Tag Archives: sherry

Episode 1169: This Wonderful Little Gathering

“We cannot love at will, any more than we could prevent our love.”

Oh, it was such a good idea at the time.

When Dark Shadows went to 1795, the show discovered that they could shake up the soap by traveling back into the past, using the existing cast but dressing them up in old-time costumes, and giving them new names and storylines. It was a spectacular way to move forward, interrupting a story that didn’t have anywhere to go, and breathing new life into the premise. While they were in the past, they figured out that you could have more than one monster on the show at the same time, and once they came back to the present, they started piling them up in heaps.

Problem is, they’re now doing time travel for the fourth time, and it turns out giving everybody a new character name every six months doesn’t automatically refresh the show; you also need to think up some new storylines. In fact, traveling to another time means that it’s possible to rehash the same plot points with a freshly neuralyzed set of family members, and there’s nobody around to say, wait a minute, this already happened, fifty-seven years from now.

Well, live and learn, I suppose, although on this show, it’s more like live and die and come back to life and then learn the same stuff over again.

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Episode 1113: The War Doctor

“I have to go back and try to change history, so that this terrible night couldn’t have happened!”

She calls herself a Collins; they usually do. She says that she’s from England, by way of Pennsylvania, which is just as good of a cover story as anything else. She’s Barnabas Collins’ daughter, apparently, and she’s also Barnabas Collins’ sister, and frankly, given the chance, she’d be his wife as well. It’s complicated.

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Episode 979: Jeb Hawkes Must Die

“I’m leaving! I’m going where the action is!”

Hey, guess what, we’re still killing Jeb Hawkes. It’s been three weeks since the royal teen rebel smashed his box and exploded the Leviathan altar, and two weeks since Angelique tagged him with a wiggling shadow of imminent demise, and one week since I really seriously stopped caring about what happens to Jeb Hawkes.

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Episode 978: What’s Cooking

“Aren’t you about to be recommitted to the underworld?”

So it turns out Julia can’t cure vampirism after all, just like she can’t cure lycanthropy or Frankenstein Syndrome or acute-onset Creature of the Black Lagoonism. I’m afraid that universal health care for Universal Monsters is still just a dream.

Now Barnabas is reacting to her anti-vamp treatments by becoming even more of a vampire than he was in the first place, which puts the kibosh on the Nobel Prize for sure. The Royal Swedish Academy of Sciences does not want to hear your excuses. They want results.

And sadly, the result here is that we had Megan as the sleepy co-dependent vampire blood slave a couple weeks ago, and now we’ve got Sabrina in the same role, which means I’m supposed to watch Sabrina urging Barnabas to drink her blood, and consider that entertainment. Well, I’m not having it. The show has refused to provide me with a single reason to like Sabrina, and if she wants to die from blood loss and neck trauma, then she should go and do it on her own time. This window is closed.

So instead of watching that, let’s go — for the very last time, I’m afraid — and look at a new form of Dark Shadows merchandise.

Continue reading Episode 978: What’s Cooking

Episode 834: The What’s-Thatters

“Death runs faster than any man.”

A memo from young Icarus to his father, re: altitude. What are you talking about, Dad? These wings that you made from feathers and wax are working great. Why do you say that I’m flying too high? You’re supposed to fly as high as you can, that’s the whole point of flying!

And so, as Icarus sinks slowly in the west and learns some valuable lessons about swimming, let’s turn to Dark Shadows creator Dan Curtis. In defiance of good taste and common sense, Dan has turned his poky little soap opera into a five-alarm spookshow spectacular, delighting the teenagers and housewives of America with larger-than-life characters, hair-raising plot twists and inventive special effects. The ratings are still climbing, which makes Dan wonder: What can I do for an encore?

Today, we see Dan’s first answer to that question — Dead of Night, a primetime pilot for ABC that tried to adapt the Dark Shadows formula to an hour-long nighttime drama. Dan produced this pilot in late 1968, with several members of his Dark Shadows family — director Lela Swift, writer Sam Hall, composer Bob Cobert, and actors Thayer David and Louis Edmonds.

