Tag Archives: hat acting

Episode 1106: Lady Is a Vamp

“Are you serious about trusting your secret to her?”

You know that your climactic vampire reveal is not all that it could be, when you raise the lid of the coffin and do the dramatic music cue, and then one character turns to the other and says, “Who is it?” That can’t be what they were going for.

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Episode 851: Everybody Hates Quentin

“The only future she has with you is death!”

When we last left historical heartthrob Quentin Collins, he was in what should have been a rock-solid position. He’s been released from his werewolf curse. The prophesied date of his death has come, and gone. He’s shaken off his irritating old girlfriend, and he’s running away from his terrible family with his cute new girlfriend, which by the way, both of them are immortal now. All the charts are pointing up and to the right.

But Quentin’s the lead character in a soap opera, so obviously things don’t really work out that way; there’s no such thing as a happy ending for this man. Still, today he gets to beat up the two most annoying characters on the show, so it’s not all bad.

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Episode 698: Sister Act

“I don’t see much point in a party that isn’t a surprise.”

It all started ages ago, back when handsome, irresponsible Chris Jennings was just beginning his career as a werewolf. A bad moon was on the rise, and Chris was planning to spend a quiet evening at home, chained to the radiator. But then his girlfriend came over unexpectedly, and booked a ringside seat for his hideous transformation.

The next morning, Chris decided that this would be a good opportunity to travel, so he took off, apparently without pausing to determine whether Sabrina was alive or dead. He just packed a bag, and ran. The worst thing about being a werewolf is that you don’t get a lot of security deposits back.

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Episode 420: The Stalking Dead

“I don’t care about those things that I can’t understand.”

Okay, everybody, please take your seats; Barnabas Collins is looking up.

“Why doesn’t she come to the window?” he says, in thinks. “I must see her one more time before she leaves. One more time!”

Barnabas is trying to avoid Josette, but as usual, he isn’t trying very hard. He knows that if he sees her, he won’t be able to resist biting her and turning her into his vampire bride, and on the whole that’s probably not something that a gentleman ought to do. But if he could just see her One more time!

He’s not good with the portion control, is what I’m saying. It’s not his strong area.

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Episode 373: The Devil Wears Prada

“If I ever leave this place, it will be in my own carriage.”

The first day at a new job is always a trying experience, even if it’s 1795 and you don’t have to switch to a new email address. Ben Stokes just met Angelique earlier in the day, and now she’s cast a spell on him, and made him her slave. So now he probably has to fill out a W-4 form, and give her a cancelled check to set up the direct deposit.

But Angelique has no time for onboarding; she’s got some ambitious first-quarter deliverables. We’d better get started.

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Episode 370: A Woman Scorned

“You, and one handkerchief, are all I need to make him regret what he’s done to me.”

Vicki has traveled in time — she’s trapped in 1795, and so are we, for the foreseeable future. We’re here to learn the secret history of how Barnabas became a vampire, and how he lost Josette, the woman that he loved.

In the last episode, we met Angelique, a beautiful young maid who works for Josette’s family. She had a love affair with Barnabas in Martinique, before he knew that the wealthy Josette returned his affections. Josette is traveling to Collinsport for her wedding to Barnabas… but Angelique isn’t done with him yet.

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Episode 368/369: A Wicked Woman

“I am your servant. You are my master. That’s the way it is. That’s the way it is to be.”

Okay, let’s talk some more about The Crucible, the 1953 Arthur Miller play about the Salem witch trials. Everybody knows that The Crucible is the inspiration for the Collinsport witch hunt that’s coming up next month, but the influence goes even deeper than that, all the way down into the soul of Dark Shadows.

The play is a dramatization of the hysteria in 1692 Salem, Massachusetts. A group of young girls is found dancing in the woods, in defiance of the strict Puritan laws against dancing, music and anything that might be enjoyable. Horrified at being discovered, and desperate to find a scapegoat, the girls pretend that they’ve been seduced and tormented by witches living in the village. Directed by the eldest girl, Abigail Williams, they become a terrifying mob who accuse dozens of their neighbors. Guided only by the “spectral evidence” of the girls’ testimony, the court convicts and executes 20 innocent people.

Abigail is a terrifying figure in the play — self-centered and vengeful, taking a special delight in wielding the power that she’s suddenly acquired. Abigail was a servant of farmer John Proctor, and her tangled relationship with him is the emotional heart of the drama.

Over the last few weeks, the crucial new idea on the show is to introduce these narrative collisions, weaving characters from other fictional worlds into the story of Dark Shadows. There’s a beautiful woman from another story walking into the house today, and things are going to get ugly.

Continue reading Episode 368/369: A Wicked Woman