Tag Archives: ectoplasm

Episode 1099: Damsel of the Damned

Sam Hall, September 1970, ,

“You know, there’s enough weird stuff going around on this house without you two spookin’ around.”

The spirits that live in the rafters of Collinwood have been more uppity than usual lately. The children of this haunted house, possessed by the ghosts of previous children, have been conducting secret chalk-and-candle rituals in the small hours, trying to bring even more ghosts into the house, and then those ghosts are going to want a turn. This is why everybody talks about immigration reform.

“We could be so happy if Daphne was here with us,” says one of the dreamers. “This house is so different.”

“It’s the same house we once knew,” says the other.

“Oh, no, it’s so strange, so ugly,” says the first. “Do you remember how it used to be, with the candles, and the sound of the spinnet?”

So that’s where I draw the line, really. Nobody asked these people to move in. If they’re not interested in participating in our century, then they can feel free to go back to whatever hell realm they crawled out of.

The sound of the spinnet. I mean, honestly.

Continue reading Episode 1099: Damsel of the Damned →

Episode 1078: Everyone Must Leave This House at Once

August 1970, Joe Caldwell, , , ,

“I remember the first sensation I had from him in the future.”

“Do you feel his presence?” Barnabas asks.

“Yes,” Julia shudders, “but not as strongly as before.”

So there you go, that’s our show this week: characters walking from room to room, consulting their ghost barometers.

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Episode 331: Bat’s Entertainment

October 1967, Ron Sproat, , , ,

“Cousin Barnabas hates me. He sent the bat because he wants me to die.”

So here’s a quick rundown of Barnabas Collins’ known vampire abilities. To start with, we know that he’s very strong, because he smashed through the window of Dr. Woodard’s office and trashed the place, and he can appear in upper story bedrooms without using the stairs. There’s the ever-present threatening dognoise, and he’s also got extra-strength dognoise, which he uses when he really wants to make an impression.  He can make people hear a pounding heartbeat, he can make his portrait’s eyes flash, and he may also have some scattered weather-related effects.

And then Friday’s episode added a couple more tricks to his resume. Barnabas needs to discredit young David, who’s telling everyone that his cousin has a coffin in his basement. So now there’s a huge bat flying into David’s room, and acting like it owns the place.

Now, to be precise about this, it’s not clear whether Barnabas turned himself into a bat, or if he has access to some freelance bats who are available to terrorize children on a contract basis.

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Episode 314: A Logical Explanation

Ron Sproat, September 1967, , , ,

“I’ve got a feeling about this doll.”

It’s the next morning, and Joe’s been out all night searching for young David, who’s trapped in the secret room in the mausoleum.

Joe walks over to Maggie’s house, and he slumps down into a chair to grab a few moments of rest. He’s exhausted, and dirty, and he hasn’t shaved. And you remember how yesterday I noticed that Joe is really handsome? Cause, damn.

But there’s no time for romance; we’ve got serious business today. Worn out from weeks of baffling mysteries, Joe finally says what everyone’s been thinking.

“We all know there’s something very strange going on in this town,” he says, “but I’m beginning to think that it’s something so strange that…”

That what, Joe?

“That it borders on the supernatural.”

BOOM! And the world explodes.

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Episode 304: Scooby-Doo Must Die

August 1967, Ron Sproat, , , , ,

“I don’t know what you’re thinking about, but whatever it is, I’m sure you’re quite wrong.”

So here’s something you don’t want to see on your doorstep first thing in the morning — Burke Devlin, all self-righteous and shouty. He gets right up in Willie’s face and says, “I have to see Mr. Collins.”

Willie says that Barnabas isn’t home; he left early this morning and didn’t say where he was going.

Burke shouts, “You’re lying! I saw him come into this house before sunrise this morning, and he never came out.”

Stunned, Willie says, “You’ve been spying on him?”

“Well, I’ve been watching him,” Burke says, splitting hairs.

Willie asks the obvious question. “Why?”

“Because I find Mr. Collins a very odd person,” Burke says, “and the same goes for you.”

So there you go — any last shred of sympathy that we might have had for Burke, tossed away in a weird moment of spiteful bitchery. As a general rule, if you’ve been standing outside behind a tree all night, waiting for a guy to come home, then you lose any right to call other people odd. It doesn’t matter if the guy you’re spying on turns out to be a vampire. You are part of the problem.

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Episode 292: I Know Who’s Dead

August 1967, Gordon Russell, , , ,

“You know about leaves and everything. Well, I know who’s dead, and who isn’t.”

Okay, let’s see where we are. Yesterday, Dr. Julia Hoffman — the noted blood specialist and dangerous lunatic — managed to convince a vampire that she should hang out in his haunted mansion and purge his arterial system. She seems to feel that somehow this will be beneficial for humankind, and who’s going to argue with her?

Well, I guess Dr. Woodard will. It’s been a whole two episodes since the last time he came over and said sensible things to Julia, and here he is again. Apparently he thinks that it’s “unethical” for Julia to abandon her patient, Maggie, in the middle of a very delicate and intense course of treatment.

He’s right, of course. In fact, we learned yesterday that Julia is planning to ensure that Maggie’s amnesia will be permanent, in order to protect the monster who abused her.

Unfortunately, if Woodard succeeds in getting Julia to take more responsibility for Maggie’s treatment, then the story gets less interesting. So, on behalf of the entire audience, I would like to shake his hand, tell him he’s one hundred percent correct, pin a medal on him, and then send him out to play in traffic.

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