Tag Archives: candles

Episode 1031: The Last Day of Parallel Time

““Why do you keep insisting, despite the fact that there’s no evidence, that Maggie was kidnapped or something?”

New Stokes says he’s stolen some life force, but who hasn’t, right? Barnabas drinks other people’s blood, Yaeger gets off on other people’s fear, and television exists to take your time and attention, and turn it into commercials. Now we find out that Angelique’s got a psychic hook-up that drains some rando in the back room. What’s the difference?

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Episode 1025: Rebecca to the Rescue

“Fight me? When I’ve already won?”

It seemed to me, as I sat there in bed, staring at the wall, at the sunlight coming in at the window, at Maxim’s empty bed, that there was nothing quite so shaming, so degrading as a marriage that had failed. Failed after three months, as mine had done.

For I had no illusions left now, I no longer made any effort to pretend. Last night had shown me too well. My marriage was a failure. All the things that people would say about it if they knew, were true. We did not get on. We were not companions. We were not suited to one another.

I was too young for Maxim, too inexperienced, and, more important still, I was not of his world. The fact that I loved him in a sick, hurt, desperate way, like a child or a dog, did not matter. It was not the sort of love he needed. He wanted something else that I could not give him, something he had had before.

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Episode 1016: Fire Is Not a Friend

“Fingers of flame, make healthy again what I have diseased!”

Well, here we are, another week in Parallel Time, and the logic deficit is just as bad as ever. We’re four days into an utterly baffling plot arrangement involving a parallel triangle between Quentin, Angelique and Maggie, who are all married to each other and desperately unhappy about it.

Quentin’s first wife, Angelique — who’s dead, but pretending that she isn’t — wants him to fall in love with her again. But he’s already in love, sort of, with his second wife Maggie, who fled the house weeks ago so she could go upstate and make a movie. That left Angelique alone with Quentin to work her wicked wiles, but they don’t really have a hell of a lot of chemistry these days, and she’s getting desperate.

So Angelique keeps doing these supernatural middle-school science experiments, and then getting all angsty when they don’t produce the desired results, which are unspecified. First, she slipped Quentin a magic potion that was supposed to drive him crazy, and it worked. Unfortunately, he went entirely crazy, rather than the 60% crazy that Angelique was apparently budgeting for, and he slipped up to the attic to hang himself. She managed to talk him down, of course, because obviously she doesn’t want her weird magic spells to hurt the man that she loves.

Except here she is twenty-two minutes later, and she’s attacking him again, this time by sticking a silver pin into a voodoo doll and triggering a massive coronary. Then she heads downstairs, and finds exactly what she ought to expect — Quentin lying on the floor, and everybody else standing around, telling each other not to have hysterics.

“Quentin!” she cries, and rushes to his side, horrorstruck by the idea that he might die from the heart attack that she deliberately induced one minute ago. And then she spends the rest of the episode worrying about him, and wondering if maybe she could have handled this differently.

So I don’t even know what to say. The all-powerful living dead soap vixen at the heart of this storyline is hell bent on doing exactly the opposite of what she actually wants, and then she’s unhappy. What’s going on? How is it possible to be this bad at your job?

Continue reading Episode 1016: Fire Is Not a Friend

Episode 1009: The Great Train Robbery

“I implore you to remember the dead!”

Dark Shadows is currently engaged in a murder mystery storyline with no detectives, suspects, corpses or clues. Every few days, the characters forget that they’re doing a mystery story, and the only person who brings it up is the deceased.

Angelique was killed six months ago, during a seance in the Collinwood drawing room. At the time of death, her husband Quentin had his hands around her throat. A ghost said that she was cheating on him, which he already knew, and he decided to choke her to death, only to discover at the next-to-last moment that she’d already been killed by someone — or something! — else.

The doctor said it was a stroke. Angelique, who isn’t dead, insists it was an invisible hat pin, poked into her brain while her husband was innocently strangling her. It’s likely that the real murderer, if there is one, was one of the people at the seance, except I can’t remember which ones they were, or if any of them had a motive for killing Angelique, other than her husband, who has an airtight alibi. He couldn’t have killed her, you see, because he was standing right there at the time that she died, murdering her.

So I don’t know, maybe we ought to bring in another investigator, like Sherlock Hemlock or Inspector Gadget or somebody. We need a fresh pair of eyes, or at least a fresh pair of eyeglasses. But all we’ve got is another seance.

Continue reading Episode 1009: The Great Train Robbery

Episode 1006: Too Big to Do Anything But Fail

“I’m Larry Chase. I’m Chris Collins’ partner, and as you know, Chris is Dr. Longworth’s lawyer.”

Angelique Collins is talking things over with an old friend, who’s been summoned by the candles of the seventh secret. “They can send you back to your grave, forever!” she explains. This is a thing candles can do.

“I’m not a living being anymore,” Dameon points out. “The candles have no power over me!”

“Then try to move!” she says. Angelique gets into arguments like this all the time. “Try to lift your hand, and snuff the candles out!”

Suddenly, Dameon looks frightened. “I — I can’t move!” he yelps. Dameon is a ghost.

