Episode 720: Halfway

“And there it was… a MYSTERY BODY!”

The story so far: I began writing this blog two Labor Day weekends ago, starting with Barnabas emerging from the mystery box in episode 210. Now it’s Labor Day weekend again, and by some cruel trick of time, my journey into the past has reached the halfway mark.

This is the midpoint between episode 210 and the end of this uncertain and frightening television show, and to mark the occasion, I should probably say something profound and clever about this episode that sums up what these last two years have taught us about vampires and storytelling and character development and natural selection and chromakey and why you should never give a gun to an actor, even an unloaded prop gun, because honestly, they will find a way to hurt themselves.

Unfortunately, it turns out that I don’t have very much to say about today’s episode, except that this is the one where, for one tantalizing moment, it looks like Quentin and Barnabas are about to kiss.

720 dark shadows angelique barnabas scream

And I don’t want to do some kind of self-indulgent retrospective piece where I sum up the last two years of the blog, which is to say that I tried writing that three different times, and all three of them were embarrassing and terrible.

So instead, I’m going to talk about “The Fires of Darkness,” from issue #2 of Gold Key’s amazing Dark Shadows comic book.

This issue came out in late summer 1969, which is a little later than where we are in the show, but today is basically my birthday, and this is how I want to spend it — watching comic book Angelique setting fire to comic book Collinwood.

We’ve looked at this comic before — see “Missing Adventures” for a discussion of issue #1. Surprisingly for a spin-off comic, it takes place in a universe that’s not too different from the one we know on the show.

The series of Paperback Library gothic romance novels have their own bonkers timeline, with most of the books set in a daydream past where Barnabas was never locked up in his coffin. But the Gold Key stories are set, more or less, in 1969 Dark Shadows, except they do things that even 1969 Dark Shadows isn’t crazy enough to do.

720 dark shadows angelique barnabas fire

This time, the only TV show characters we see are Barnabas and the ghost of Angelique, who is extremely angry. Later on, they mention Vicki, Julia and Willie, although we don’t actually see them; they’re just hanging around off-panel somewhere.

So Barnabas is left on his own without a babysitter today, and we get to see what happens when you let him try to solve a problem on his own.

As the story begins, Angelique has set everything in the world on fire, for no particular reason except to spoil Barnabas’ evening.

She purports that as a vampire, Barnabas is naturally flame-retardant, which I guess could be true, but I wouldn’t want to be the guy that tries it.

720 dark shadows human torch

Arriving at the scene, the firemen have a fascinating little conversation.

“Great heavens… the library!” one says. “It’s filled with FIRE!”

Another replies, “I’ve never seen fire like that! It’s like fire… from ANOTHER PLACE!”

“It’s all over EVERYTHING!” another cries.

So make sense of that sequence, if you can: professional grown-man fire fighters, utterly baffled by fire. The premise of this entire story is that fire is mysterious, and impossible to explain.

This is a long-standing problem in comic books, mostly thanks to the early 60s Marvel comics, where Stan Lee and Jack Kirby were absolutely fascinated with four things that they knew nothing about: fire, magnetism, blindness and women.

720 dark shadows hull fire

Enter Marc Hull, the distinguished, Reed Richards-esque Collinsport fire inspector. He’s checking out the damage, accompanied by Mr. Hackley, a dithering fireman who serves as the obligatory Watson in this scene.

I hope that you’ve managed to grasp the fact that the man in the blue jacket is named Hackley. His name is incredibly important, apparently, because Marc says it five times over the course of the next two pages. People in this comic say each other’s names a lot, sometimes twice in consecutive sentences. I suppose you have to fill up the panels somehow.

Anyway, Hackley accompanies Marc to the house, whining, “It was the oddest fire I ever saw, Mister Hull! It was all over EVERYTHING!”

But Mister Hull keeps his cool, because he is the only living human being who has cracked the secret of how fire works. “My files contain other fires that were very similar! A candle or a bit of frayed wiring… almost anything could touch off something like this!”

