Monthly Archives: September 2016

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Episode 932: The Gates of Heck

“I find most mortals difficult to understand.”

So I guess there’s no way around it; I have to write about the Quentin/Amanda/”Mr. Best” storyline. Two weeks ago, I got so exasperated with my Quentin/Amanda post that I didn’t even finish writing it. I got as far as Mr. Best showing up on the bridge, and I couldn’t go any further. I just stopped writing and hit Publish, and that was that. My thinking basically went like this: Some of my posts are heartbreaking and brilliant; some of them are not. I guess this is one of the ones that’s not.

But here I am, dragged back to the scene of the crime. The Quentin/Amanda story is wrapping up over the next two days, and I can’t just pretend it’s not happening. Can I?

Continue reading Episode 932: The Gates of Heck

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Episode 931: MPOV

“When you are human, you will never do this again. Never!”

Well, according to Curtis Whateley, this is what it looks like:

“Bigger’n a barn… all made o’ squirmin’ ropes… hull thing sort o’ shaped like a hen’s egg bigger’n anything with dozens o’ legs like hogsheads that haff shut up when they step… nothin’ solid abaout it — all like jelly, an’ made o’ sep’rit wrigglin’ ropes pushed clost together… great bulgin’ eyes all over it… ten or twenty maouths or trunks a-stickin’ aout all along the sides, big as stove-pipes an all a-tossin’ an’ openin’ an’ shuttin’… all grey, with kinder blue or purple rings… an’ Gawd in Heaven — that haff face on top…”

And then he falls down on the ground, and loses consciousness.

Still, Curtis Whateley. Right? Who elected him king of knowing what invisible monsters look like?

Continue reading Episode 931: MPOV

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Episode 929: Les Disposables

“I like being the way I am right now, and I don’t want it to end.”

“Since Barnabas Collins returned from the past,” says a disembodied Nancy Barrett, “his actions have been a mystery, and a matter of concern, to many who had once been close to him.” Yeah, no kidding. We’ve had a front-row seat to both the mystery and the concern for a couple months now.

She continues, “No one has known of the strange force that has compelled him to do the things he has done — the people of the Leviathan, who hold his beloved Josette hostage, and threaten him with the return of the curse of the vampire. He has become desperate to find a way of stopping the menace that threatens Collinwood.”

Oh, well, that explains everything. Why didn’t you say so?

Continue reading Episode 929: Les Disposables

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Episode 928: Another Day in the Uncanny Valley

“I suppose I’d better pay a visit on the antique shop which specializes in a succession of strange, disposable little boys.”

Scene One: Grave, Indeed

EXT. PHOTOGRAPH OF COLLINWOOD — DAY

PROFESSOR STOKES (O.S.)

For Maggie Evans, a time of terror at Collinwood has ended, and the source of her torment has been identified as Michael, the boy who lives with Megan and Philip Todd at the antique shop.

FADE IN:

INT. ANTIQUE SHOP BEDROOM — DAY

Michael stares directly into the camera, waiting for his cue to begin acting.

PROFESSOR STOKES (CONT’D)

And now Michael faces his own time of terror. For with shocking swiftness, he has fallen ill, and as she examines him, Julia Hoffman knows his illness is grave indeed.

Having received his cue, Michael shuts his eyes and rolls around on the bed. Julia positions a stethoscope somewhere in the vicinity of his heart.

JULIA (THINKS)

Come on come onnnnnn when do I get to inject him with something

Continue reading Episode 928: Another Day in the Uncanny Valley

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Episode 927: A Limited Number of Tomorrows

“I’m not just a little boy in every room in this house!”

Right now, I’m writing these words, and right now, you’re reading them, and those cannot possibly be the same “right now,” and so there is a time distortion in everything that we know about each other.

On Dark Shadows, it’s January 1970. For me, at the moment, it’s September 2016. For you, it’s some impossible-to-predict time in the future — a couple hundred of you today, and a couple thousand of you this week, and then who knows how many, in the long tail of tomorrows to come.

Continue reading Episode 927: A Limited Number of Tomorrows

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Episode 925: The Wolf of Wall Street

“I am concerned with the safety of other people, not what’s right.”

Michael is staring at Maggie Evans.

Maggie is a pretty young woman who used to be a waitress, and now works at Collinwood as David’s private tutor. Michael is a seven-week-old baby monster who came out of a time travelling box, and will someday cleanse the Earth of its human population. Everybody has to be something, I suppose.

Michael’s come over to the house today, unannounced and uninvited, because he wants to play with David and be insolent to grown-ups. Maggie was in the middle of a lesson with David, but now Michael’s here, and she’s not sure what to do.

The problem is that Michael is such an odd little boy. He says things that sound polite — “You wouldn’t do that, would you, Miss Evans?” he says — but he keeps his eyes locked on hers, unblinking, in a way that people generally don’t, unless they’re planning to murder you.

Maggie finally decides that it’s okay — she’ll grade David’s paper, and the boys can play in the drawing room. But as she’s gathering up the papers, she feels Michael’s eyes, still following her. She turns, and sees that he hasn’t moved; he’s just standing there at the door, staring her down.

She tries to collect herself, and says, “Michael, is something wrong?”

He keeps sizing her up. “What could be wrong, Miss Evans?” he asks, with a faint smile.

“You keep staring at me.”

Anxious to break the tension, David cries, “I’ve got it! We can play Wall Street. Do you like Wall Street, Michael?”

“It doesn’t matter what game we play, David,” the boy sneers. “You know that.”

So, yeah, of course they’re going to play Wall Street. This kid is the living embodiment of the Big Short.

Continue reading Episode 925: The Wolf of Wall Street

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Episode 924: Pretty Woman

“We became friends in the past. Please, let us be friends now.”

Mrs. Rumson arrives at her palatial beach mansion on Little Windward Island, and greets her husband of six months, the handsome publishing magnate. She’s found peace at last, after so many years of struggles and schemes. She’s going to go straight, she said, and everyone laughed. But she’s on the level, this time. The dead past will bury its dead.

But nothing ever stays dead, not on this show. At least, not with Dr. Julia Hoffman around.

Continue reading Episode 924: Pretty Woman

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Episode 923: Probably Her

“If we can find more realities like that, maybe we can get him out of the mist.”

Okay, so do you remember how pretty much all of last year I was saying that the writers didn’t have a big master plan that connected Quentin’s haunting with Chris’ werewolf story, and that they had no idea that they were going to use Charles Delaware Tate’s magic portrait skills to cure Quentin and bring him to 1969 to reunite with his long-lost great-grandson? And everyone was like, no, they planned that all out, they knew the whole thing, like, totally in advance. And I was like, no, they’re just making it up as they go along.

Well, here we are, in Tate’s big dark mansion, with the culmination of this master narrative — Quentin, werewolf, Tate, portrait. So what’s the big payoff?

Nothing! Because they didn’t actually have a plan.

So everybody else was wrong and I was right, and that’s why I am the god emperor of understanding how Dark Shadows works.

Continue reading Episode 923: Probably Her