ABC finally broadcast the hour-long pilot in late August 1969, because they’d already paid for it and you might as well. While he’s been waiting for it to air, Dan’s scaled his ambitions up even further — he’s currently pursuing a deal with MGM, to make a Dark Shadows film. So before that kicks off, it’s useful for us to take a look at this pilot episode, “A Darkness at Blaisedon”, and see Dan’s first attempt to bring Dark Shadows to a wider audience.

Constructed haphazardly out of feathers and wax, Dead of Night introduces a trio of new characters — psychic investigator Jonathan Fletcher, his live-in chum Sajeed Rau, and the beautiful young heiress Angela Martin — and throws them onto a haunted house set, to see how far they can fly. Icarus, you are cleared for takeoff.

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Episode 776: Blood Sports

“If we only knew what these three bullets meant.”

“Miss Collins,” Rachel says, eyeing the loaded heater in her former employer’s hand, “you must put the gun down. You’ve got to realize!” And then: Ka-POW! It turns out she doesn’t got to, after all.

So we start the week off with a bang, and it’s going to get messier from here. This is a particularly dangerous time to be a Dark Shadows character; we had two murders last week, and there’s going to be three this week, including the governess who just got fired ten seconds ago. Soap operas don’t usually have a weekly body count like this, except for General Hospital, obviously, where they have a dedicated budget for ammunitions.

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Episode 747: Die Laughing

“And Barnabas will grab her, and carry her off to a triumphant life behind a locked door!”

Rascal-in-chief Quentin Collins has spent the better part of a week hunting for his lunatic soon-to-be ex-wife Jenny, vowing to kill her before she kills him. But it hasn’t happened yet, and he’s starting to get bored, so he settles in for a quiet evening of drinking sherry, propositioning the domestics, and not giving a shit.

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Episode 615: The Truth About Cats and Dogs

“What difference does it make who catches the vampire?”

Hey, look who’s come over for a social call — it’s Sheriff George Patterson, the three-time winner for Least Effective Police Officer in the Dramatic Arts. In the two years that he’s been on Dark Shadows, Collinsport has grown from a gloomy little seaside town into a nightmarish hellscape ruled by demonic mob bosses, who never get prosecuted or even questioned very hard. We’re not going to see another law enforcement losing streak like this until the Pink Panther movies in the mid-70s, and even Inspector Clouseau managed to catch the bad guy once in a while.

As we’ve seen this week, there’s been a massive conspiracy to kill that nice young Joe Haskell, with four characters directly involved in a plot to poison his medicine. Furious, he decided to take the law into his own hands, and there’s an eyewitness alleging that she watched Joe strangle Barnabas Collins while he was innocently napping in an armchair.

Joe is not technically in custody at the moment, because he’s in the hospital, recuperating. But he never gets booked, and nobody else in the crime syndicate does either. Sheriff George Patterson lives in the law-breakiest town in the world, and he never even makes a goddamn arrest.

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Episode 559: Everything You Deserve

“I specialize in human relations.”

Also, Nicholas is in love with Maggie.

Sorry to spring it on you like that, but it’s that kind of storyline. Nicholas Blair is some kind of evil wizard man, and so far we haven’t had any indication that he’s looking for a girlfriend. In fact, he’s been mocking Angelique relentlessly for having human emotions. And yet, here we are.

It’s not at all clear why Nicholas has chosen Maggie, either. He seems to have fallen in love at first sight, during a chance encounter at Collinwood. Maggie’s very pretty and very nice, but they don’t have anything in common. I’m not even sure that he’s human. He might as well fall in love with a puppy.

But there are four pretty girls on the show, and three of them already have a storyline, which leaves Maggie at a loose end. She’s got a dull job, she’s happily engaged to Joe, her alcoholic father has died, and it’s been a year since she was kidnapped by anybody. If Nicholas needs a human weakness, then it might as well be Maggie, I suppose.

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