Tag Archives: fangs

Episode 1149: Wicked

“I do hope he’s not becoming emotionally involved with anyone at Collinwood.”

Here it is, the climax of this epic tragedy: the love story of Barnabas Collins and the late Roxanne Drew. He’s followed her through three layers of paradox to arrive at this choice slice of cliffhanging: the zenith of all his mistakes, piled up on top of each other and ready to topple.

“You will never rest, Barnabas,” the witch spat back then, as she clutched the buckshot wound that he gave her as a wedding present. “And you will never be able to love anyone — for whoever loves you will die!”

And they have, one after another. Kill your darlings, they say, and he has — Josette and Rachel and Kitty and Vicki and Angelique and now, finally, Roxanne, the latest in every sense. He has what he always thought that he wanted — a daughter of Dracula, clad in a filmy shroud, ready to join with him for eternity in a casket built for two.

But it’s all gone wrong, somehow. It turns out a vampire vixen isn’t as sexy as everyone had hoped — instead, she’s a green-skinned witch of the west, hollow eyed and sallow cheeked, and she doesn’t seem to like him. The two predators square off in this shabby lighthouse, lightning flashing from their dark eyes, as the tension stretches to the breaking point.

And then Roxanne opens a door, and walks away.

Continue reading Episode 1149: Wicked

Episode 1114: The Unshakeable

“Go back to Collinsport and bury someone!”

First there was the unconscious Roxanne from Parallel Time, who talked like a jungle girl and got mesmerized by random objects. Barnabas fell in love with her, and then the house burned down, while she was trapped inside.

Then there was the vampire Roxanne from 1970, who talked about astral twins and punctured Maggie on the neck. Barnabas fell in love with that one too, and then the house burned down again, while she was trapped in a box.

In fact, every time we run into Roxanne, there’s an omega-level apocalypse just around the corner; clearly, the universe wants nothing more than to destroy this girl, and murder everyone who comes into contact with her.

But every time we leave Roxanne behind, we get to the next place, and guess what we find? Roxanne! This girl is the unshakeable Droopy of Dark Shadows.

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Episode 1088: The Summer of Our Discontent

“Don’t you feel the evil in this room?”

If it seems like the Collinwood halls are filled with more ghosts and fewer people than usual, that’s because three of the stars — Jonathan Frid, Kathryn Leigh Scott and Nancy Barrett — are out this week on separate press tours for House of Dark Shadows, the feature film which keeps on finding ways to make the show worse.

In the film, Jonathan Frid plays a vampire, Kathryn Leigh Scott plays a girl, and Nancy Barrett plays a girl vampire, so she wins. You see a lot of Carolyn-the-vampire images in the promotional materials, because that’s the traditional early-70s horror movie draw — a pretty girl in a flimsy nightgown, with blood all over her face. This was the period after they invented red paint and before they invented slasher movies, so sometimes the girls had to go and get bloody some other way.

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Episode 1021: Five Things

“If you had murdered someone, what’s the most logical thing that you would do?”

It’s Monday, as you know, because here we are and it’s Monday. Just look around, this is what Monday looks like. Right? Okay.

Now, I’m going to tell you five things about this week on Dark Shadows, and one of them is going to be hard to believe, so you’re just going to have to trust me on this.

First: One of the main characters — who we thought was in love with one character, and has been drawn into a complicated relationship with a second character — is suddenly and without warning going to be madly in love with a third character, and then we’re supposed to pretend that it’s been that way all along.

Second: There’s an episode this week that only has four characters — one nice person, and three nasty people who spend the entire half-hour criticizing her, gossiping about her and openly mocking her.

Third: You know that rape subtext that sits awkwardly behind practically everything that happens on Dark Shadows, including the vampire bites, the possessions, the enchantments, the body swaps and the aggressive reincarnations? You know, the thing that makes us uncomfortable, because we enjoy a show that expects us to be interested in the love lives of serial rapists? Well, that’s going to graduate from subtext to actual text this week. In fact, we’re going to see a villain do a brief monologue on the subject of how great it’s going to be when he literally rapes someone you like.

Fourth: A relationship that you’re interested in, and that maybe you’re rooting for, will get blown to bits this week, and you will never care about it again. This is no longer a story about love triumphant in the face of evil, it’s just a story about things that happen to this particular set of complex, haunted people.

Fifth — and this is the one that’s hard to believe — this is what it looks like when Dark Shadows gets better.

Continue reading Episode 1021: Five Things

House of Dark Shadows: Let’s Not Play Insane Games

“I haven’t seen the light of day in almost two hundred years.”

Right this minute, teenage bad boy John Yaeger is in the basement of the Old House, pulling apart the locks and chains that keep Barnabas Collins shut up tight in his coffin. Six weeks ago, the Dark Shadows cast took off for Tarrytown to shoot a feature film, leaving the newcomers and second-stringers to keep the show warm while they’re gone. Now they’re cracking open the mystery box, and once more unleashing Barnabas upon the populace. Dark Shadows is back at work.

