Tag Archives: sedatives

Episode 1069: Hold Me, Thrill Me, Kiss Me, Kill Me

“We can stop the cause of what’s made all this happen if we go back!”

There’s a moment in this episode when it looks like Julia might give Quentin a lethal injection, as the Sheriff of Collinsport just stands there and watches.

It doesn’t happen, but that’s how bleak the current storyline is, that you sit there and think, wait, is Julia casually murdering one of her friends? Last year, we spent six weeks with the main character of the show mind-controlled by lurking horrors from the depths of space who wanted to cleanse the earth of humankind, and it wasn’t anywhere near as scary as this.

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Episode 1038: The Spy Who Loved Me

“I thought I had removed the life force completely, but apparently not.”

The vampire rises from his crypt, murder on his mind. Someone has intruded on his private sanctum, and she must be destroyed.

“So you’ve found me out!” he growls. “It will be the last thing you’ll ever do.”

She backs away. They always do — the doomed ones, the prey — scuttling towards the wall, squeaking, searching for the magic words that will make this nightmare stop coming true. And then the interloper says the one improbable thing that could flip the script on the oncoming train wreck.

“No, Barnabas, it’s me!” she chirps. “It’s me, Julia! I’m dressed this way for a reason!”

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Episode 1036: I’m Not Hoffman

“I assure you, I am who I am.”

Parallel housekeeper Julia Hoffman approaches the coffin with hammer and stake. There’s a vampire at Loomis House, an undead creature with jaws that bite and claws that catch, and the only one who’s able to do anything about it is this fearless domestic. She alone will wield the strength and skill to fight the forces of darkness. She is the one that destiny has chosen. She is the Slayer.

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Episode 1034: Mistakes in Justice

“I tried slapping her, and telling her there was no such person as Alvah.”

And so, as Sabrina sinks slowly in the west, we wonder: is there any other version of this story we could pay attention to instead?

I mean, the current storyline on Dark Shadows basically entails Barnabas struggling to save fake Maggie from fake Angelique, as they fight over an imitation Quentin made of straw and food coloring. Sabrina is gone and Julia is on the ascendant, but still, it’s Parallel Time and there’s only so much I can deal with. So how about today we turn to an equally ersatz band of time, and see what’s happening over at the Paperback Library?

Dan “Marilyn” Ross is currently pumping out Dark Shadows novels at the rate of 159 pages a month, and honestly they’re just as canon as anything else, so we ought to keep an eye on them just to make sure they’re not hurting anybody. The current installment as of May 1970 is #17 in the PBL Gothic series: Barnabas, Quentin and the Avenging Ghost, the second book to use the “Barnabas, Quentin and…” construction.

The cover blurb says “Barnabas and Quentin join forces against Collinwood’s ghostly killer,” which isn’t strictly accurate, in that they don’t join forces, it’s not necessarily Quentin, there isn’t a ghost, and nobody gets killed. Besides that, it’s fine.

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House of Dark Shadows: Let’s Not Play Insane Games

“I haven’t seen the light of day in almost two hundred years.”

Right this minute, teenage bad boy John Yaeger is in the basement of the Old House, pulling apart the locks and chains that keep Barnabas Collins shut up tight in his coffin. Six weeks ago, the Dark Shadows cast took off for Tarrytown to shoot a feature film, leaving the newcomers and second-stringers to keep the show warm while they’re gone. Now they’re cracking open the mystery box, and once more unleashing Barnabas upon the populace. Dark Shadows is back at work.

To celebrate, I’ve invited actual famous grown-up film critic David Edelstein to come watch the 1970 film House of Dark Shadows. David’s the film critic for New York magazine, NPR’s Fresh Air and CBS Sunday Morning, and he’s also a lifelong Dark Shadows fan and a friend of the blog.

Five years ago, David wrote a very funny review of the Tim Burton movie, which he figured was his only chance to write about Dark Shadows. But it turns out he’s got more in the tank, so we’re going to watch the 1970 film House of Dark Shadows together, and discuss the whole thing from start to finish. David saw HoDS when it first came out, and he’s always loved it, so yeah, I know, just another example of bias in the mainstream media.

Today’s journey involves Hammer movies, overstuffed sets, inadvertent love triangles, how you can tell it’s daytime, cameos, cannons, the color of blood, and the age-old war between actors and scenery, and it ends with the extermination of everything that you love.

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Episode 815: The Time Television

“Count Petofi, do you think this is some sort of a carriage ride?”

Okay, stop me if you’ve heard this one before: a mad god, an assassin and a vampire walk into a basement. The mad god says, “Look into that cupboard, Mr. Collins! What do you see?” And the vampire says, “I see the inside of the cupboard.”

All right, it’s not that funny, but you have to admit you haven’t heard it before. It’s kind of hard to believe that we’re hearing it now.

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Episode 698: Sister Act

“I don’t see much point in a party that isn’t a surprise.”

It all started ages ago, back when handsome, irresponsible Chris Jennings was just beginning his career as a werewolf. A bad moon was on the rise, and Chris was planning to spend a quiet evening at home, chained to the radiator. But then his girlfriend came over unexpectedly, and booked a ringside seat for his hideous transformation.

The next morning, Chris decided that this would be a good opportunity to travel, so he took off, apparently without pausing to determine whether Sabrina was alive or dead. He just packed a bag, and ran. The worst thing about being a werewolf is that you don’t get a lot of security deposits back.

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Episode 651: Mother’s Little Helper

“Are there dead people in that building?”

Well, there she goes again. Girl governess Victoria Winters has vacated the premises, dashing off to the 18th century to set a world record for the number of times you can get yourself hanged. She was ashes, she was memory, she was a dream that never came true, and there’s a very good chance that she just created an alternate timeline where Dan Curtis had a dream about Phyllis Wick.

Winner and still protagonist Barnabas Collins and perpetual runner-up Liz Stoddard were live on the scene when Vicki clicked her heels three times and fell backward into the time vortex. Now they’re standing around in the drawing room, trying to process the unprocessable.

“It’s beyond our understanding,” Liz says, “like death.”

Oh, great. Here we go.

“We don’t understand death, do we?” she continues. “Because we can’t. We can only wait for it, knowing it will reach out for us, when it’s ready.”

Yup, that tears it; she’s gone all gloomy again. This is why they never did a blockbuster remake of the Elizabeth Stoddard story.

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