Sure, anything. Sometimes a match or an avocado or sometimes the dog eats gasoline or every once in a while fires just happen for no reason, and there’s nothing anybody can do about it. You shouldn’t even try to put it out; it just makes the fire mad, and things get even worse.

720 dark shadows murder fire

Hackley says, “It sure was different to me!” which is Marc’s cue to start speculating. They just walk into the house, by the way, with nobody answering the door or checking their ID badges or anything. As we’ll discover, Marc Hull has free rein to go anywhere and do anything he likes, because he is in charge of fire.

“Hackley… I’m afraid your suspicions were right!” Marc says, probably making Hackley’s day. “This was no ordinary fire!”

Hackley asks what he’s found, and Marc cries, “Murder, Hackley… a MURDER!”

720 dark shadows barnabas on fire

So, let me see if I can explain the methodology. According to Marc, someone was murdered in this room, and then the murderer started a fire to cover it up. The reason why the carpet isn’t burned in this spot is that the body soaked up all the flames, or something.

“Whoever killed him came back as soon as the flames were out, and removed the body!” Marc says. “Did any of the men see anything suspicious?”

Um, yeah; they saw a crackpot fire inspector. What the hell are you talking about? I’m being Hackley now, that’s what this theory has done to me, it’s turned me into Hackley. Why would somebody start a fire in order to cover up for a murder, and then take the body away afterwards? Isn’t the point of starting the fire that the body would — oh, forget it. Hackley out.

720 dark shadows barnabas monologue

That night, Barnabas gets out of his coffin with an anguished soliloquy that he’s probably been practicing all day.

“Angelique… Angelique!” he moans. “Why… why torture me like this? Your curse is pain enough! Why do you continue to plague me?”

Then his thoughts turn to the investigator. “He is there now, poking, digging… looking for clues! He will learn about me and my fate will be sealed… You leave me no choice… no choice! He cannot be permitted to discover my secret!”

And then guess what the plan turns out to be.

720 dark shadows barnabas must die

Yup, it’s time for plan A. This is how comic book Barnabas works through a problem.

On the show, Barnabas has spent the last two years struggling to muster up some kind of basic respect for the value of human life, but comic book Barnabas is a non-stop four-alarm incessant murder machine. He actually gets interrupted in the middle of murdering people, because he has to go and murder someone else.

720 dark shadows marc clarissa

Flying downtown as a bat, Barnabas finds Marc in his office with Clarissa, his devoted female assistant. Clarissa is not-so-secretly in love with her boss, constantly hovering while he’s trying to get some work done, as seen in pretty much every Lee/Kirby comic.

Don Blake had one of these in Thor, and Hank Pym in Ant-Man had one too. Sue Storm did some occasional hovering, and now that I think about it, Aunt May had the same role in Spider-Man. This was apparently mandatory in 1960s comic books.

Anyway, Marc is kvetching that so far his investigation has been a complete bust. Clarissa tries to suggest that we didn’t start the fire, it was always burning since the world’s been turning. But Marc never listens to anybody, especially girls.

720 dark shadows barnabas plan

Standing at the window, Barnabas hisses, “The girl too must go! She knows too much!” which she really doesn’t, actually. I don’t think “too much” is an amount of information that would even fit inside Clarissa’s head.

The only thing Marc has told her so far is that there was a mysterious fire at Collinwood. I have to imagine that was in the local paper today, so if Barnabas is going to kill every single person who’s heard about it, then he’s got a pretty long night ahead of him.

720 dark shadows marc clarissa irresponsible

And he’s not the only one with a tight schedule — just as Barnabas is deciding they must perish together, an alarm goes off, and Marc hops on a fire truck as it speeds away.

I’m not sure why the fire marshal needs to go out on house calls like this, especially because he doesn’t seem to be helping. He says, “Lou… Harris… slow down!” because that’s the advice you give to somebody driving a fire truck. Maybe there’s a twist, where it turns out that Marc is actually rooting for the fire.

