Tag Archives: parallel time

Episode 1060: Dreams of Manderley

“I don’t feel anything. I’m just glad it’s over.”

The road to Manderley lay ahead. There was no moon. The sky above our heads was inky black. But the sky on the horizon was not dark at all. It was shot with crimson, like a splash of blood. And the ashes blew towards us with the salt wind from the sea.

And then Snidely Whiplash tied me to a barrel marked TNT, Daphne Du Maurier didn’t say, on the last page of Rebecca. She probably would have, if she’d thought of it, but I bet it didn’t even occur to her. I guess some people know how to write exciting conclusions and some people don’t, and that’s all there is to it.

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Episode 1059: World Beyond the Doors

“I’ll first give you the pleasure of viewing the dead, disintegrating body of Barnabas Collins!”

So, I don’t know. What do you feel like talking about?

“I never thought it would end this way,” Maggie says, taking a last look at the house she helped to destroy. She came to this moldering manse thinking it would be all cocktails and crabmeat, a dream house where she could live with her dream husband Quentin, who’s currently in custody. I don’t know how she thought it would end. It’s not even clear how it’s ending now.

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Episode 1057: Infinite Jest

“A whole tangle and labyrinth — I’m convinced that she’s somewhere there!”

It’s the same old story. You start out with another Earth on the opposite side of the sun, where all the good people are evil, and everyone’s got a mustache except the people who are supposed to have mustaches. But you can’t leave well enough alone.

Pretty soon, you’ve got people from the other universe popping up to cause trouble. They move into your house and call themselves Cassandra, and refuse to admit that they’re the spinoff. They demand crossovers and reboots and flash-forwards, rewriting time to suit their own purposes. Before you know it, you’ve got Skaro Daleks fighting Necros Daleks, and 616-Thor taking a spare hammer from Ultimate Thor, and two completely different ways for Edith Collins to die, and anything that you do to try to fix the problem only makes everything worse.

They say that those who don’t remember the past are doomed to repeat it, but it turns out the people who do remember the past repeat it even more. It’s gonna get repeated either way.

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Episode 1056: The Parallel Sky

“Well, at least there’ll be no more murders.”

Angelique returned from the dead to destroy her ex-husband Quentin, and between you and me, she’s done a kick-ass job. Quentin’s on the run from the law, accused of several murders that he’s only partially responsible for, all of his friends are dead, and a minute from now, either he’s going to murder his second wife or she’s going to murder him. This is about as destroyed as a person needs to be.

We’re down to the last week of the Parallel Time storyline; there’s just a few more people to kill, and then Barnabas and Julia can go back to their own dimension, satisfied with a job well done. Everything Must Go, says the sign in the front window, and here it is: everything. Let’s see how it goes.

Angelique herself is only seconds from destruction — her vitality depends on sucking the life force out of a woman named Roxanne, and if the mysterious Claude North can get Roxanne to speak, then it’s lights out for Angelique.

But Barnabas offers the witch one last shot at redemption, handing her a confession to sign that would clear Quentin’s name. She won’t even touch it. Screw you, she says, if you people don’t appreciate me, then I’ll go down, and I’ll take the whole goddamn show down with me.

Then Roxanne speaks — and Angelique dies with a curse on her lips, as Angeliques should. Really, at the core, she’s saying: I don’t want to live in a world where Roxanne has dialogue. You’ve got to admit she has a point.

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Episode 1051: PTED: Destroyer of Worlds

“My eyes have the power to restore you to me!”

It’s been four months since the terrible flashlight man came into our lives — a dark stranger, appearing with no warning just outside Angelique’s room, gazing in a perplexed manner at a scene that he could see but not participate in. “Elizabeth!” he cried, but she couldn’t hear him, and neither could Hoffman. “It is hers, it will always be hers,” Hoffman said, and it was, and it is, and the goggle-eyed man from another place just stood there on the threshold, saying, “Quentin! Husband?” and generally making an ass of himself.

His name is known to us now: he is Barnabas Collins, the Destroyer of Worlds.

Trespassing on our favorite show from an alternate world where I hope they appreciate him more than we do, this monster has brought a wave of supernatural violence to our sleepy little soap town, killing two thirds of the cast and driving the ratings into the earth.

Hoffman is dead. Carolyn is dead. Will is dead. Bruno is dead. Cyrus and Sabrina and Larry and Dameon are dead, plus Chris is missing, and Liz isn’t looking too well. Barnabas Collins has swept through our show like a buzzsaw. Everybody said that bringing a vampire onto a soap opera was a terrible idea, and they were right, especially this vampire.

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Episode 1032: The Curse of Blinovitch

“I must go back to that time!”

For the last two and a half months, eccentric millionaire Actual Barnabas Collins has been time-tossed and unbound, falling backwards downstairs into a non-canonical dimension ruled by parallel people who don’t really count.

