“I must learn your secret — how to bring you half alive!”
It’s 4:00 on another summer afternoon, and Dr. Julia Hoffman is mixing drinks. “Nothing for me, thank you,” Elizabeth says, and the doctor replies, “Are you sure, Mrs. Stoddard? You usually like a cocktail before dinner.”
It’s not a typical situation for someone with a medical degree and her own sanitarium, but Julia’s currently on vacation in a parallel dimension, solving other people’s problems. She’s murdered her alt-universe double — Collinwood’s housekeeper, Hoffman — and taken her place, in order to revive a black-magic-afflicted coma victim and destroy a wicked witch. Now she’s hopping back and forth between making beds and exploring the outer limits of human consciousness, just like every other woman in 1970.
She’s a housekeeper, a bartender, an impostor, a spy, a murderer, a blood specialist, a henchperson, a mad scientist, a dear friend and an all-purpose lunatic. I don’t know she does it; it just goes to show that women really can have it all.
Continue reading Episode 1050: The Fault in Our Stars
“I had Philip look all over the house, for a monster of some kind.”
Now, granted, I don’t have any kids myself, but I think if you’re going to care for a telepathic space baby that came out of a box, you’re probably better off doing it within the confines of a private residence.
That’s what the Whateleys did, in the H.P. Lovecraft story The Dunwich Horror, which is what this cockamamie Leviathan storyline is based on. They had a whole farmhouse and a barn all to themselves, where they could raise their hideous blasphemies in relative peace.
But Megan and Philip have been chosen by the Leviathan people to house a monstrous god-creature at their antique shop, a site which has two obvious drawbacks as a storage area for unseen horrors: employees, and customers.
It probably would have been easier if they’d just closed down the shop for a while, until this all blew over. Then they wouldn’t have to worry about people examining their forbidden space artifacts, or asking impertinent questions, like why is your child mostly packaging material.
Continue reading Episode 902: Bringing Up Baby
“I can’t understand why I have the feeling that something frightening is going to happen.”
It always starts with a box.
You’ve finally figured out what you’re going to do with your life. You’ve got an unstable girlfriend hidden in your house, who’s provisionally agreed not to massacre herself until you get back. You’ve arranged with a friend to destroy the coffins that he was saving up for you. And now you’re going back home, so that you and your girlfriend can use a magical oil painting to travel one hundred years into the future, turn into different people, and live happily ever after. Everything is going according to plan.
And then somebody hands you a mystery box, and the world slips sideways.
Continue reading Episode 887: Whatever Comes Next
“I can feel neither love nor hate. I feel nothing now.”
Last week, Barnabas was planning to kill his fiancee, Josette, and turn her into a vampire. Instead, she fled from him, and jumped off the cliff at Widow’s Hill to a messy death on the rocks below. Not satisfied with that level of carnage, Barnabas came up with a whole new plan yesterday — he’s going to use his powers to call Josette back from the grave.
“I have made my own dark conquest of the grave,” he said. “Hers will be next.”
Now, I know the show is called Dark Shadows, but they’re really taking that super seriously at this point. The main character has been moping around in a graveyard for weeks, and I don’t see the situation getting a hell of a lot happier. I mean, at a certain point, either your show is going to do a two-part episode at Disney World or it’s not.
Continue reading Episode 430: Dark Conquest