To celebrate, I’ve invited actual famous grown-up film critic David Edelstein to come watch the 1970 film House of Dark Shadows. David’s the film critic for New York magazine, NPR’s Fresh Air and CBS Sunday Morning, and he’s also a lifelong Dark Shadows fan and a friend of the blog.

Five years ago, David wrote a very funny review of the Tim Burton movie, which he figured was his only chance to write about Dark Shadows. But it turns out he’s got more in the tank, so we’re going to watch the 1970 film House of Dark Shadows together, and discuss the whole thing from start to finish. David saw HoDS when it first came out, and he’s always loved it, so yeah, I know, just another example of bias in the mainstream media.

Today’s journey involves Hammer movies, overstuffed sets, inadvertent love triangles, how you can tell it’s daytime, cameos, cannons, the color of blood, and the age-old war between actors and scenery, and it ends with the extermination of everything that you love.

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Episode 995: I’ll Bite Anything

“It is difficult to rechannel my thoughts after three years of thinking about nothing but you.”

So it’s not the late 60s anymore, is what I’m saying, and eventually a show that’s as adamantly late 60s as Dark Shadows is going to run into trouble when it tries to outlive its environment.

As you know, the difference between the 1960s and the 1970s is that in the 70s, America discovered the concepts of responsibility and safety. In late 1969, the innocent flower children of Woodstock met the lawless, murderous Hells Angels of Altamont, and the good trip became a bad one, to our lasting disadvantage.

At that point, the American people decided that maybe giving their children exposed metal hot plates as toys wasn’t such a great idea, and maybe we should try wearing seat belts, and using child-proof caps, and not letting the Manson Family stay in the guest house. You know, the whole actions have consequences, gravity is real, sometimes people are assholes thing that ruins so many promising utopias.

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Episode 971: The Cleanup Crew

“Whatever it is that’s drawing you there, I hope it doesn’t harm you.”

Roger Collins wakes up, somewhat the worse for wear. He’s in a hallway, and his head hurts. He tries to take stock of his surroundings, but these particular surroundings are difficult to stock-take. Why is he on the floor?

A friend is standing nearby. He looks up at her, and moans, “Julia, what are you doing here?”

“Elizabeth said I could come and see the architecture in the east wing,” she chirps. “It’s very interesting.” Roger tries to assimiliate this information into his current worldview.

The problem is that he’s got a couple big holes punched in his memory card, one labeled Killer Octopus from Outer Space and the other Oh My God That Nice Woman from the Antiques Store Is a Vampire. Between them, that pretty much sums up everything that Roger’s experienced in the last couple of months; everything else is just make-believe visits to Bangor-on-Business, which is imaginary.

He tries to narrow down the problem, and lands on location. “The east wing?” he scowls. “Did you say the east wing?”

“Yes, Roger,” she says.

He shakes his head, and exclaims, “Well, what am I doing here?”

“Well, now, Roger, I’m sure you have a very sound reason,” Julia says, as she helps him to his feet, “but blows on the head have a way of making people forgetful.” Then she pats him on the arm, and encourages him to go talk about it somewhere else.

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Episode 961: Protagonizing

“I want you to get good and mad — mad enough to rip a man to shreds!”

“My, my, Mr. Jennings,” Bruno says, splitting his face with a lunatic’s grin. “How you’ve changed!” He’s sneering at the snarling werewolf that’s currently chained to the wall of this desolate crypt, and he’s staying just outside the creature’s reach, like Foghorn Leghorn standing at the dog’s leash limit.

“Does the tone of my voice anger you?” Bruno jeers. “Good! I want you to get good and mad — mad enough to rip a man to shreds!”

This is not typically a problem for werewolf handlers, because the entire point of werewolves is to be a metaphor for unchecked fury and explosive violence. You don’t need to rile up a werewolf. They come pre-riled.

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Episode 955: Once Again

“Surely, you must have realized that neither of us has any chance for a normal life.”

There’s a spooky spellcasting music cue on the turntable, and newly-minted vampire Barnabas Collins stands on the terrace outside the great estate of Collinwood, speaking to people without moving his lips.

“I’m waiting for you, Maggie!” he vents. “You must respond! You must come to me! Now!”

And then she does; she just walks right out onto the terrace and starts responding. This is why Barnabas doesn’t need a phone.

Now, I was under the impression that Barnabas could only pull stunts like this because he’s psychically connected to his blood-slaves. But Maggie isn’t under Barnabas’ sway these days, so I don’t know how he gets this direct line to her nighttime terrace decisions. Maybe everybody’s had Bluetooth this whole time, and they just didn’t mention it.

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Episode 951: Into Darkness

“May that breathing never come from any room again!”

So our main character is dead again, hooray! Dark Shadows can fight its destiny as much as it likes — periodically sending Barnabas to rehab, distracting us with other monsters — but the fact is, this is a vampire show. It always has been, even before the vampire showed up, and it always will be, even after the vampire turns into a guy named Bramwell.

The novels say that Barnabas is a vampire, and so do the comics, the board games, the joke books and ABC’s marketing department. And now, thanks to the only worthwhile thing that the Leviathans ever accomplish, even the vampire show has to admit that their vampire is a vampire.

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