Category Archives: Sam Hall

Episode 409: Spoilers

“Jeremiah is dead! Barnabas is here! The book is wrong!”

Every time travel story has to figure out the answer to the big question, the one that Ebenezer Scrooge asks the Ghost of Christmas Yet to Come in A Christmas Carol. Confronted with a vision of a future where his own death inspires only joy and relief that he’s gone, Scrooge asks, “Are these the shadows of the things that Will be, or are they shadows of things that May be, only?”

In Scrooge’s case, the answer turns out to be things that May be. He still has the opportunity to wake up on Christmas morning, buy the Cratchits a turkey, and change his fate.

Ray Bradbury’s seminal time travel story, “A Sound of Thunder”, adds a scary element of chaos-theory mischance — stepping on a butterfly in the prehistoric past produces subtle but devastating ripples in the present. Taking up the alternate position, Robert A. Heinlein’s story “By His Bootstraps” describes a circular timeline, where the time-traveler has to follow a path that he’s already seen his future self walk.

Every writer who tells a time travel story ends up taking a position somewhere on that continuum between “the things that Will be” and “the things that May be.”

Except for Dark Shadows, of course, which is being written at the last minute, during a hurricane, by lunatics who didn’t even realize they were writing a time travel story until it just kind of suddenly already happened.

Continue reading Episode 409: Spoilers

Episode 403: But I Loved You, and Other Excuses

“I will hate you until I end your life, and I will end it.”

Man, did you ever have one of those days where nothing goes right? Meet Barnabas Collins. He’s experiencing an epic, unbroken string of days like that, which is a real shame, because he doesn’t have a whole lot of days left. As the saying goes: Life sucks, and then you die. And then things start to go seriously downhill from there.

Continue reading Episode 403: But I Loved You, and Other Excuses

Episode 402: Plan A

“It’s like some nightmare. Such things just don’t happen.”

Don’t believe them! They tell you lies, nothing but lies. And worse than that — they’re boring lies, which make the world less interesting, and that is something I can never forgive.

They say that the point of the 1795 storyline is to make Barnabas a “sympathetic” character, which is some brand of vague applesauce that presumably means that we should “like” him, and agree with his goals. If we like Barnabas, according to this point of view, then we’ll be more likely to root for him, and we’ll want him to succeed.

This is entirely false, in every way that matters.

For one thing, we were all rooting for Barnabas pretty much from day one. Obviously, by “rooting for him” I don’t mean that we want to watch him murder small children. We just want to watch him.

We want Barnabas on the screen as much as possible, because he does improbable and surprising things. The show is more interesting when he’s around, for reasons that have nothing to do with whether you’d want to invite him over for a cookout.

Barnabas is a mess. He makes nothing but bad choices. He’s got a gorgeous, rich fiancee coming over to America to marry him, and what does he do five minutes before Josette walks into the house? He makes out with the maid.

And once he gets Angelique all worked up, he pulls away and says they have to pretend that this never happened, and she needs to be totally supportive of his upcoming marriage to the woman she works for. That’s the level of emotional intelligence we’re dealing with here.

It’s impossible to “sympathize” with Barnabas when he talks about his romantic future; it’s like rooting for a sea lion who wants to work on a space station. Yeah, he’s applied to graduate school. That’s fantastic. It’s not gonna happen.

Continue reading Episode 402: Plan A

Episode 397: Lord of the Flies

“This isn’t champagne! It’s blood!”

War is coming to Collinsport, one of those big mythological ones where everybody dies, and it takes a couple centuries before you figure out it was all a metaphor for something else. The big dance is going to kick off next week, so this week is about defining who the main combatants are.

Yesterday, we were introduced to “the dead”, who are running on the incoherent but passionately expressed platform that you have disturbed my rest, my rest has been disturbed, you must be punished for disturbing my rest, and so on.

Don’t worry about following that line of reasoning too closely; you don’t need to understand it. It’s a “the dead” thing.

Today, we’re going to take a look at Angelique, another major player in the saga, and we’ll ask: Where do her powers come from, anyway?

Continue reading Episode 397: Lord of the Flies

Episode 393: Tell Them We Are Rising

“What do you suggest? Shall I open my own bottle of sherry, and see how much I have to drink before I begin to see hands appearing?”

Well, now they’ve done it. They’ve pierced the veil between the living and the dead; they’ve tampered in God’s domain; they’ve invented a whole new kind of monster, and they don’t even have a name for it yet.