She breaks it down for him. “When the seventh candle was lit, you appeared. When the seventh candle is snuffed out, you will return to your tomb, and never appear again!”

“NO!” he cries. “No, you can’t do it! You CAN’T DO IT!” But she does it. And with one last agonized squeal, he disappears, leaving his bug-eyed skeleton hanging up in the closet, which is where Angelique keeps that kind of thing.

The witch lets out a triumphant cackle. “Now, nothing stands in my way!” she exults. “The house will be mine again! Quentin will be mine again! And nothing can stop me. NOTHING!”

And then something stops her, like, immediately.

Continue reading Episode 1006: Too Big to Do Anything But Fail

Episode 1005: People Trying to Talk Sense to Dameon Edwards

“They can bring you here because they have control over life, and they can send you away again because they have control over death.”

So I just have one question for Dameon Edwards, which is: Who the hell is Dameon Edwards?

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Episode 933: King Kong vs Godzilla

“I’m caught in something — a web!”

So Dark Shadows is pivoting, is the point, away from a weird story that nobody likes, and off into the uncharted territory of an even weirder story that nobody expects. And when Dark Shadows pivots, god damn, they pivot hard. Today, Fortune’s wheel takes a hairpin turn, directly into traffic.

There’s action and adventure today, up to and including frantic phone calls, rickety bridges, slammed doors, abrupt edits and giant fuck-off spiders, and if we’re not careful, we might lose a couple cast members before we’re done. And it’s only Wednesday, too. Nothing happens on Wednesdays, everybody knows that, but giant spiders don’t punch a timeclock. That’s a thing that you need to understand about giant spiders.

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Time Travel, part 11: Trial’s an Error

“It was some kind of mumbo-jumbo!”

Meanwhile, it’s 1790, and governess Victoria Winters is trapped by time, stuck two centuries early with no ride home. She’s been locked up and accused of terrible things, and now she’s on trial for her life, represented by pop-eyed barrister Peter Bradford. Opposing counsel is the Reverend Trask, who’s assisted by reckless spinster Abigail Collins and his own eyebrows, not necessarily in that order. And the Countess Natalie DuPres is terribly worried about her niece Josette, a young woman who seems entirely unable to date anyone with more than a couple of days to live.

Oh, and Barnabas — d’you remember Barnabas? He used to be the main character on this television show — Barnabas is in a box, all by himself.

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Episode 834: The What’s-Thatters

“Death runs faster than any man.”

A memo from young Icarus to his father, re: altitude. What are you talking about, Dad? These wings that you made from feathers and wax are working great. Why do you say that I’m flying too high? You’re supposed to fly as high as you can, that’s the whole point of flying!

And so, as Icarus sinks slowly in the west and learns some valuable lessons about swimming, let’s turn to Dark Shadows creator Dan Curtis. In defiance of good taste and common sense, Dan has turned his poky little soap opera into a five-alarm spookshow spectacular, delighting the teenagers and housewives of America with larger-than-life characters, hair-raising plot twists and inventive special effects. The ratings are still climbing, which makes Dan wonder: What can I do for an encore?

Today, we see Dan’s first answer to that question — Dead of Night, a primetime pilot for ABC that tried to adapt the Dark Shadows formula to an hour-long nighttime drama. Dan produced this pilot in late 1968, with several members of his Dark Shadows family — director Lela Swift, writer Sam Hall, composer Bob Cobert, and actors Thayer David and Louis Edmonds.

ABC finally broadcast the hour-long pilot in late August 1969, because they’d already paid for it and you might as well. While he’s been waiting for it to air, Dan’s scaled his ambitions up even further — he’s currently pursuing a deal with MGM, to make a Dark Shadows film. So before that kicks off, it’s useful for us to take a look at this pilot episode, “A Darkness at Blaisedon”, and see Dan’s first attempt to bring Dark Shadows to a wider audience.

Constructed haphazardly out of feathers and wax, Dead of Night introduces a trio of new characters — psychic investigator Jonathan Fletcher, his live-in chum Sajeed Rau, and the beautiful young heiress Angela Martin — and throws them onto a haunted house set, to see how far they can fly. Icarus, you are cleared for takeoff.

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Episode 826: Hungarian Crime Story

“If I only knew how you died, maybe I would know how to banish you!”

Order in the court! The honorable Johnny Romana — King of the Gypsies! — presiding.

In today’s episode, the accused, Magda Rakosi, stands before a jury of her peers, charged with the theft of the Legendary Hand of Count Petofi, and the murder of Julianka, a miniscule gypsy witch who came to fetch the Hand back.

Magda actually did steal the Hand, but she was only indirectly responsible for Julianka’s death, so I’d call this a draw. As a tiebreaker, I’d like to point out that Magda is a major character played by Grayson Hall, one of the all-time most interesting actors to look at, so there’s no way she’s going to be executed by a crew of day players and walk-ons.

Still, having a gypsy trial in the secret room of the mausoleum sounds like a blast, so I’ll allow it. Proceed.

Continue reading Episode 826: Hungarian Crime Story