“She called your name, and then she became unconscious again.”
One nice thing about being a soap opera character — and overall the benefits are not numerous — is that every once in a while the writers need you to figure something out in a hurry, so they hand the entire solution to you on a platter, whether it makes sense or not.
For example: the Dark Shadows writers have decided that straight-laced Charity Trask needs to know that Quentin, her prospective fiancé, is a werewolf who murders people on the regular. So they’ve arranged an educational tableau for her to discover, on her morning walk through the woods.
Lying on the turf is the unconscious Quentin, with his shirt all ripped up and decorated with blood spatters. A couple feet away, there’s a young woman who we haven’t seen before and aren’t likely to see again, because she’s sporting the telltale fang and claw marks of a werewolf victim.
Feebly, the girl mutters Quentin’s name, and Charity finds the crucial piece of evidence in his hand — he’s clutching a piece of taffeta, torn from the young lady’s dress. There isn’t a sign that says WEREWOLF with an arrow pointing to Quentin, but Charity’s a bright girl. She can put two and two together, especially if one of the two is currently bleeding out on the green burlap that everybody’s agreed to pretend is the ground.
Dark Shadows Every Day 