By the way, notice how every single person speaking in this panel refers to the person they’re talking to by name. We find out later that some of the other firemen are named Victor and George.

In fact, one of the great dramatic moments in the story is later on after the third fire, when George runs up to Marc, yelling, “Mister Hull, Mister Hull! LOU’S FOUND SOMETHING!”

Lou is actually essential to the story’s denouement, so keep your eye on him. No, not that guy, that’s Harris. Lou is the other one.

720 dark shadows barnabas clarissa dock

Anyway, Barnabas decides that these two might as well perish apart, so he busts into the office to grab Clarissa. She promptly faints with a cry of “OOOOOO”, which I guess is binary for “Oh, why do I want to marry a fire marshal?”

Barnabas carries her out of the office and down to the pier, because when you get right down to it, he’s actually not that good at killing people. He tries to murder three different people in this story, and spoiler alert, he doesn’t even manage to get one. Just a swing and a miss, every time.

But this is a fictional universe where murder is super inefficient. It’s no wonder Marc thinks that someone would set fire to the room and then move the body; Barnabas is trying to move the body and then murder the person, which is basically the same thing in reverse. Just kill people, and leave them where they are. They’ll be fine.

720 dark shadows barnabas clarissa back

The barn fire doesn’t turn out to be that interesting, so Marc gets dropped off at the office by Lou and Harris and Victor and George. Discovering that Clarissa has wandered off by herself for five minutes, Marc instantly fears the worst and starts running around screaming her name, like he ever does anything else.

So Barnabas doesn’t get to kill her after all, quelle surprise, because it’s dawn and he’ll have to wait until tomorrow night. So he takes off, leaving Marc and Clarissa to say their names at each other for another day.

720 dark shadows barnabas bat

This bat transformation panel has the one thing that I actually like about the art in these comics — multiple shots of Barnabas superimposed on each other, with a corrugated texture. There’s something very 1960s pop art about it, and I think it’s great, even if this panel looks like there’s four completely different people standing in a row.

720 dark shadows marc peeping

And so, the next morning — oh, for goodness’ sake. Marc Hull, what on earth do you think you’re doing? You come right down from there this minute!

I don’t care that this fire needs to be inspected, young man; you can’t just perch somewhere and watch everybody through binoculars. You are not the NSA, mister. Now, go inside and help your sister set the table.

720 dark shadows marc glasses

But Marc is struck by a thought so alarming that it makes his glasses explode: “Barnabas Collins! I’ve accounted for everyone… EXCEPT HIM!”

Inspired by this nonsensical revelation, Marc rushes back to the office — literally sprinting to his car — so he can get back to Clarissa and talk things over.

Grasping a piece of paper, Marc says, “I’ve accounted for nearly everyone in town who ever has occasion to go to Collinwood!” which I guess means this wasn’t his first binocular census adventure.

He continues, “The only one that I haven’t seen is… Barnabas Collins!”

Trying to keep her cool, Clarissa asks, “Then you think he was the body?”

“Either that, Clarissa… or he knows where the body is!”

“You think that he… HE MAY BE THE MURDERER?”

“EXACTLY!” Marc hollers, because those are the only two options; Barnabas is either the victim or the murderer. Unless he’s the fire inspector, and Marc is the murderer.

By the way, I want to remind everyone that Marc and Clarissa are investigating a crime that did not actually happen. Marc just thinks that there was a murder, based on the carpet stains. Also, Marc and Clarissa are not employed by the police. They’re just two hysterical people, driving around Collinsport and jumping to conclusions.

720 dark shadows barnabas old man

And then, just when things couldn’t get any shoutier, along comes Titus Tomlinson, the old hermit who lives up on Union Ridge. He’s kind of a weird old prospector type, who happened to be passing by when Angelique started the fire. Titus is here to blackmail Barnabas, threatening to tell everybody what he saw. Barnabas takes this pretty hard.

720 dark shadows barnabas old man attack

So naturally he goes on the offensive, lunging at the old man as he commences his third murder attempt in the last twenty-four hours.

