Tag Archives: bad news

Episode 1240: Today’s Lucky Lotto Picks

Gordon Russell, March 1971, , ,

“These two were somehow mummyfied, and preserved all these years.”

Well, there’s another swinging wake over at the Haunted Mansion today; the guys are all wearing black armbands, and the ladies have put aside their typical bird costumes, and are wearing clothes more appropriate for sea level.

“Mother,” says Morgan, “nobody understands better than I do how you feel, but it’s just as well that you didn’t see Gabriel.”

Flora turns to face her son. “Morgan, I feel so guilty,” she moans. “He deserved a better fate.”

“Mother, that could be said for all of us,” Morgan points out. “But Gabriel’s gone now. At least he has met his peace.”

The way they’re talking, you’d imagine that they’re all dressed up for Gabriel’s funeral. Actually, they’re getting ready to bury Daphne, who also died this week. You know that your soap opera’s going in a weird direction when the audience can’t keep track of which funeral you’re going to.

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Episode 1143: Viva Droopy

Gordon Russell, November 1970,

“I’m not saying that I believe what Mr. Trask told me, although it did depress me quite a bit.”

In the Old House on the Collins estate, Barnabas Collins sits in solitary grief. Only he and Julia know that before another night has passed, Roxanne will become one of the living dead. And then there’s a knock at the door, and in walks Señor Droopy, from Guadalupe.

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Episode 1120: House of Hurt Feelings

October 1970, Sam Hall, , ,

“Read the book, and you will know why the head must be destroyed.”

And meanwhile, from out of nowhere: a good television show.

It’s one of the great mysteries of 1970 Dark Shadows, that it can careen from low point to high point as often as it does. The Parallel Time story rattled to an incoherent close in July, killing the villain a week early and throwing in an unnecessary new love interest at the last minute. Then Barnabas and Julia traveled to 1995 for two fascinating, moody weeks that showed a sharp uptick in writing and production — and then it all fell to pieces over the next few months, as they returned to 1970 and forgot what they were aiming for.

And now here we are in October, in 1840 of all places, and the show is worth watching again, because Dan and Sam and Gordon have simply scrapped all of the previous stories and continuity and started over again, with a brand new soap opera. Barnabas and Julia aren’t on the show today, and nobody talks about them; the only character who we know from longer than two weeks ago is young Daniel, who’s now a dying old man and hardly even counts.

The star of this new show is Gerard Stiles — gun runner, smuggler, best friend and fortune-hunter — who has the same name and hairstyle as a ghost that used to be on the show, but otherwise there’s no resemblance. Gerard doesn’t threaten children or governesses, and he doesn’t do magic tricks with dollhouses. Why would he?

But this is how it works on this show, which has reinvented itself and risen from the ashes for another cycle. Once again, they’ve discovered that the best way to make Dark Shadows is to start from scratch and do something else.

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Episode 1071: Back From the Future

August 1970, Gordon Russell, , ,

“Is it possible that we traveled through time while we were on those stairs?”

One cannot choose but wonder. Will he ever return? It may be that he swept back into the past, and fell among the blood-drinking, hairy savages of the Age of Unpolished Stone; into the abysses of the Cretaceous Sea; or among the grotesque saurians, the huge reptilian brutes of the Jurassic times. He may even now — if I may use the phrase — be wandering on some plesiosaurus-haunted Oolitic coral reef, or beside the lonely saline lakes of the Triassic Age. Or did he go forward, into one of the nearer ages, in which men are still men, but with the riddles of our own time answered and its wearisome problems solved?

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Episode 1047: The Invention of Feelings

Joe Caldwell, June 1970, , , ,

“Go on, go out! You’re protected by my indifference!”

A month ago, I declared that we had reached The End of Love — for Parallel Time at least, if not the whole series — because this months-long storyline revolves around protecting and maintaining one romantic relationship, which isn’t worth all this trouble.

