Tag Archives: haunted

Episode 573: This Strange Way That You’ve Been Behaving

Ron Sproat, September 1968, , ,

“This house has some hold over you, and I want you to resist it!”

This entry is a couple of days late, I’m afraid. The blog is called Dark Shadows Every Day, but to be honest, sometimes it’s more like Dark Shadows Five Times a Week at Irregular Intervals. But Dark Shadows Every Day is easier to fit on a T-shirt, if I ever had time to make T-shirts, which apparently I don’t.

I’d like to explain to you why this entry is so late, but I can’t. All I can say is that there’s some force trying to control me, to make me do things I shouldn’t do, make me go places that I shouldn’t go. I know that’s hard for you to accept, but I want you to try.

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Episode 361: The One Where Julia Loses Her Mind

November 1967, Ron Sproat, , , , , , , , , , ,

“Blood… oozing through the wall! Where’s it coming from? What does it mean?”

This is the beginning of an important week for Dark Shadows, as we lead up to one of the all-time great storyline twists in soap opera history. In fact, the upcoming story is so bizarre that they aired a special promotional announcement to warn the audience that it was coming.

In the 25-second bumper, Vicki is filmed against a stark black background, looking off into the distance with her typical dazed expression. They play one of those rising-tension music cues, made of strings, kettle drums and reverb.

An announcer says, “This Friday, you and Victoria Winters begin a strange and terrifying journey into the past, back to the year 1795, to discover the origins of this man,” — Barnabas, posing against the darkness — “and the secret of the chained coffin.” The scene fades on a shot of his hand resting on the coffin.

They don’t actually say, “Oh, by the way, it’s Dark Shadows,” or the time slot or anything. They don’t have to. What else could this possibly be?

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Episode 309: The Finger of Suspicion

August 1967, Malcolm Marmorstein, , , , ,

“You have to admit that you are the most unknown quantity in town.”

I haven’t written very much about the opening voiceovers that introduce the episodes. Mostly, that’s because they’re not very interesting at this point. They get a lot more fun later on, but here are some typical examples from mid-1967 episodes.

The warm night wind wails around the walls of Collinwood…

The night wind murmurs through the ancient trees surrounding Collinwood…

It is nighttime at Collinwood, and a balmy breeze blows in from the sea…

You see what I mean? Weather reports.

Once the show really gets rolling, they don’t have time for climate. Here’s the beginning of an intro from late 1969:

Not far from Collinwood, Chris Jennings and the man Julia Hoffman believes to be Quentin Collins have found the recluse, Charles Delaware Tate.

That’s right, you get four full names, and that’s just the first sentence! That’s an intro you can sink your teeth into.

Still, there are some charmingly loopy examples from this period, and I’m fond of today’s:

This is a time of suspicion, a time when trust has slipped away into the darkness, and doubts run high. There are those who find the finger of suspicion pointed at them. They react with a sudden fear of exposure.

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Episode 216: I Don’t Dig You Out

April 1967, Ron Sproat, , ,

“I didn’t mean to almost try to kill you.”

So, the story so far: Barnabas got up out of his coffin, bit Willie on the wrist, apparently, and then went out and drank a whole cow. Now Willie’s at the Blue Whale drowning his sorrows, and who can blame him? He’s competing with livestock, it’s a tough gig.

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