“When one is on a rollercoaster, one prays for it to end. But then the coaster stops, and one gets off and suddenly the world seems duller and sadder somehow.”
Dark Shadows, an ABC-TV daytime soap opera best known for making the world a stranger and more beautiful place, passed away on Friday, April 2nd, 1971, at the age of two hundred and forty-nine weeks. It was survived by a comic strip, a comic book and a paperback novel series.
“Kill Doubloon!”
Happy Turkey Day! It’s time for another pre-emption, as we reach Thanksgiving 1970 and ABC decides to spend the day looking at basketball. It’s traditional on pre-emption days to do a little time travel, and watch a future version of Dark Shadows. This time, we’re only jumping about eight months ahead; we’re going to watch the 1971 feature film Night of Dark Shadows, executive producer Dan Curtis’ next attempt to catch lightning in a bottle.
Last year, Dan signed with Metro-Goldwyn-Mayer to make a Dark Shadows movie, and he came up with House of Dark Shadows, a fearlessly unrestrained retelling of the original Barnabas storyline. The movie did well at the box office, considering how cheap it was to make, and MGM asked for a sequel. Unfortunately, almost every character in House of Dark Shadows met a grisly end in one way or another, so bang goes the Dark Shadows Cinematic Universe before it’s even started.
For the sequel, Dan had the good manners to wait until the TV show was over before hauling half the cast to Tarrytown, New York and dousing them with a hose. The final taping day on Dark Shadows was March 24th, 1971, and shooting began for Night of Dark Shadows on March 29th. Dan had nine hundred thousand dollars, six weeks, and a cast and crew that was mostly from the TV show. He’d planned to resurrect Barnabas for the second movie, but Jonathan Frid was sick of playing vampires, and asked for a million dollars. So Dan took the show’s second male lead, David Selby, and set him up with two leading ladies — Lara Parker, Dark Shadows’ veteran vixen, and Kate Jackson, an ingenue who’d joined the show about ten months earlier and was obviously destined for stardom.
Night of Dark Shadows was vaguely based on the show’s Parallel Time storyline, which was vaguely based on Daphne DuMaurier’s Rebecca, plus some inspiration from The Haunted Palace, a 1963 Roger Corman film that was supposed to be based on an Edgar Allen Poe poem, but was actually based on an H.P. Lovecraft story, “The Case of Charles Dexter Ward”, which when you get right down to it isn’t really very much like Night of Dark Shadows at all.
“The dead sheriff was standing over me with a gun, and I woke up here.”
Paul Stoddard is missing, again. The Leviathans desecrated his grave a couple weeks ago, with the vague intention of dragging the corpse out of the ground and interrogating it, and when they cracked the coffin, they found the dead man grinning at them in a frozen, ghastly moment of post-mortem mirth. What could this mean? they asked. How could there be something out there that’s crazier than us?
So they burned the body, and by “they” I mostly mean Jeb Hawkes, the master of murder who’s currently standing graveside, comforting Paul’s daughter, as she grieves for a father who just keeps on disappearing.
“When I was a little girl, my father went away from me,” Carolyn chokes. “I told myself then that I was so small, I couldn’t keep him. Then I grew up, and he came back to me. I had another chance. And he went away again.”
Jeb approaches, the secret author of her pain. “Carolyn, this is not the same!”
“Maybe not,” she shrugs. “But I did lose him again, didn’t I?” He embraces her, and for a moment, he almost feels like maybe it wasn’t such a hot idea to murder someone in his girlfriend’s immediate family. And Carolyn cries, “Why are there so many ways of losing people, and so few of holding on?”
So you look at this couple, at this point in the show’s history, and you can’t help but think of the six words that could bring down a government: Don’t you think she looks tired?
Continue reading Episode 962: The Second Law of Thermodynamics
“The book doesn’t say to like me, does it? “
A man is dead on Dark Shadows, which isn’t exactly stop-press news; over the last year, they’ve stacked up so many bodies that people had to come back to life as a new character, just to kill them all over again. Just last week, three characters died on screen, and only one of them even matters.
