“As you have become the chosen one, so has this room become the chosen room.”
For unto us a child is born, unto us a son is given. And all we had to do is open this box, which is super convenient.
“As you have become the chosen one, so has this room become the chosen room.”
For unto us a child is born, unto us a son is given. And all we had to do is open this box, which is super convenient.
“I don’t know, and you don’t know, none of us knows, and we probably never will know, and besides, I don’t care.”
It’s morning, and time jockey Barnabas Collins is standing in the ruins of the scene of the crime, sifting through the fragments of storyline left behind after a raging inferno. Combing through the ashes, he finds a few traces of the battle that took place here — a pocket watch, a pair of glasses, a length of heavy chain.
The glasses belong to Count Petofi, and the chain is Garth Blackwood’s — the two titans who clashed and burned here — but the pocket watch is new to me. Did Count Petofi have a pocket watch this whole time, and I never noticed? Well, I suppose he can retrieve it from the lost and found on his way out.
“You know, I rather look forward to going to the future as Barnabas Collins.”
Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
“You drift away, love, you’ll drift back sadly changed.”
And then sometimes everything comes together, and they make all the right choices, and I don’t know if I’ve mentioned it lately but Dark Shadows is my favorite television show.
“Death seldom shows us at our best.”
As we head into the last week of the popular 1897 storyline, we find Dark Shadows in a surprisingly perilous position. The show hit its all-time ratings peak just a couple weeks ago, but we’re already accumulating suspects in the ongoing “Who Killed Dark Shadows” murder mystery dinner theater.
The situation on the ground at ABC Studio 16 is a bit of a mess. They’ve recently sped up production to six days a week, so that they can build a larger backlog of episodes before they start filming the House of Dark Shadows movie. That’s running everyone ragged, including the three-person writing team, just at the point where they’re finishing this epic storyline, and they need to come up with a new one.
But the show also faces external threats — and today, on November 10th, 1969, another suspect emerges. He’s eight foot two, yellow, and he doesn’t know how to count.
“The time is over when no one would listen to you. The time is over when you were alone.”
“Angelique!” he gasps.
The wicked witch smiles. “Hello, Quentin.”
“How did you escape from Petofi?”
She looks away. “I just did,” she shrugs.
Okay. Well, screw you too, I guess.
“This man is dead! We know he’s dead, don’t we?”
So I suppose you could say that there’s good news, and bad news. The good news is that Dark Shadows hits its all-time ratings peak this week, thanks to the return of TV’s cool ghoul Jonathan Frid, who’s just coming back from a month-long vacation.
Barnabas has been off camera for four weeks now, chained up in a coffin with a stake through his heart. Yesterday, we finally saw him again — but he’s still staked, still chained, not getting much use out of that FitBit we got him for Christmas. And yet, here he is, the deceased Barnabas Collins, lying around in a doctor’s office and getting his pulse taken, like the show-off that he is.
We’re going to spend the next few days trying to figure out if this really is Barnabas, or some unlikely lookalike with the same name and address. Either way, there’s some kind of narrative sleight-of-hand going on, and everybody’s tuning in to see how they’re going to pull it off. The ratings have been going up steadily all year, thanks to Quentin and the 1897 storyline, and this week is the apex of Dark Shadows’ popularity. That’s the good news.
“I know that vampires sleep very fitfully.”
Okay, ladies and gentlemen, I’m going to show you a little game called Find the Vampire. It starts out very simple, all I need you to do is remember this card — Barnabas Collins.
Simple enough, what card do you have again? Okay. You can turn it over, take one last look. Now Barnabas Collins is right here in this coffin — let’s say it’s in a cave, all right? Barnabas Collins, in a cave, in a coffin, with a stake through his heart. That’s a dead vampire. He’s not going anywhere.
Great, now it gets a little tougher; we’re going to add another card into the game. This one is a mysterious presence at the rectory, Julia was left behind to take care of something when Barnabas was destroyed — that’s Barnabas, in the cave. This is a different card, over here, something in the rectory.
Now, I’m going to add one more card to the game, make sure you’re still — which card was yours again? The vampire, right, keep your eye on the vampire. Julia leaves the game, and then Angelique takes over, there’s a switch, and now we’ve got another mysterious presence, in the cove at Shipwreck Point. That’s a cove, not a cave. Don’t get those mixed up. The vampire’s in the cave, there’s something in the cove, one, two, three, and if I ask you, find Barnabas Collins, which card would you choose?
“You can’t just go on killing until you find the right hexagram!”
If the 1897 storyline has an overall theme — and it absolutely doesn’t, but let’s say it does for a second — then it’s this: Can villains build a better world?
It’s been about two years since the villains took over Dark Shadows, first with Barnabas and Julia stealing all the screen time, and then the rise of Angelique as the antagonist’s antagonist, reducing all the other characters to the role of chess pieces. By 1968, the continuing saga was essentially just the story of the Collins family enduring the intrusion of one monster after another — Adam, and Cassandra, and Nicholas Blair, and Danielle Roget, and a swarm of vampires, and finally a werewolf and a handful of angry ghosts. For the most part, the villains were the characters that drove the plot; they were the ones with story arcs. The would-be heroes basically turned into goldfish, swimming in circles in the background, as the villains clashed at stage front.
So as the 1897 storyline begins ambling towards a conclusion, the show is essentially asking, why do we even bother having characters who aren’t villains? If we assemble a diverse cast of gold diggers and grave robbers and spell casters, can they produce a long-term, productive storyline? Or does it all end with a big smoking hole in the ground, and a handful of singed survivors? At the moment, the smart money’s on big smoking hole, but stay tuned.
“It sounds coocoo, going through a door that ain’t there!”
Anything is possible beyond the I Ching door… ANYTHING!
What, you need me to be more specific? All right. Dig this.