Tag Archives: citation needed

Episode 991: Parsing Sabrina

“There is a evil here!”

It started with radio, of course, this war of the words, with Painted Dreams and Just Plain Bill and The Romance of Helen Trent. All those listening women needed something to listen to, and radio soaps offered fifteen minutes of pure uncut conversation. But there comes a time when even soap opera characters need to admit that they don’t know what they’re talking about, and pipe the hell down.

Take the parallel Sabrina Stuart, spouting nonsense at one of those pop-up seances which they construct on the fly in high-traffic areas on the Collinwood estate. “She’s dying, she’s dying!” Sabrina cried, pointing at someone who wasn’t dying. “Murder! Murder! MURD-ERRRR!” It wasn’t clear whether she was pro or con. It probably doesn’t matter, one way or the other.

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Episode 946: Universal Monsters

“Be cautious with it! We don’t want a string of strange deaths in our group.”

But it’s the age old story, isn’t it? Man comes into contact with something other — something beyond our grasp, beyond understanding, beyond words — and it changes us, occasionally for the better. And we take that encounter, and we turn it into story.

I mean, not this story, obviously. This story is insane. You know how Joseph Campbell and the Mythkateers say that all mythic narratives are just variations on a single great story? Yeah. This is one of the exceptions.

But even the strangest sound has an echo, and here, in the midst of the ragged and unruly Leviathan tale clattering across our screens in double-time, we can reach out and grab hold of another story that’s following a similarly erratic track.

There is another story where Barnabas very gradually fights an otherworldly menace, where Quentin appears and disappears with little consequence, where Maggie experiences carefully controlled doses of mild peril, and where an upsetting reptile pulls the strings, and makes the puppets dance.

This is a story that our people tell. We call it Barnabas, Quentin and the Mummy’s Curse.

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Episode 822: A Giant Evil Force

“Are you still a zombie, Quentin?”

Against all odds, it’s still the summer of 1969, and Dark Shadows has never been more popular. Eccentric millionaire Barnabas Collins has transported himself back in time to 1897, where he discovers that today’s teen dream Quentin C. is a restless, shambling zombie.

Young Jamison is possessed by the spirit of Quentin, or possibly the other way around; it’s difficult to tell. To save the family, Reverend Trask tries to perform an exorcism, and then a gypsy tells Quentin’s fortune. Meanwhile, Mad Jenny finds a set of keys, while somewhere a werewolf must hurry, for darkness means death. And that about brings us up to date.

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Episode 761: After School

“This is no time to try to understand anything.”

This is a world of magical foxes, who approach young children and try to convince them to jump into a well. It’s a world where recipe books appear in the strangest places, filled with the most dangerous ideas. A world where stopwatches run backwards, where ancient stones murmur secrets in lost languages, where the walls are smeared with tears and blood and substances no one can explain.

This is a world where anybody — literally anybody — can address any god they can imagine, and get a fair hearing. In this world, “magic” is just another word for interior design, the careful placement of mirrors and candles and arcane symbols scratched into the carpet. Magic is so close to the surface here, it crackles and hums on the back of your hand. It will kill you. It will definitely one hundred percent kill you.

And the only rule that keeps this world turning is: Leave the mundanes alone.

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Episode 628: Horrible Bosses

“I summon you in the name of the charred and blackened stars that reigned at my beginnings!”

Angelique has had enough. She lights a candle.

Prince of Fire, she says, I call upon the flame to summon you. I call up all the dark creatures of nature to summon you here to me.

I summon you in the name of the seven plagues, in the name of the charred and blackened stars that reigned at my beginnings, to rise out of the darkness of the earth!

I call you forth from the mouth of the dragon, and of the beast, and of the false prophet! I call you forth from the subterranean rivers of blood, from the smoke of torment which rises forever and ever!

In the name of every evil spirit — evil, and obedient only to you — I invoke you! Appear to me NOW!

And then she erupts into a furnace of psychedelic Chromakey flames, screaming and pleading for her life.

This is Wednesday, by the way. This is what we do on Wednesdays now.

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Episode 413: The New Black

“I’ve often thought it’s very sad that we live in two worlds that are so far apart in time from each other.”

Last night, assistant jailer and aspiring lawyer Peter Bradford sprung accused witch Victoria Winters from the Collinsport Gaol, so she could break into somebody’s house and steal a key piece of evidence in her case. Then he lied to opposing counsel about it, and indicated that he would perjure himself on the stand if required.

This morning, he feels bad about lying, so he’s planning to go to Reverend Trask and apologize.

I think it’s time for somebody to communicate to young Peter that he should stop coming up with new ideas, possibly through the medium of a prison sentence.

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