And hey, wouldn’t the show be exciting if it was actually like this? There wouldn’t be a single cast member left, of course, but oh, what a week that would be.

720 dark shadows barnabas titus accident

But then Marc comes along, because Marc ruins everything, so Barnabas has to pretend that he’s the one being attacked. He does this by jumping on Titus and yelling, “Help! Help! I’m being attacked!” This strategy is one hundred percent effective.

720 dark shadows barnabas marc inside

Barnabas bangs Titus’ head on the corner of a stone objet d’art, conveniently placed in the front yard for the purpose of knocking out troublesome hermits. You know, when you see the ads on TV for lawn-based hermit elimination devices, you always think, when am I ever going to use it? But, you see? They come in handy.

720 dark shadows barnabas never drink wine
Having witnessed Barnabas pummel an old man into a coma, Marc and Clarissa come to the obvious conclusion that Titus Tomlinson is responsible for everything.

“He’ll rest more comfortably inside,” Barnabas says, so the boys pick up the injured man and wrestle him all the way up the front walk and into the drawing room.

Mustering his expertise as a first responder at accident scenes, Marc cautions, “We don’t want to make it worse!”

Barnabas says, “No, we wouldn’t want that, would we?” which is such a “never drink wine” moment that I can hardly stand it. Oh, look, we’re doing the retrospective after all.

720 dark shadows barnabas arson

Marc and Clarissa finally decide to get some responsible grown-ups involved in the situation, and then this.

This panel is the moment when the incompetence of the writer meets the incompetence of the artist at full strength. Barnabas tosses a lit candelabra, which lands on a passing armchair with a THUNK, and sets the house instantly ablaze. Seriously, I love this comic book.

720 dark shadows barnabas man couch

Naturally, within moments, the fire is ALL OVER EVERYTHING, and the next part of Barnabas’ cunning plan kicks in. Unfortunately, this scenario involves Titus’ active participation, and the old man is still lollygagging on the couch, nursing his spinal injuries.

“Wake up, you fool!” Barnabas shouts. This is not going to look good on Titus’ performance evaluation.

720 dark shadows barnabas titus get up

So Barnabas actually grabs the injured old man, and throws him to the floor in order to wake him up.

This is a comic book, by the way. They sold this to children for money.

720 dark shadows barnabas collinwood burns

So they drag Titus out of the house and down the steps, and then they throw him down on his face a couple more times, and they finally leave him sitting up against a wall, because he’s a hermit, and nobody cares what happens to him.

720 dark shadows marc prsume

Then Marc says, “The first fire was identical to this one!” to which the readers respond, IN WHAT WAY?

They said that the first fire looked like it came directly from Satan’s personal brick oven pizza restaurant, and this one was caused by knocking three candles over onto a chair. What are you talking about?

720 dark shadows table arrest

We’re still not done, by the way; there’s three more pages left, and we still have to deal with the imaginary dead body.

Marc finds another section on the carpet that didn’t get burned, so naturally he gets totally obsessed with it, making up a whole new theory about fire on the spot.

In this case, it’s the end table that left an unburned spot when the firehose knocked it over. Now, in my opinion, this is either something that commonly happens when there’s a fire, or it isn’t, and Marc Hull needs to make up his goddamn mind.

Anyway, I think this means that the end table is either the victim or the murderer, possibly both. I never trusted that table.

720 dark shadows barnabas teleprompter

Then there’s a fantastic moment when Marc tells Barnabas his suspicions, and Barnabas looks directly into the reader’s eyes and says, “Murder! Here at Collinwood?”

So I think that’s a first for the medium: Jonathan Frid is so bad at learning his lines that he even looks at the teleprompter when he’s in a comic book.

720 dark shadows thanks lou

Marc tries to explain the end table thing all over again from the other side of the room, and he finally acknowledges the true hero of this story, namely: Lou the fireman.

You see? I told you Lou was the key to cracking this case! This is why you have a Lou.

