Tag Archives: music cue

Episode 1131: The Perils of Memory

“You cannot escape from the dead!”

It’s one of those complex evenings. In a secret underground crypt near Gallows Hill, a Cockney music hall performer with psychic powers places a tall glass case on an outcropping that contains a severed human head. It’s a terrible thing, the head, and it’s taken control of her senses.

The corpse in the corner grows restless. It rises, and approaches its long-gone head, grasping for its return. The head opens its long-dead eyes, and glares at the mentalist. They’re eager to be reunited, head to body.

“No, you must wait,” the woman says to the headless fiend, taking its cold hands in hers. “It is not time yet.”

Parking the body a few feet away, she looks to the head for instructions. “Now you must tell me, master,” she breathes. “What more is to be done?” They lock eyes, and merge minds.

“Yes, someone must help us,” she nods. “Someone very special. I understand, master.” Then she puts a velvet bag over the case, like it’s a parakeet cage.

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Episode 1126: To Your Head

“How are we gonna explain carrying a coffin around?”

It’s got a wobbly, unmarked styrofoam gravestone. It’s got spooky stairs leading down to a story-productive secret passageway. It’s got a mystery box, containing a headless corpse and a gold mask studded with improbable jewels. It’s got the great visual hook of an eight-foot wooden cross, pinning down a forbidden coffin lid. It’s even got a hapless 1840 equivalent of Willie Loomis, unwittingly unboxing an evil from the past. This should be right up my street. So why am I so unhappy?

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Episode 1066: This Is How We Do It

“They didn’t dance that way in 1970!”

“I’m convinced that this room holds the key to what we’re looking for,” Barnabas tells Julia, without evidence. “I know this room didn’t exist in 1970, and yet — this room had something to do with what happened then!”

“Even though it didn’t exist?”

“Strange as that sounds — yes.”

So this is the curious incident of the playroom in the night-time, where, as Alexis Stokes once put it, the absence of the disturbances is more frightening than the disturbances themselves. Dark Shadows has once again declared its independence from material reality, and taken up residence in the world of dreams.

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Episode 896: Help Wanted

“I don’t believe that she’s not worried about Philip, either.”

Things look bleak for the global Leviathan conspiracy. The ancient book of prophecy has been stolen. The child is sick. The boss is spending all his time punishing the Chosen Ones. It’s only been two weeks, and the organization is falling to pieces.

We need a firm hand at the wheel, a steady leader in an unsteady world. We need a thirteen year old.

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Episode 886: The Sacrifice

“What can that portrait have to do with time?”

She doesn’t jump, not this time. Barnabas knows that if he approaches a cornered Josette on Widow’s Hill, then she’ll jump to her death, because that’s what she did last time. So he sends her aunt Natalie as a neutral party, to get Josette to back away from the precipice.

Once everyone’s on dry land, Barnabas says that if Josette stops trying to kill herself, then he promises not to murder her. This is actually not an unusual arrangement, for gothic romances. She agrees, but only if he comes back when he says that he will. Then he gets delayed, so she gets fed up, and she takes poison and dies.

I don’t really know why Josette’s spirit drew Barnabas and Kitty back a hundred years into the past, just so that she could kill herself all over again; it seems unprofessional, and self-defeating. But I think after two successful suicide attempts, Josette DuPres has made it clear that she would prefer not to be alive. We really need to start respecting that point of view.

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Episode 786: The Blog Post About The Original Music From Dark Shadows with The Robert Cobert Orchestra & Featuring Jonathan (Barnabas) Frid and David (Quentin) Selby

“Listen carefully, and you’ll hear my dream.”

Charity Trask dreams of sexy scoundrel Quentin Collins, just like everybody else in the summer of ’69. “I’ve been waiting for you,” he says. She replies, “I feel so lonely when you’re not here.” This isn’t the part of the dream where he closes his eyes while she gets murdered by a werewolf. This is the other part.

Charity’s father has suddenly decided that she should marry Quentin, for reasons that are mostly product placement-related. The Dark Shadows soundtrack album dropped on Friday, and today’s episode serves up a full-length music video of the feature single, “Shadows of the Night (Quentin’s Theme)”. By music video, I mean that they play the whole song while Quentin and Charity pose and make thoughtful facial expressions. It’s 1969; they haven’t figured out how music videos work yet.

Continue reading Episode 786: The Blog Post About The Original Music From Dark Shadows with The Robert Cobert Orchestra & Featuring Jonathan (Barnabas) Frid and David (Quentin) Selby

Episode 745: Rendezvous at the OK Corral

“What I was is not what I am. What I am is what I will be.”

So let’s say you have an entirely crazy person on your hands, and you need to keep her in your home for an unspecified amount of time. This is a common concern for modern homeowners. According to the experts, you should keep her in a warm room with indirect light, check the top of the soil before watering, and fertilize once a month in the spring and summer. No, wait, that’s ficus trees.

Well, here’s what vampire-about-town Barnabas Collins does, once he’s taken it upon himself to immure Quentin’s crazy wife for the foreseeable. He stashes her in an upstairs bedroom, locks the door from the outside, and then goes down to the basement to sleep in a coffin, leaving a note for the comedy gypsies who serve as his unwilling housekeepers.

I’m not saying that’s the appropriate way to handle it, I’m just telling you what Barnabas does.

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Episode 583: Every Woman We Know

“These people, they’ve got plans for you!”

Okay, time for another crackpot plot twist in the Bride of Frankenstein storyline. The writers have dug themselves into a rather unlikely hole, and they just can’t figure out what the hell to do about it.

Adam, the show’s resident Frankenstein monster, is demanding that Barnabas and Julia create a woman for him. They don’t really want to, because it’s gross and scary, but he’s threatened to kill girl governess Victoria Winters if they don’t, so they’re giving it a whirl. They’ve managed to assemble a lady monster out of dead person parts, and now their problem is that they need to suck the life force out of a living woman in order to get the Bride off the table and onto her feet.

Now Barnabas and Julia are standing around in their basement laboratory, discussing who they’re going to use for the life force. “I’ve thought about it endlessly,” Barnabas says. “I’ve considered every woman we know.”

Julia says, “Must it be someone we know?” and you can tell that she’s thinking, dude, we only know, like, five women. It’s not that big of a cast.

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Episode 426: Rosencrantz and Guildenstern

“The more one learns, the worse one feels. I did not realize life was like that. But probably it is a well-known fact that no one bothered to tell me.”

There’s big news from the royal family, as usual. They think that just because they’re rich and powerful, that means they’ve got a patent on the epic tragedy — although to be fair, they usually do. Regular people don’t poison each other and throw themselves off cliffs; they just don’t have the time.

So here’s the top headlines: Barnabas, Prince of Collinsport, killed his uncle Jeremiah in a duel. Barnabas was then killed by his own wife, the witch Angelique, and cursed with eternal life. After dispatching Angelique, Barnabas courted his dead uncle’s wife, Josette, and planned to make her his vampire bride.

On Friday — confused and frightened by a vision created by the ghost of Angelique — Josette rejected the undead Prince, and killed herself by jumping from the cliff on Widow’s Hill. It’s basically a cross between Hamlet, Macbeth and the juicier episodes of Dynasty, as directed by George Romero.

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