“I can’t bear thinking that when we’re together, we draw her from her grave!”
The table-rappers are at it again. “We must touch hands,” says Quentin Collins to his latest lover, “and we must maintain contact throughout. Understand?” She understands; I think we all do. It’s another romantic, moon-stricken night, where we touch hands by candlelight, look deeply into one another’s eyes, and beseech people.
“We beseech the spirit of Joanna Mills to appear to us,” he calls, “or to communicate through one of us, so that we may resolve all of the problems that have afflicted all of our lives!”
Now, let’s take a moment to appreciate just how many problems he’s expecting to resolve between now and the opening titles. This isn’t a spot-fix for a specific issue; the man wants to resolve all of the problems for all of their lives — and this is a soap opera household, with industrial-grade problems. This could take all night.
Continue reading Episode 1151: Wherever You Will Be
“It was then that I noticed that we all have a strain of despair.”
“I receive a letter every three days,” says Quentin Collins, “and I receive it at one out of two times.”
I’m going to pause on that line for a second, because Quentin is about to say something ridiculous, and it needs a little room to breathe. He’s explaining to his friend Gerard about the letters that he receives every three days, from a dead woman.
“Either in the afternoon,” he continues, “when I’ve just gone to visit the estate manager, or exactly half an hour after that, when I’ve finished my last walk around the grounds.”
Gerard nods. “Someone knows your habits very well,” he says, so he must comprehend that line a lot better than the rest of us. Those two times are basically indistinguishable to the human eye.
Quentin means half an hour after midnight, of course, which you’ll understand once you see the next scene, where Quentin tries to lay a trap for the letter-leaver at twenty minutes after twelve. Or, if you don’t understand it then, then maybe you will on a third or fourth viewing, for example while you’re writing a blog post about it. That is the kind of attention that Dark Shadows demands.
Continue reading Episode 1146: A Dark Horse
“It is a metaphysical attempt on my part to expand man’s natural horizons, that’s all.”
He’s not mad, really, just disappointed, and he’s also not a scientist, so how he ended up getting involved with mad science is anyone’s guess.
“Now, Gerard,” says Quentin Collins, “what would you think if I told you that by going up those stairs, you could actually travel in another time?”
Gerard is nonplussed. “Well, I’d say you were having a minor pipe dream.”
“But it’s true!” Quentin declares, with no elaboration. “This is my Staircase In Time.” Then he starts walking up the stairs, and nothing happens.
Continue reading Episode 1145: The Unearned Curse
“There is a world — an evil world — which exists for some men.”
He’s not a handsome man, it’s true, but he’s powerful, and portable, and persistent. And he’s the man of your dreams, in the sense that you keep having naptime nightmares where his disembodied head bosses you around.
We’re all familiar with Judah Zachery the paperweight, lurking on the credenza in his glass enclosure, silently slipping through your defenses and inspiring you to steal newspapers and murder an antiques dealer with the wrong ancestor. But what of Judah Zachery, the man?
His eyes could bewitch you, they said. He lured beautiful young women to his house, and persuaded them to participate in unspeakable acts. And this was in the 1690s, when they really were unspeakable, because nobody had invented the slang words to describe them yet.
That was a hundred and fifty years ago, give or take, and for all that time, he’s been operating at a serious disadvantage. They say size doesn’t matter, but try to lure somebody somewhere when you’re ten inches total.
But that ends today. This is the day that Judah Zachery breaks out of his box, and gets his groove on.
Continue reading Episode 1142: The Golden Moment