Here’s the roll call: Paul Stoddard was killed by a lot of noise in the other room, which rendered him inert and sticky; Amanda Harris died of being cast in a Stephen Sondheim musical; and Sheriff Davenport was murdered at the end of Friday’s episode by a Monster Point of View shot.
Now, when Amanda dies, they actually say that the half-life that she kind of lived over the last seventy years was erased from history, so that the only people who remember anything about her are Quentin and Julia. This was entirely unnecessary, because Quentin and Julia were the only people on the show who cared about her anyway. So it’s kind of rude to make a specific point of deleting her, but on the other hand, I can’t remember who we’re talking about, so whatever.
And then there’s Sheriff Davenport, who is so unmourned that when we see his grave later this week, it says “Sheriff Davenport” on it. He didn’t have a first name, apparently, and it’s too late to give him one now. I suppose he’s lucky he even got a gravestone of his own; they could have just used Jeremiah’s with a Post-It note stuck over it.
“I suppose I’d better pay a visit on the antique shop which specializes in a succession of strange, disposable little boys.”
Scene One: Grave, Indeed
EXT. PHOTOGRAPH OF COLLINWOOD — DAY
PROFESSOR STOKES (O.S.)
For Maggie Evans, a time of terror at Collinwood has ended, and the source of her torment has been identified as Michael, the boy who lives with Megan and Philip Todd at the antique shop.
FADE IN:
INT. ANTIQUE SHOP BEDROOM — DAY
Michael stares directly into the camera, waiting for his cue to begin acting.
PROFESSOR STOKES (CONT’D)
And now Michael faces his own time of terror. For with shocking swiftness, he has fallen ill, and as she examines him, Julia Hoffman knows his illness is grave indeed.
Having received his cue, Michael shuts his eyes and rolls around on the bed. Julia positions a stethoscope somewhere in the vicinity of his heart.
JULIA (THINKS)
Come on come onnnnnn when do I get to inject him with something
Continue reading Episode 928: Another Day in the Uncanny Valley
“I feel as if something is trying to get inside of me!”
And another thing…
It’s my own fault, I recognize that. I was the one who wanted to write about Dark Shadows in the first place, and I was the one who decided that on pre-emption days, I would watch an episode of the 1991 revival. I did not open the mysterious box; I did not read the forbidden book; I did not receive instructions in my dreams. This is on me.
But here I am, in November 1969, when the show was pre-empted twice in the same week — for the Apollo 12 splashdown on Monday, and then for Thanksgiving on Thursday. So now I have to write about two 1991 episodes, which is straining endurance.
“I know your feeling. Everyone I love must die, too.”
“How dark it is!” says the unresting spirit of Julianka. “I do not like death at all!” She was only killed a few hours ago, so she hasn’t had a lot of time to get used to it, but here she is, already submitting her post-mortem Yelp review. I guess even dead people get impatient sometimes. That’s kind of comforting, in a way.
“When you were putting Miss Balfour’s room to rights, did you find a dead snake on her dresser?”
Shadows of the night, falling silently. “Quentin’s Theme” is steadily climbing the Billboard Hot 100 charts, and pretty soon everyone’s going to be humming that tune, whether they want to or not. In this world that we know now, Quentin Collins is a bona fide Dark Shadows phenomenon, with a hit record and everything.
And this phantom melody is even starting to intrude on the hazy parallel world of the Paperback Library gothic romance novels. This peculiar line of spinoff books has been spinning its own cracked version of Dark Shadows for several years now, first chronicling the adventures of an ersatz Victoria Winters, and then tumbling head over heels for Barnabas Collins.
We last checked in with the Paperback Library four months ago to read Barnabas Collins vs the Warlock — the 11th novel in the series, and the sixth to feature Barnabas. By that point, the PBL was following clear editorial guidelines that the greatest human being who ever lived is named Barnabas Collins, and everybody else can go to hell. His only flaw is that his hands are cold, and hands are not everything.
But even the Paperback Library can’t ignore Quentin forever. They can ignore consistency and common sense and the limits of human patience, but Quentin Collins requires a response.
“Paintbrush!”
And now: a meditation on death, loss, renewal and teleprompters, with the help of Alfred, Lord Tennyson, and the cast of Dark Shadows.
Strong son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou has made.
Dark Shadows Every Day 