Category Archives: Gordon Russell

Episode 1137: It’s Alive, Sort Of

“The underground vault below the unmarked tomb, of course!”

Lightning flashes, thunder crashes, the hunchback turns the wheel that pulls the pulley that hoists the creature to the rafters. The set explodes in enthusiastic bursts of galvanic excess. The crazed doctor squints as he peers at the ceiling, waiting for the moment when all the power of God’s creation will be at his disposal. More sparks, more zaps, and all of nature cries out — in exaltation or disgust, I know not which — as the operating table winds its way back down, to rest again on the floor.

The doctor rushes forward, craning his neck to catch even the mildest suspicion of success, hardly daring to hope, and there — in direct defiance of all the laws of God and nature — the dead man’s fingers shudder — twitch — and a pale hand rises from the resting position.

“Look!” the doctor gasps. “It’s moving! It’s — alive! It’s ALIVE!” And then the monster gets up, maybe thirty to forty minutes later.

Continue reading Episode 1137: It’s Alive, Sort Of

Episode 1136: Waiting for the Storm

“This time, I can’t help feeling that the dead have nothing to do with what has been happening to me.”

Something dreadful is happening underneath the skin of the world, something unnatural and unreal. Our dreams are full of portents. Everywhere, confusion clouds the mind. Alien forces corrupt our intentions, taking hold and steering us to empty places.

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Episode 1134/1135: The Graveyard Smash

“We cannot succeed without it, because without it he cannot live!”

You know, she’s done amazing things in the past, but now she’s even more in the past, and look what she can do. Displaced medico Julia Hoffman, thrust by circumstance into a time not yet her own, has assembled — in the middle of the night, in the middle of a graveyard, and in the middle of the nineteenth century — a pop-up artisanal mad scientist coworking space with all the trimmings, including assorted glassware lashed into an impromptu apparatus with bubbling liquids of uncertain purpose, along with tables and lamps and switches and samovars and who knows what-all.

She’s even got things wired up with electricity somehow, with a good old-fashioned Jacob’s ladder spark gap buzzing away in the corner, in case the Nobel committee comes by and she needs to science the place up a little.

She’s in a secret underground crypt, by the way, built by ignorant and superstitious villagers a hundred and fifty years ago as a long-term radioactive-waste storage facility, so they would have a place to put decapitated wizards that they weren’t using anymore. It wasn’t zoned for whatever the hell this is, so Julia’s technically a squatter, and she couldn’t hire anybody to help her drag the enormous Frankenstein-size slab through the narrow trap door beneath the unmarked grave, and down the winding stairs to this busted basement. And yet she did it somehow, in absolute silence and secrecy, all on her own. It’s incredible what you can do, when someone else puts your mind to it.

Continue reading Episode 1134/1135: The Graveyard Smash

Episode 1129: Windmills, and How to Tilt at Them

“Each time it reappears, murders follow in its wake!”

Well, this is what happens when you try to un-inevitable the inevitable; shit gets messy. Time-climbing ghostbusters Barnabas Collins and Julia Hoffman have peeled back the layers of the fourth dimension, visiting the undiscovered country of 1840 in order to avert a tragedy that they know perfectly well is going to happen a hundred and thirty years from now, right in front of their faces.

Their plan is to figure out how everything got this way in the first place, and then use that knowledge to make it not happen the way that it’s currently happening before it happens, which it already has. So it’s not going that well.

Continue reading Episode 1129: Windmills, and How to Tilt at Them

Episode 1128: As Rome Burns

“While you’re at it, you pack your bags and get out of here, because you’re through!”

Things fall apart; the centre cannot hold; mere anarchy is loosed upon the world. The mystical severed head of deranged warlock Judah Zachery is missing, and his centuries-old corpse wanders the woods, drenching itself in the blood of the innocent. And somewhere in the dark future, the damned rise from the earth and advance on the great estate at Collinwood, toppling its towers and bringing the family to ruin and despair.

Can the accursed head and body be destroyed before they reunite, and begin a murder spree of unrivaled ferocity? Can the impostor time travelers staying at Collinwood unwind the chain of events that is even now leading the helpless inhabitants step by step towards an even greater horror to come?

And, more importantly, can this girl from a little mining town in the West find happiness as the wife of a wealthy and titled Englishman?

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Episode 1125: Things You Say to Otis Greene, Deceased

“What does it all mean? Why did you have to die before you could tell me?”

I kept telling them, death is only an extension of life. Then I killed them. Even then, they didn’t really get it. I guess it’s one of those jokes that’s only funny from one direction.

Continue reading Episode 1125: Things You Say to Otis Greene, Deceased

Episode 1123: Jay-Z

“Tonight I have finally met the man I am going to kill.”

He is the greatest single threat that the Collins family has ever encountered, the Big Bad magnified to the status of Big Worst. He is the man behind the curtain that you should not pay attention to, because if you get close, he’ll sear the flesh from your bones with the cleansing power of his unending hatred for everything in the universe, up to and including you.

The Catholic Church hated him so much that they murdered him, and then put his head on public display, so that everyone would know the true face of evil. And even his head — now stored in a see-through Tupperware container and hidden behind the draperies in the very room where you currently stand — even his head has the power to screw up your afternoon to a pretty devastating extent.

At least, that’s what I’m told. For all I know, this refugee from the antiques roadshow is just another dime-store decapitation, cluttering up the credenza.

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Episode 1118: Getting Ahead

“You seem to have a terrible effect on everyone but me.”

It always starts with a box.

In the red corner, breaking the chains that bind him and emerging once again from his family’s secret mausoleum to feast upon the juices of the living, we have returning champion Barnabas Collins.

And in the blue corner, with the purple satin drape over his glass cage, we have challenger Judah Zachery, a severed head who’d have a king-sized chip on his shoulder if he still had a shoulder.

This will be the final engagement that determines the ultimate fate of the Collins family — a mixed martial dark-arts battle royale between good and evil, or more accurately between somewhat evil and entirely evil.

It always starts with a box. Sometimes two boxes. It depends on how many boxes you have.

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Episode 1117: Meanwhile, Again

“When I saw your grave in 1970, I knew I had to find a way.”

Meanwhile, a hundred and thirty years in the future, another unfathomable time dilemma snakes its way across the room, fizzing and throwing sparks. Time flies, they say, and Barnabas Collins is a frequent flyer.

He sits down, and thinks about the magic Chinese sticks on the table in front of him. Two weeks ago, the whole neighborhood burst into flame, and the outlook post-inferno is decidedly bleak. The few survivors are scattered, broken, unable to heal. His best friend is missing, possibly kidnapped by ghosts or eaten by zombies, or maybe she’s the patsy in one of those lunatic time-travel conspiracies where people load up a sacred altar with books and boxes and instructions and failure and send it all into the future, where it catches fire and explodes into fragments, accomplishing nothing. He isn’t sure. So he throws some sticks on the table, closes his eyes, and gives the situation a good hard think. It’s called crisis management.

Continue reading Episode 1117: Meanwhile, Again