“Less talk, more crowbar!”
Stop me if you’ve heard this one: A man walks into a crypt, looking for buried treasure. He crowbars his way into a mystery box, and what does he find? A pain in the neck.
Today is Christmas Day 1970, happy holidays by the way, and the show is taking the day off. On pre-emption days, the blog is visited by the Ghost of Dark Shadows Yet to Come, often to our great and lasting regret. During previous pre-emptions, we watched the 1970 movie House of Dark Shadows, the 1971 movie Night of Dark Shadows, and the 12 episodes of the 1991 NBC revival. The short version is that they weren’t very good, because trying to catch lightning in a bottle is difficult, especially when you’ve already used that bottle a couple of times. Lightning’s funny that way.
Today, we’re taking a look at the next chapter of that story: the 2004 pilot for a new prime-time Dark Shadows, prepared for and rejected by the WB, which used to be a television network.
You see, Dan Curtis — Dark Shadows’ creator and executive producer — never gave up on Dark Shadows, except while he was making it, when he definitely did. Having tasted the thrill of unexpected success in 1968 and 1969 as the show’s popularity reached its peak, he decided to make a movie version, using the same cast, crew and writers, while the television show was still on the air. That left the show coasting for months on ABC-TV with the B-squad characters, and when Dan finally came back to the series, all he really wanted to do was make another movie, and that’s why the show came to a gradual, disappointing end.
In 1991, Dan decided to try again, making a 12-part prime-time series for NBC that used a lot of ideas from House of Dark Shadows, and it didn’t work out, for lightning/bottle reasons. And then he just kept on trying to remake the remake for the next 12 years, finally managing to convince the WB to spend five million dollars on a pilot that nobody liked.
I asked you to stop me if you’ve heard this before, but frankly, it’s no use trying. The only way that Dan could stop retelling the story of Dark Shadows was to die, and even then, I bet he’s up in Heaven, pitching Saint Peter on another series. I’m kidding, of course; executive producers don’t go to Heaven.
Dark Shadows Every Day 