According to how much the characters talk about it, we’re all supposed to care about volatile one-percenter Quentin Collins and his marriage to the parallel Maggie Evans, who isn’t even a governess so I don’t know how she got on the show. The main storyline is about the mostly-dead sorceress Angelique, who’s plotting to separate and destroy the couple by fair means or foul.

But Quentin and Maggie’s relationship has negative rooting value; they have nothing in particular in common, and by this point, they each believe that the other is in league with the Devil. Quentin can’t have a single conversation with his wife that doesn’t end in shouting and small arms fire. I’m just going to assert right now that if the end of this story involves Quentin and Maggie reunited, I for one am not going to consider that a happy ending. These people do not belong together, and the only good thing about them being married to each other is that at least they’re not able to marry anyone else, and ruin even more lives.

But that doesn’t necessarily mean that love is dead, in Parallel Collinwood. Maybe we were just looking in the wrong direction.

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Episode 1018: Diagnosis Murder

Gordon Russell, May 1970, ,

“What happened to you wasn’t the work of any form, or spirit.”

Dr. Cyrus Longworth, who isn’t that kind of doctor, enters Quentin Collins’ hospital room with a worried face and a clipboard. Earlier in the day, Quentin suddenly collapsed with agonizing chest pains that felt like he was a clay doll in the hand of an enormous crazy person, who was sticking a sharp pin into his heart. After about an episode, the pain suddenly ceased, and Quentin felt fine, as if nothing had happened, which I suppose technically nothing really had.

Unnerved, he went to the hospital for tests, which have turned out to be even more unnerving.

“The tests have proved most fascinating,” says Dr. Longworth, who seriously is not this kind of doctor.

“What is it?” Quentin smiles. “Don’t tell me I have some hitherto undiscovered tropical disease.”

Cyrus grimaces. “Well, if you had, I would have known what to do.”

“What are you talking about?”

Cyrus gives his friend a grim look. “Quentin,” he announces, “there’s nothing wrong with you!”

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Episode 968: The Only Weakness

March 1970, Violet Welles, , , ,

“When the cairn blew up and the room burned, that should have been the end of you, too.”

So here we are at the tippy top of Widow’s Hill, waiting for teen gang leader Jeb Hawkes to drown his sorrows, and ours. Jeb is a Leviathan, which is a word you use when you’re not really sure what your monster is supposed to be. He used to be a hundred feet tall, with glittering teeth and eyes like opals, but he’s given it all up for love. And now we’re here, potentially ending it all.

The spirit of Peter Bradford blew into town yesterday, with a king-sized kick against Jeb that he’s been bottling up for a hundred and seventy-three years and counting. You remember young barrister Bradford, of course; he’s the lawyer who couldn’t win a witch trial, a hundred years after they’d stopped having witch trials.

But somehow — by luck or inspiration or lunatic plot contrivance — Peter Bradford figured out the Leviathans’ only weakness, which is drowning, and he figured it out by pushing a Leviathan off Widow’s Hill and into the water, where it drowned. Or maybe he found out some other way, like reading the Book, which has a whole chapter on what the Leviathans’ only weakness is. The Leviathans would apparently write down their only weakness in a handy reference guide and then leave it on display in an antiques store, because they’re a secret society that isn’t really very good at keeping secrets. They also wear jewelry with a four-headed snake on it, so you know who to drown.

The only way that Jeb can die is to fall from the top of Widow’s Hill to a messy death on the rocks below, like Josette and Beth did, which I believe means that they were both secret Leviathans the whole time. And then there’s the three widows from the old legend that Elizabeth got all worked up about; they were probably Leviathans too.

Oh, and then there was the other Jeb, the impossible Jeb, who lived in 1797 somehow, and died right here, impossibly, at Peter’s hand. Peter was annoyed with Jeb at the time because he’d lured Victoria Winters to these cliffs, and made her jump to her death, so I guess she was a Leviathan, too. Oh my god, you guys, I think Vicki was a Leviathan.

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