720 dark shadows mystery body

Finally, at long last, Lou steps in to wrap up the case. His explanation is even more blitheringly stupid than the original problem, but cut him some slack. It’s Lou; we like Lou.

720 dark shadows barnabas hard feelings

And so, as the old man is folded up like an accordion and bundled into an ambulance, Barnabas bids his new friends adieu, assuring them that there are no hard feelings, and inviting them to come by and stare at his house with binoculars anytime they’ve got a spare afternoon. Case closed.

720 dark shadows barnabas angelique clever

But wait, Barnabas! It isn’t quite a happy ending, dear Barnabas.

“Remember, Barnabas,” Angelique says, shimmering in the moonlight. “You and I… we’ve got ETERNITY!”

And you know what? We really do have eternity, or at least until March 1971, but that’s more than five hundred episodes away. It has been a pleasure and a privilege to spend the last two years of my life with Dark Shadows, and with you. Anybody feel like one more lap around the track?

Monday: Dead Again.

In the next Gold Key Comics post,
we read “The Curse of Collins Isle” in
Episode 876: The Curse of the Caffeinated


The Gold Key Dark Shadows comics are available digitally through the Comixology app — The Complete Series, in very affordable bundles. At current writing, Volume 1 is $11.99, for the first 7 issues in flawless color. I’m reading these and taking screenshots on the Comixology app for my iPad Mini, and I recommend it very highly.

Dark Shadows bloopers to watch out for:

In the teaser, Dirk and Beth are standing in the drawing room when Jenny sneaks downstairs like she’s in a Warner Brothers cartoon, clearly in their peripheral vision. Then she opens the door with a noisy clatter, and they still don’t turn to look until she’s bolting out the door.

Beth tries to light a candle in the cottage, but it doesn’t light.

When Quentin finds Beth in the cottage, he strolls up to her and says, “How did you know to look for me here?” Beth says, “I didn’t.” He smiles and says, “I see… uhhh…” and then he directs a glance towards the teleprompter.

Dirk tells Barnabas, “Most of the family is out searching already.” Barnabas counters, “Who is everybody?”

Barnabas asks Dirk what’s wrong. Dirk mumbles, “Nothing.” Barnabas says, “Then you — not telling me everything.”

Dirk tells Barnabas, “If you’d like to join the search, come ahead, it’s fine.”

P.S. There are 1,245 steps to complete the ritual. One of the steps is missing. The ritual has only been completed once. What do you get when you cross the Atlantic with the Titanic?

Monday: Dead Again.

In the next Gold Key Comics post,
we read “The Curse of Collins Isle” in
Episode 876: The Curse of the Caffeinated

720 dark shadows barnabas destruction

Dark Shadows episode guide

— Danny Horn

21 thoughts on “Episode 720: Halfway

  1. I’ve never seen a comic book fire truck go “WHEEEEEE!” before. It’s like one of those anthropomorphic vehicles that you see in much LIGHTER comics.

  2. Glad you reviewed this issue of the Gold Key comic. It was the first of the series I picked up around 25 years ago during my DARK SHADOWS “wilderness” years (the period after the local station stopped airing it after a year in 1989 and before The Sci-Fi Channel started airing it every weekday for about 10 years (during which time I finally “completed the ritual” — well, in the “only the episodes after Barnabas was released” and I only saved my favorites and all of 1897 before the DVDs were released in 2004).

    *The wilderness years also included a cable airing of HOUSE OF DARK SHADOWS in 1990 and the 1991 DS series.

    1. Did the wilderness years go beyond the leviathans? I recorded the DS daily when it was aired on sci fi network. I thought the leviathans came after Victoria’s return, and it was so awful I don’t remember much more after that. I certainly don’t remember Samantha Harris or 1970 parallel time. Maybe Leviathans wiped my memory clean.

  3. I’m in 1970PT right now, where Angelique is dominant, and it’s all quite good.

    Well, except for the most detestable DS character ever, John Yeager.