Folks, this is Jeremiah Collins. He was shot in the face two weeks ago, and he died on Friday. But yesterday, Angelique decided that Barnabas and Josette were getting too cozy, so she’s brought Jeremiah back for an encore.

Wave hello to the folks, Jeremiah. That’s a good boy.

Continue reading Episode 393: Tell Them We Are Rising

Episode 392: Christmas Stalking

“All the things that we once shared together, I never thought that we would share remorse.”

The whole point of television is to surprise you. I’ve never understood why somebody would watch a boring TV show where it’s exactly the same thing every time, like a police procedural, or a cooking show, or the news. Your own life offers you plenty of opportunities to be bored; you put the mystery box in your living room because you want it to bring you something new.

So here we are on the day after Christmas, 1967, and we’re watching the gothic soap opera that gradually turned into a free-wheeling spook show. And just for today, it turns all the way back into a drama again. Who saw that one coming?

Continue reading Episode 392: Christmas Stalking

Episode 384: Life After Love

“Then I have reason to hate you. Because if you do not love her, you’ve ruined all our lives for nothing.”

So, it turns out there’s no such thing as magic after all. Angelique doesn’t cast spells; she’s just a superstitious girl who plays make-believe voodoo games. The “visions” are just dreams; the “enchantments” are just bad choices.

Josette and Jeremiah didn’t break Barnabas’ heart because they were under a spell. You can’t blame the magic rose water, or the spiked hot toddy. They’ve both been walking around saying things like “we couldn’t help it” and “we didn’t know what we were doing”, and Barnabas treats those excuses with the frozen contempt that they deserve.

And then Barnabas asks the one devastating question that they simply can’t answer, the question that blows the whole family to pieces.

Continue reading Episode 384: Life After Love

Episode 383: The Newlywed Game

“Do you remember when this mark was the only sign we belonged to each other?”

And this is it, this is how you end a love story. Ladies and gentlemen, please join me in toasting the happy couple, as they enjoy their first and only dance as Mr. and Mrs. Jeremiah Collins. This is their moment.

It lasts for exactly two minutes and twenty seconds.

Continue reading Episode 383: The Newlywed Game

Episode 379: Nine Lives to Live

“Your aunt is right. The cat is a sign, the Devil’s pet. The laughter after the joke.”

“Governesses are supposed to be trusting,” the Countess du Prés smiles. “One has to be in dealing with children. Think of me as a giant child.”

Joshua Collins has disappeared, all of a sudden and in the middle of an argument. While the men are out pointlessly searching the grounds, the Countess has decided to re-enact the mystery, with herself in the starring role as Joshua, and Vicki pinch-hitting for Jeremiah. As usual, Grayson Hall is having a wonderful time in the role of Natalie, who has all of Julia’s swagger, none of Julia’s guilt, and a much more extravagant wardrobe.

And then there’s Vicki, who’s come all the way from the 20th century, and refuses to have any fun at all.

Continue reading Episode 379: Nine Lives to Live

Episode 378: Resistance Is Useful

“I am unaccustomed to explaining things, sir!”

Ben Stokes has an axe to grind. I mean, literally — he’s standing in the woods near the Old House, sharpening his axe with a grindstone.

“She’s a witch, that Angelique,” he thinks. “A man like me can’t fight a witch. But I’ve got to. Mr. Barnabas… he’s the only friend I got. She says she’s doin’ everything cause she loves him. If only I could figure out some way I could help him, without her knowin’ it.”

Ladies and gentlemen, there he stands, the unwilling henchman — forced to follow the deranged monster’s commands, but openly struggling the whole way. This is such a common theme on Dark Shadows that it must be coded deep down in the show’s DNA.

So far, everyone that we’ve seen under the vampire’s spell — Willie, Maggie, Julia and Carolyn — have all had the guts to stand up and question what he’s making them do. And not just once, but over and over, even at the risk of their lives and immortal souls. There are no sell-outs or collaborators on Dark Shadows — only underground resistance fighters who haven’t figured out which way is underground yet.

Now we’ve got Ben, the spell-charmed slave of a sinister soap vixen, and he’s desperate to spare his friend. But then a huge floating witch head appears, and starts giving him orders. Looks like recess is over.

Continue reading Episode 378: Resistance Is Useful