“I’m back, I’m back! I didn’t die, I didn’t die!”
And meanwhile, in the present, everybody is still standing around in the drawing room, waiting patiently to finish the scene that they started four months ago.
This is a weird thing for a TV show to do. It’s so weird, in fact, that the opening narration — which usually lasts about thirty seconds and doesn’t mean anything — actually goes on for three minutes, all the way through the opening titles and into the first scene, just to make sure we know what’s going on.
Continue reading Episode 461: Leave Me Hanging
“You feel that you have no more use for me, and you’re planning to dispose of me. Is that correct?”
Dr. Julia Hoffman is standing in the foyer of Collinwood, clutching a red notebook and emoting. And when Dr. Hoffman expresses emotion, it stays expressed. She has an internal monologue that can be heard up to three miles away, if the wind is right.
This notebook contains the notes on her experiments in curing Barnabas’ vampirism. Barnabas has decided that Julia has betrayed him, and he’s planning to kill her once he’s sure that the notes have been destroyed.
Now, thinking about this situation rationally, there are several options here. For example: Tear some relevant pages out of the notebook, put them in an envelope, and mail them to a friend. Or copy the notes into another notebook, and use this notebook as a decoy. At a pinch, she could even write BARNABAS IS A VAMPIRE on her driver’s license, or in black magic marker down her arm, Memento style.
Julia does not consider any of those options. As far as she’s concerned, the smallest indivisible unit of measure is the notebook.
Continue reading Episode 356: Beat the Clock