    That they didn’t stay there longer is a mystery to me….as usual, killing off characters left and right.

    This reimagining of all of them, save Barnabas and Dr. Julia, is quite enjoyable.

    When Yeager is not on screen. He is absolutely cringeworthy. Just couldn’t die fast enough.

    1. I have fond memories of PT1970, partly because of the circumstances when I first saw it — the public TV channel cut off DS halfway through PT, which made it special to me. I thought at the time it was the last Dark Shadows I would ever see.

      I’m looking forward to getting there in the blog, to see how it holds up compared to my memories of it.

    2. Actually, while Barnabas is not reimaged he gets a “do-over” of the original 1967 storyline, where he is allowed to make better decisions.

    1. Oh! Why didn’t I put up information about where to get them? Duh, I didn’t even think. I just added a Footnote above with a link to The Complete Series on the Comixology app. They’re super affordable for a flawless viewing experience (as opposed to paying for aging paper copies).

  4. Wow I’m half way through! And I always cry when I watch Titanic. When I watched DS as a kid on NJ Network in the 80s I never liked this stretch. Maybe because it was too long without Julia, Stokes, and Blair. This is my first rewatch of these eps as an adult and I can see why Danny & the commenters have pre hyped them. So good and campy!

  5. Super nitpicky (and YEARS too late) – but in the Fantastic 4 comic panel, Johnny has created a MORTAR of flame, not a catapult.
    But then, comic books aren’t meant to make sense, apparently.


  6. Ladies and gentlemen, episode 720: the gayest (ergo, best) episode of Dark Shadows thus far.

    Primed for “one tantalising moment [where] it looks like Quentin and Barnabas are about to kiss”, I watched their first scene together very carefully. I was unprepared for the flirtatious maelstrom of testosterone that was about to be unleashed.

    It begins as soon as Barnabas opens the door, wearing a dressing gown Noel Coward would have considered camp. In stalks Quentin, all feline and flirty and “surprised to see me, Cousin Barnabas?”. Thinly veiled dialogue intensifies until he gets all up in Barnabas’s personal space, pulling his hands from his pockets with a flourish. “Barnabas! Don’t you think it’s time you and I laid all our cards on the table?” This is followed by an awesome slow push on Quentin, who is gazing intently at Barnabas as the latter feigns confusion. Was this the near-kiss? It’s pretty great.

    They pull apart, Quentin heading for the fireplace, rambling on about family affairs, and I understandably assume the moment is passed. But wait! The conversation naturally turns to the ever-present spectre of death, as it so often does, and now it’s Barnabas’s turn. “I’m very curious to know more about that threat of death you mentioned.” He’s trying to keep it casual, but it’s not convincing. So he strides forward, imploring “I don’t want anything to happen to you,” which, frankly, is a massive plot twist after all these episodes of being Quentin’s main adversary. But he’s said too much; he tries to cover it with a bashful glance away, and a mumbled “after all, we are related.” Then, staring right into Quentin’s eyes, he insists: “strange as it may seem, it’s true.” He glances at Quentin’s lips before clarifying “your welfare happens to be very important to me.” and they stand like that, for a second. Is this the near-kiss? Or… another near-kiss? Also – how can this not be deliberate? So many questions.

    But Quentin backs off again, announcing he wants Barnabas to leave Collinwood, and Barnabas seems genuinely hurt. The moment is over.

    Or is it?! Because he just turns right around, stalks right up to Barnabas and, nose to nose, insists “If you go on interfering with me, you do so at your own risk”. And look at Barnabas; drawing himself up, trying not to look flustered. You can see him actively trying to keep his breathing under control. “Do you understand?”

    Staring right at his mouth, Barnabas replies: “you have a way of making things very easy to understand, Quentin.” And he’s so flustered, he stumbles over his line. If vampires could blush…

    That’s it. That has to be it. A near-kiss so near you can practically see it superimposed on the screen, like an after-image that won’t go away, a chromakey ghost left over from the previous episode that’s forever burned onto the tape. The whole thing devolves into Barnabas’s casual warning about getting too close to his ex-wife, and it’s business as usual.

