Tag Archives: shambles

Episode 632: The Owl, the Raven and the Bat

November 1968, Ron Sproat, , , , , , , , , , ,

“You will live, as I live — as one of the damned!”

Fall 1968 is a rough time for the Dark Shadows writers, because they’re stuck with a convoluted storyline that just won’t unconvolute. So they’ve embarked on the Great 1968 Wrap-Up, where they shed all of the characters, actors and plotlines that are surplus to requirements, which is practically all of them.

In this time of turbulent change, we turn to the old traditions for comfort. I mean the really old traditions, like dressing up in animal skins and making blood offerings to Asmodeus.

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Episode 492: The Terrible Twos

Gordon Russell, May 1968, , ,

“Whether he’s ordinary or not is not the point. He’s a living human being, and we are responsible for him.”

It’s one of those weird nitpicks that people like to bring up in conversation — that “Frankenstein” isn’t the name of the monster; it’s the name of the doctor who created him. Then you say, okay, so what’s the monster’s name? And then everyone just stands around and looks foolish, until finally somebody says, gee, will you look at the time.

Because the creature doesn’t really have a name — he’s billed as the Monster in the Boris Karloff movie, and sometimes people will say “Frankenstein’s monster,” but those aren’t satisfying names, and everybody knows it.

The name “Frankenstein” exists in this weird middle space, suspended between creator and creation. And when you think about it, they’re kind of the same thing anyway, aren’t they? The doctor is the one who thinks; the monster is the one who acts. It’s the ego and the id. “Frankenstein’s monster” and “a Frankenstein monster” are both true, at the same time.

So, this big guy who’s currently smashing up the laboratory — is he Barnabas’ monster? Or is this a Barnabas monster?

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Episode 394: Rules of Engagement

December 1967, Gordon Russell, ,

“You are either in league with Miss Winters and the Devil, or you’re just a schemer.”

Here’s a question that you probably haven’t given a lot of thought to: What do you do when you walk into a bedroom in your house and find that an avenging poltergeist who might be your recently deceased brother has trashed the place, shredding the appointments all the way down to a licked splinter?

Well, I’ll tell you what you’d do if you were Miss Abigail Collins. You’d walk into the middle of the room, and say, “What has happened here?” And then you’d walk over to the only chair in the room, pick it up and put it back on its feet.

This is why I love Abigail. She walks fearlessly into the bleeding heart of chaos and fury, sizes up the situation, and says to herself, I’m gonna need that chair in a minute.

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Episode 337: Time to Kill

Gordon Russell, October 1967, , , , , , , , , , ,

“The thought of what he might be frightens me as much as it did you.”

Well, there are books here, that’s something that I know. There are books on shelves, and they’re dusty, so this is probably an interior set. That’s a place to start.

The walls are made of stone, with big stone columns, and there are plaques on the wall that look like gravestones. Lots of cobwebs, naturally. Very dark, very shadowy.

There’s an old man with glasses who’s carrying a book. He shuffles over to the wall with the gravestones, peers at them, and then looks at all of the other walls, as if he suspects they might be up to something. Then he shuffles over to the bookshelves, and puts down the book that he’s holding.

I’m trying to describe this scene for you in as much detail as I can, because we’re currently one minute into this episode, and I have absolutely no idea what we’re looking at.

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