Category Archives: Shelly Moore

Time Travel, part 12: Nevertheless, They Persisted

“She wants to destroy the Collins family for all time!”

On October 23rd, 1970, Richard Nixon gave a speech to the United Nations about his desire for world peace. “In Southeast Asia, let us agree to a cease-fire and negotiate a peace,” he said. “In the Middle East, let us hold to the cease-fire and build a peace. Through arms control agreements, let us invest our resources in the development that nourishes peace.” And then they kept on fighting the Vietnam War for another five years.

But ABC decided that Nixon’s close-order hypocrisy display was important enough to pre-empt their daytime schedule, so as we always do on these pre-emption days, instead of watching the 1960s Dark Shadows that we know and love, we’re going to watch the 1991 Dark Shadows that we’re aware of and barely tolerate.

Continue reading Time Travel, part 12: Nevertheless, They Persisted

Time Travel, part 10: This Is Why We Can’t Have Nice Things

“I wonder if you are myself.”

“Do you enjoy your new life, mon cher?” says the pteranodon, hovering prehistorically in the foyer. “An eternity of darkness, feeding like a beast in ze night on human blood alone!”

She doesn’t say this with her mouth, of course. That is not the pteranodon method. She speaks only in the language of the eyes, and aviation.

Continue reading Time Travel, part 10: This Is Why We Can’t Have Nice Things

Time Travel, part 8: She’s Me

“The cards — they have anticipated you!”

But that’s the thing about epic tragedies, you know? You don’t need spoiler alerts, because everybody knows how this is going to go.

Against all odds and two decades later, Dark Shadows creator Dan Curtis managed to sell NBC on a prime-time revival of the show, reintroducing the characters and the stories that America once loved so deeply and temporarily. But this time, the show would have prime-time network production values, like shooting on film and doing retakes and thinking about things in advance. And they could tell the story properly now — introducing the vampire right from the start, and making sure that Josette is the lookalike of the right person.

And it’s here, in episode 8, when the show gets noticeably better. They’ve got some grown-up writers at last, and a tighter focus on the more appealing members of the cast. They know where the story’s going, and they don’t waste time trying to introduce two simultaneous female vengeance fire demons, like they did in episode 4. Things are finally starting to go uphill.

But we know what happens when things go uphill, especially if it’s Widow’s Hill. That road leads to a messy death on the rocks below, which is exactly what happens to our star-crossed revival.

Yes, the show gets better, here in the back half of the season, but not better enough, and it’s too late anyway; the ratings have sagged to such an extent that the gods have already decided the series’ fate. After this, NBC gives 9pm Friday to some equally doomed comedies, and then the NBC Friday Night Movie, and then Dateline. Twenty years after the lights go out on the great estate at Collinwood, NBC will finally manage to put a successful fantasy drama in this timeslot, but I’m afraid it’s going to be Grimm.

Continue reading Time Travel, part 8: She’s Me