    Until Quentin grins that wolfish grin, says “there’s more to you than meets the eye, Barnabas. I think you have your own share of secrets, and I’m going to find out what they are,” and flounces off, leaving Barnabas looking flustered, speechless, and in need of a good sit down.

    It was more than I was bargaining for, but it was a hell of a scene. And then…

    The pair of them have obviously got each other riled up something terrible, because that sexual tension just doesn’t go away. It seeps into the surrounding scenes. Hyper-randy Quentin tries to force himself on Beth, but is (thankfully) thwarted. And Barnabas catches Dirk checking out his bush.

    He sidles up behind him, hovering at his shoulder. Dirk is clearly uncomfortable, looking away, stammering, fiddling with the vegetation, as Barnabas turns his flirt game up to eleven. Jamison is, apparently, missing. “Well if he were to come around here I would have seen him, wouldn’t I?” Barnabas purs, in his most seductive vampire voice. Seeing an opportunity to escape whatever odd feelings he’s oddly feeling, Dirk yelps out “YeahyeahIguessyouwouldI’msorryIbotheredyou” and starts away…

    And then Barnabas offers to show him his back entrance.

    “You’re free to… Search the house, if you’d like,” he says softly, pushing open the door. “Come in.”

    Dirk’s so confused, he’s forgotten who he’s searching for. “They may have found her by now,” he stammers, which is an odd way to refer to Jamison.

    But Barnabas is in full control. “Come with me, we’ll look through the house,” he offers. He pauses at the bottom of the staircase, just to make sure Dirk understands, before leading him upstairs.

    Meanwhile, Jenny pesters Quentin into kissing her. He’s not into it.

    But we’re still. Not. Done. Because we’re back at the Old House, for a scene that can only be described as… afterwards. Dirk’s clearly still very confused, swinging between stuttering shyness and naked aggression on a line-by-line basis, and Barnabas is… dismissive. “I’ll be along in a minute. There’s some things I have to do here. You go ahead – I’ll join you later,” he says. And you know he won’t, because the people who say that never do.

    Dirk exits the house, leans against the door, and buries his face in his hand. Then he takes a deep breath, gathers himself together, and starts the walk of shame back to Collinwood.

    So episode 720 – my new favourite episode of Dark Shadows – is basically The One Where Barnabas Bangs Dirk Out Of Frustration.

  7. This episode is an absolute triumph. Clay’s post above about the gay Gay GAY elements of it lays out one important reason. But the revelation that Jenny is Quentin’s wife, rather than Edward’s as everything up to this point has led us to assume, is among the very best twists in the entire series. It’s up there with Edith telling Barnabas “YOU are the secret!” It’s as startling, and as much of a scramble to our expectations, as Barnabas’ hand first grabbing Willie’s neck.

  8. That was super shocking finding out Jenny is Quentin’s wife!

    And it seemed like everyone was a close talker today. No wonder there was all that sexual energy flying everywhere!

    I’m glad you mentioned that this is the 1/2 way point for the blog. I wish I were further along in the episodes because I’d like not to be five years behind. Oh well! But thank you for making viewing DS so much more fun and informative than it would’ve been without the blog.

  9. When Dirk discovers Quentin’s body at the end of the episode, you can see a shadow walking by the left of the frame. Neither Quentin nor Dirk are moving and no one else is in the scene.

  10. Well, today’s post left Kate shrieking with laughter, so full props to you, Danny!

    But now a question about the actual episode. At what point do you think they actually decided that Jenny was Quentin’s wife, not Edward’s? Because rather than that being clever misdirection in the setup, I think it looks like a last-minute “hang on, I’ve got a better idea…” Could it be as late as, they had their next two-week plotting session after working out episode 719, and rethought what they were doing? And at the same time, abandoning the “you’ll be stabbed in two days” stuff they’d just set up and having her knife him right now!

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