This is nothing new for Dark Shadows, of course; like all licensed properties, it’s spawned a sprawling network of untidy un-verses, just piling up on the store shelves. There’s Gold Key Collinwood, where Barnabas’ greatest foe is the Collinsport fire marshal; there’s Comic Strip Collinwood, where Barnabas is the reincarnation of the Egyptian god Osiris; there’s Paperback Library Collinwood, where Barnabas lights mummies on fire; and there’s View-Master Collinwood, which is pretty much the same as the regular kind, except shorter and in 3-D.

But all of those alternate dimensions have their own Barnabas, one apiece, as it should be. And then there’s Parallel Time, which was too lazy to create their own Barnabas, so they stole ours.

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Episode 1031: The Last Day of Parallel Time

““Why do you keep insisting, despite the fact that there’s no evidence, that Maggie was kidnapped or something?”

New Stokes says he’s stolen some life force, but who hasn’t, right? Barnabas drinks other people’s blood, Yaeger gets off on other people’s fear, and television exists to take your time and attention, and turn it into commercials. Now we find out that Angelique’s got a psychic hook-up that drains some rando in the back room. What’s the difference?

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Episode 1013: What Does a Crazy Woman Want

“Just come, and bring all your amulets and herbs!”

Today’s episode of Dark Shadows begins with some people in Parallel Time talking about the Parallel Time room, where they’ve just seen some people from Parallel Parallel Time, i.e. whatever the opposite of Parallel Time is. Mainstream Time? The Curtisverse? Is there any kind of fan consensus on what to call whatever time it is we’re usually looking at?

Anyway, this is Parallel Quentin talking to Non-Parallel Barnabas, the dimension-hopping vampire crossover artist who came to this uncharted Collinwood accidentally on purpose and can’t figure out how to leave. Quentin and Barnabas have been in the east wing, taking a peek through the veil, and they saw some Regular Time people discussing their Regular Time concerns, like where do you think Barnabas went.

Quentin’s been mulling it over all the way downstairs, and by the time they hit the drawing room, he’s ready to deliver his verdict: Barnabas is the Barnabas they’re talking about in that room. Obviously this is the case, because the multiverse is big enough to hold several Brunos and anywhere up to five Sabrinas, but the good Lord only made one Barnabas.

But Barnabas decides to bluff it out, because they still haven’t developed the technology to determine whether somebody’s Parallel or not. He says that he’s not the Barnabas from the room, and Quentin’s just going to have to take his word on that. So Quentin shrugs and says okay, but it’s a weird coincidence, and Barnabas says that it certainly is. And there you have it, a pleasant and perplexing slice of afternoon television that accomplishes nothing of consequence.

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Episode 1012: Trapped in a World (Not Mine Own)

“Nothing must disturb the sleep or sully the name of that other Barnabas Collins who died in this time.”

Trapped in a false dimension and freshly liberated from a chained coffin not specifically his own, the strange and brutal Barnabas Collins, fugitive vampire in a world he never made, is onboarding a new employee.

“Please let me go,” Will pleads, “and I won’t tell anyone anything about you.”

Barnabas gives the trainee a lopsided grin. “Go, if you want to go.”

Will concentrates. “I can’t get away!” he grimaces. “You know I can’t.” He stares helplessly into a future he doesn’t care for. “What are you going to do with me?”

It’s a close-up so we can’t know for sure, but the smart money says Barnabas is steepling his fingers. “Surely you’ve learned enough from our conversations recently to realize the position that you’re in.”

“I must do your bidding?” Will gulps.

“Precisely. Your agonizer!”

Will takes a step backwards. “No. Wait!”

Barnabas is firm. “Your agonizer, please!”

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Episode 1004: The Way Home

“There’s a spirit at Collinwood that will not let you do what you plan!”

Haunted homeowner Quentin Collins strides down the hall in the east wing of his enormous mansion, headed for the suite occupied by his sister-in-law. Flinging open the doors, he finds himself face to face with an episode of Dark Shadows.

Quentin knows this room well; he’s in and out of it all the time these days. It’s mostly orange and pink, with a portrait and a piano and several dreadful secrets. But the doors have flung him into an unfamiliar space — the same room, but dark and empty and underutilized.

His son Daniel and niece Amy are standing in the middle of the room, having an argument. They don’t hear him when he calls, and he’s held back by some invisible barrier that he can’t penetrate. All he can do is stare in amazement at this new, grittier reboot.

This isn’t the television show that Quentin knows, but you can tell that it’s daytime programming, because the boy says, “Maybe if we stand here, something will happen!” and the girl says, “But I don’t want anything to happen!” That’s the new ad campaign for Parallel ABC Daytime.

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