Husband?”

The guy has a suit and a tie, and a shocked expression. He’s holding a flashlight for some reason. He’s got dark eye makeup, and bangs that have been arranged into four little spikes on his forehead, and I have no idea who he is.

The doors of Angelique’s suite just fly open, and suddenly this guy is standing there, mouth agape. It looks like he’s trying to step forward into the room, but he doesn’t.

“I can’t get in!” he says, and looks around in panic. “Why? WHY?”

I don’t know, dude. Who are you? Have you been helped?

Continue reading Episode 969: PTED

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Episode 818: The Green Light

“When I saw myself rising from the dead — with those fangs!”

There are eight turning points in the story of Dark Shadows — moments when the focus and direction of the show changed forever. Four of them are character introductions, and four are backstage events. Here they are, in order of appearance:

  • the introduction of Barnabas,
  • Julia’s offer to cure Barnabas,
  • writer Sam Hall joins the show,
  • the introduction of Angelique,
  • Jonathan Frid’s ten-city publicity tour,
  • writer Ron Sproat leaves the show,
  • the introduction of Quentin,
  • and MGM greenlights House of Dark Shadows.

Here we are in mid-August 1969, and we’ve reached that final turning point — the moment when a grown-up movie studio agreed to distribute a feature film about a daytime soap opera, using the same cast and crew, while the TV show is still in production. Everything that happens over the next year and a half of the show will be affected by that deeply peculiar decision.

The story that people tell about House of Dark Shadows is that creator Dan Curtis, like all artistic visionaries, was deeply misunderstood. He had a burning ambition to turn his vampire soap opera into a feature film, and nobody at the studios would believe in his dream. Finally, Dan found a kindred spirit in James Aubrey, the president of Metro-Goldwyn-Mayer, who recognized the value of a Dark Shadows movie and eagerly gave it the green light.

Once the film was greenlighted, the only headache to figure out was how to get the cast off the show for six weeks, while they filmed the movie. Dan and the writers came up with a way to focus on the actors who weren’t part of the movie cast, until the shooting was over. That way, the movie wouldn’t have a negative impact on the show, and when shooting wrapped, everything went back to normal. On release, the movie was such a success that it saved MGM from closing down.

That story is almost entirely false. This is actually the story of the destruction of Dark Shadows. It’s also the story of the destruction of MGM. And like all Dark Shadows stories, the line between hero and villain is not necessarily clear.

Continue reading Episode 818: The Green Light

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Episode 465: The Best of All Possible Worlds

“How can ‘they’ possibly hear you or me, when we are both dead?”

Hey, remember when Barnabas wanted to turn Vicki into a new version of his lost love Josette, but he wanted her to come to him willingly, without having to use his hypnotic vampire powers on her? Yeah. I think we’re going to have to circle back and review that one again.

Because Vicki made the tactical error of actually going and having her own life outside of Barnabas’ immediate sphere of influence, and she met another guy. That made Barnabas get all bitey, and now he and Vicki are going away together.

But — and this is something I never thought I would say — Vicki is doing something interesting here. She’s agreeing to go, because she’s been hypnotized, but she doesn’t look happy about it.

When Carolyn got bit, she got a dreamy look in her eye, and she was super excited to be Barnabas’ new blood slave. All she could think about was how she could be helpful to Barnabas. Vicki’s affect is more like she agreed to go on a trip with someone that she isn’t that crazy about traveling with, but she promised to go and the tickets are non-refundable.

Continue reading Episode 465: The Best of All Possible Worlds