“Without even planning it, I’ve committed the perfect crime.”
And then, I suppose, Gabriel and Edith’s children come home from boarding school to find an empty house. Their parents are dead, their grandfather is dead, Aunt Samantha is dead, Uncle Quentin has run off to Boston with the governess, and Uncle Desmond has run off to New York with a music hall performer. Nobody’s buried Samantha or their mother, or this strange Valerie Collins who they’ve never even heard of, because the funeral director has mysteriously disappeared, and the police are busting open brick alcoves all over Collinsport, just in case he’s behind one of them.
Aunt Flora is the only one left on the estate, and she’s gone mad, apparently; she can hardly answer a single question about the last four months without babbling about ghosts and vampires and mysterious decapitations. Uncle Quentin was tried for witchcraft, she says, but he was spared at the last moment by a witch, who accused somebody else of witchcraft, and then Uncle Desmond shot somebody, and somehow nobody went to prison.
Now they have to arrange for Aunt Flora’s stay at Rushmore Sanitarium, and sell Rose Cottage to young Mr. McGruder, and clear out the empty coffin in the basement of the Old House that their mysterious cousins from Philadelphia apparently left behind, before they too vanished without a word of explanation.
And then they’re alone, this unknown handful of necessary descendants, to repopulate the mansion and try to survive. Is it any wonder, on that terrible night, that they called upon the dark creatures of nature to bring their dead mother back from the grave?
Dark Shadows Every Day 