Tag Archives: teleprompter

Episode 771: The Mentalist

“He will look for some secret dark womb that will keep him safe.”

So, it’s yesterday, and Barnabas walks into the weird secret jail cell that he keeps behind a bookcase for some reason, and Dirk is gone! He died, and vamped himself right out of stir. Barnabas and Beth are just looking around, not sure what to do with themselves, surprise twist, big crescendo, credits, the end. You know? Yesterday.

And today, Young Danny tunes into New Jersey Network, and what do I see? Barnabas walks into the Old House, and there’s a dead white lady sitting in a chair who I’ve never seen before. Barnabas says, “No. NO!” and then Carl is knocking at the door, saying, “Barnabas? Let me in, I have to talk to Pansy!” And I’m like, who the fuck is Pansy?

So, surprise, turns out that when they first released these episodes for syndication in the mid-80s, Worldvision mislabeled episode 771. They thought it was from June 1968 instead of ’69, so they played it a year too early, right after the ghost of Reverend Trask bricked up Barnabas in the Old House cellar.

When they got to the actual place in the reruns where this episode should be, they skipped it, so I missed the only episode where Pansy Faye appears. But the characters keep on talking about her for the next five months, which was baffling, because as far as I was concerned, she was never on the show in the first place.

This concludes another chapter in the saga of Young Danny in the World Before the Internet. God, it was a nightmare.

Continue reading Episode 771: The Mentalist

Episode 721: Dead Again

“If he stays dead now, then the course of history will be changed.”

Well, that didn’t last long, did it? They just let Quentin show up alive five weeks ago, and now he’s flat on his back, dead all over again. It looks like we’ve solved the big mystery of how Quentin died. It was the wife with a knife in the cottage.

We didn’t actually witness the stabbing, but Jenny came straight home and told Beth all about it, case closed. So this isn’t a whodunnit as much as a what are we gonna do about it.

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Episode 720: Halfway

“And there it was… a MYSTERY BODY!”

The story so far: I began writing this blog two Labor Day weekends ago, starting with Barnabas emerging from the mystery box in episode 210. Now it’s Labor Day weekend again, and by some cruel trick of time, my journey into the past has reached the halfway mark.

This is the midpoint between episode 210 and the end of this uncertain and frightening television show, and to mark the occasion, I should probably say something profound and clever about this episode that sums up what these last two years have taught us about vampires and storytelling and character development and natural selection and chromakey and why you should never give a gun to an actor, even an unloaded prop gun, because honestly, they will find a way to hurt themselves.

Unfortunately, it turns out that I don’t have very much to say about today’s episode, except that this is the one where, for one tantalizing moment, it looks like Quentin and Barnabas are about to kiss.

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Episode 615: The Truth About Cats and Dogs

“What difference does it make who catches the vampire?”

Hey, look who’s come over for a social call — it’s Sheriff George Patterson, the three-time winner for Least Effective Police Officer in the Dramatic Arts. In the two years that he’s been on Dark Shadows, Collinsport has grown from a gloomy little seaside town into a nightmarish hellscape ruled by demonic mob bosses, who never get prosecuted or even questioned very hard. We’re not going to see another law enforcement losing streak like this until the Pink Panther movies in the mid-70s, and even Inspector Clouseau managed to catch the bad guy once in a while.

As we’ve seen this week, there’s been a massive conspiracy to kill that nice young Joe Haskell, with four characters directly involved in a plot to poison his medicine. Furious, he decided to take the law into his own hands, and there’s an eyewitness alleging that she watched Joe strangle Barnabas Collins while he was innocently napping in an armchair.

Joe is not technically in custody at the moment, because he’s in the hospital, recuperating. But he never gets booked, and nobody else in the crime syndicate does either. Sheriff George Patterson lives in the law-breakiest town in the world, and he never even makes a goddamn arrest.

Continue reading Episode 615: The Truth About Cats and Dogs

Episode 552: Hooked On Phonics

“How could he talk so good in such a short time?”

We’ve been spending a lot of time lately with Adam, the enormous adolescent Frankenstein who’s hiding out in the abandoned west wing of Collinwood. His love life isn’t really working out, and he’s just learned that he was pieced together in a mad science experiment, so he’s in kind of a bad mood.

But that works out well for us, because there’s only so long that you can watch a guy hide in a room before you start wondering what’s happening on The Secret Storm these days. We need a change.

Happily, today Adam’s got some new things to say, and a new vocabulary to say them with.

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Episode 547: Justice in Hell

“Instead of a dream, you threaten me with a gun. Are you bored with your tricks and your spells?”

In yesterday’s post, I did a little compare and contrast exercise between Dark Shadows and a March 1968 episode of General Hospital, which was DS’ lead-in at the time. What I found was two shows that share the same network and afternoon timeslot, but feel like they were made in different decades.

By 1968, General Hospital’s storylines were starting to break away from the old-fashioned kitchen sink approach to soap opera, where the stories are supposed to be a slice of life that the audience can personally relate to. The GH episode that we looked at includes a girl who’s accusing her stepmother of killing her father, and a woman who’s struggling to put her life back together after a traumatic car accident that resulted in a miscarriage.

Those situations aren’t really a part of typical daily life, especially when they happen to the same extended family at the same time, but they’re not outrageous.

Meanwhile, a Dark Shadows episode starts at unbelievably insane in the first scene, and then ratchets the tension up from there.

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Episode 512: Everybody Rise

“I am prepared to convene a jury of the dead in this room!”

He meant well, is the thing that you have to remember. There’s an evil witch who’s living at Collinwood these days, and she’s making life complicated for everybody, so Professor Stokes thought, hey, we’ve got a witch, why not raise the spirit of a bad-tempered 18th-century witch hunter?

Stokes learned that Reverend Trask was buried alive behind a brick wall in the basement of the Old House, so he figured, let’s wake Trask up, point him in the direction of Angelique, and then just let nature take its course. Stokes is something of a lateral thinker.

So, yeah. It’s not one of the top ten plans. But at least it doesn’t involve terrorizing a young child, so for Dark Shadows, it’s actually not that bad. You have to grade these things on a curve.

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Episode 496: Father of the Year

“Well, never mind about that now. David was very nearly killed this evening.”

It’s a tough job, don’t let anyone tell you different. It must be one of the toughest jobs in television — writing the script for a daily soap opera. It’s not the long-term planning, which has got to be kind of fun. The brutal part is the scene breakdown.

The problem goes like this: We have a plot point to establish, and it requires these three characters to be on this set, in this kind of mood. Go make that happen. And sometimes there’s just no logical reason why that particular group of people would even be talking to each other. This is why you don’t see a lot of jolly soap opera writers.

Of course, on some days, you figure out a clever twist that solves the problem, and the world is full of sunshine, and that’s a good day. Gordon Russell is not having a good day.

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Episode 493: Revenge of the Baby-Sat

“A man — No! He was a monster! A monster!”

You know that you’re in for a good day on Dark Shadows when the episode opens with everybody who has a speaking part all standing in a line and facing the teleprompter.

That means two things: there are four people on a cramped set that can really only accommodate one and a half, and the actors can’t memorize their lines because the things that they’re supposed to say don’t mean anything. In other words, it’s a Ron Sproat script today.

Continue reading Episode 493: Revenge of the Baby-Sat