Category Archives: Sam Hall

Episode 796: Death and Taxes

“I have a small nagging wonder at your even being here.”

When we last left Quentin, he was strapped to a table under a slowly descending swinging axe, not at all in danger of being brutally killed. Quentin was trapped in this entirely non-lethal predicament by Aristede, who rigged up some “Pit and the Pendulum” machinery, and then left him here to not die.

The clock was not winding down and time was not running out, and the pendulum was not inching ever closer to our hero. It was inching, yes. I will concede the inching. But towards what?

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Episode 785: We Interrupt This Program

“This hand, it is not my servant. I tell it what to do, yes, but it has powers that I do not possess.”

If you think about it, it’s almost like this is a real soap opera. For months, the odious Reverend Gregory Trask has been slowly building a relationship with Judith Collins, the current mistress of Collinwood. He admires her virtue, her generosity of spirit, her strength of character, and (most of all) her enormous family fortune. If you admire somebody at close range like that for long enough, it’s going to make an impression.

Then a couple weeks ago, he arranged for his wife Minerva to be killed, and after a barely suitable mourning period, he laid his heart, such as it is, at Judith’s feet.

Now, looking at the structure of the other current storylines, it’s obvious that they’re just being made up from day to day — all this King Johnny Romano nonsense, and everybody suddenly knowing about the legendary hand of Count Petofi. Last week, Magda said that Julianka was dead, but she’s going to show up two weeks from now, alive and temporarily healthy. Barnabas’ fake “engagement” to Angelique, Edward becoming a vampire hunter, Jamison’s dream that had clues about Quentin’s death — remember that one?

All of those supernatural stories are just drifting onscreen and then off again, bumping into each other with no rational plan. But underneath, the writers have been carefully crafting this Trask/Judith seduction story, one story beat after another. There’s been an actual soap opera storyline just sitting there all this time, hiding in plain sight.

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Episode 780: The Establishment Vampire

“I’m always with fear, Barnabas, but we don’t have time to think about that.”

Okay, I get that it’s a rough way to wake up. It’s dusk, and Barnabas gets up out of his coffin, and the door to the secret room in the mausoleum is wide open. Someone’s been sneaking around his coffin, and obviously that’s an unpleasant surprise.

But then Quentin appears at the door, which is pretty much the best case scenario. If somebody’s going to suddenly appear in your bedroom, then it ought to be Quentin Collins, right? You can’t improve on that.

And this is how out of control things have become for Barnabas: he opens his mouth and bares his fangs. Dude, seriously. What are you planning to do? Put that back in your mouth, and try, for the first time in your long and ridiculous life, to be a grownup.

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Episode 773: The Persecution and Assassination of Minerva Trask as Performed by Tim Shaw Under the Direction of the Marquis de Sade

“My father won’t let her be dead!”

Okay, quick recap: Reverend Trask wants Evan Hanley to get Tim Shaw to kill his wife. No, not Tim’s wife, Trask’s wife. Tim doesn’t have a wife. Apparently, Evan does have a wife, but we never see her, so who knows. Look, it doesn’t matter whether Evan has a wife.

The point is that Reverend Trask has future plans that do not involve Minerva Trask as an active participant, so he needs her out of the way. Enter Satanist lawyer Evan Hanley, who’s worked up some kind of weird juju where he can hypnotize a guy into killing somebody by licking his fingers. I mean, the guy licks his own fingers, and then they play cards, and whoever plays the Queen of Spades gets poisoned. End of recap.

Continue reading Episode 773: The Persecution and Assassination of Minerva Trask as Performed by Tim Shaw Under the Direction of the Marquis de Sade

Episode 772: Nothing Lasts

“Apologies are the Devil’s invention.”

So like I said yesterday, Pansy Faye was killed after only one episode, a promising new character taken from us too soon by a wiggling plastic bat. And it’s a real shame, because it feels like we only scratched the surface on the entertainment value of a gold-digging fake-Cockney lunatic mentalist. But now Pansy’s dead, and she’ll never appear on the show ever again. Well, you can’t have everything.

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Episode 771: The Mentalist

“He will look for some secret dark womb that will keep him safe.”

So, it’s yesterday, and Barnabas walks into the weird secret jail cell that he keeps behind a bookcase for some reason, and Dirk is gone! He died, and vamped himself right out of stir. Barnabas and Beth are just looking around, not sure what to do with themselves, surprise twist, big crescendo, credits, the end. You know? Yesterday.

And today, Young Danny tunes into New Jersey Network, and what do I see? Barnabas walks into the Old House, and there’s a dead white lady sitting in a chair who I’ve never seen before. Barnabas says, “No. NO!” and then Carl is knocking at the door, saying, “Barnabas? Let me in, I have to talk to Pansy!” And I’m like, who the fuck is Pansy?

So, surprise, turns out that when they first released these episodes for syndication in the mid-80s, Worldvision mislabeled episode 771. They thought it was from June 1968 instead of ’69, so they played it a year too early, right after the ghost of Reverend Trask bricked up Barnabas in the Old House cellar.

When they got to the actual place in the reruns where this episode should be, they skipped it, so I missed the only episode where Pansy Faye appears. But the characters keep on talking about her for the next five months, which was baffling, because as far as I was concerned, she was never on the show in the first place.

This concludes another chapter in the saga of Young Danny in the World Before the Internet. God, it was a nightmare.

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Episode 763: The One Where Magda Finds Out

“An afternoon of cards — a night of murder!”

The curtain rises on what is honestly one of the most irritating scenes that Dark Shadows has ever done.

So you already know the thing with Tim Shaw, we’ve talked about this. He’s played by Don Briscoe, who only three months ago was the undisputed titleholder of Only Hot Guy on the Show. Except he’s not the sexy haunted bad boy werewolf anymore, with a Southern drawl and an easy smile and a tendency to take his shirt off on camera whenever he feels like it. Now he’s a prissy schoolmaster with a tight collar and a weird part in his hair, and he translates Latin for kicks. Oh, and he’s being secretly trained as an assassin.

You’d think that maybe the trained-assassin thing could be kind of sexy and interesting, but no. They’ve decided they want to do The Manchurian Candidate this week, because that’s what you do when you’ve got a spare few minutes on your soap opera spookshow. So Tim is being hypnotized into murdering someone on cue, without being consciously aware of it.

Now, I’ve never been opposed to having the cute boys hypnotized and forced to do shocking and terrible things against their will. That concept is entirely okay with me. But the way that they hypnotize Tim is that they paint the edges of a book with magic hypno-assassin juice, and they ask him to read it. So he sits there and reads, and every time he’s done with a page, he licks his finger and turns to the next page.

This is a deeply unsexy thing to do.

But that’s how they establish that Tim is being hypnotized, so they spend several long scenes with us just watching him sit there and read, licking his finger. They even have a conversation where they specifically point out that he licks his finger to turn the page, just to make sure we’re spending a lot of time focusing on this entirely aggravating and unsanitary habit.

Even the murder weapon is boring and lame. When Tim sees the hypnotic trigger — the Queen of Spades, just like in The Manchurian Candidate — then he goes and pours a drink, dumps some poison in it, and hands it to whoever’s in the room with him at the time. And they spend several scenes running drills — showing him the trigger, and making him go put poison in a drink. This is not a particularly difficult skill to grasp, but they make us watch it three times over the course of two episodes. And honestly, that poison drink looks more and more appetizing every time we see it. The whole sequence is dull and baffling and unpleasant and disappointing, and it makes me want to hit somebody.

And yet this is one of the most thrilling Dark Shadows episodes ever made. Explain that!

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