Tag Archives: gunplay

Episode 765: Rabbit Season

“I already know how and where. What I want to know most of all is when.”

That — creature! I’ve never seen anything like it. It’s a vicious animal — but it wears clothes, like a man! It also runs like a man, wears shoes like a man, and uses doorknobs like a man. Somebody get me a man, so I can double-check. Get one for yourself too, if you want one. I mean, as long as you’re out.

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Episode 754: The Hunger Games

“I don’t share your confidence in that cane.”

Quentin Collins, former human being, has turned into a snarling werewolf that runs around in the woods, attacking people and causing unrest. Quentin’s nephew Jamison is out tonight, running away from Reverend Trask’s sleepaway punishment school, somewhere on the Collinwood grounds. Trask didn’t say “Release the hounds,” because you don’t have to at Collinwood. The hounds are provided free of charge by the management; it’s just one of the great estate’s many fatal perks.

So now Beth is out looking for Jamison, wielding a gun that she found in a drawer somewhere. She hears a growl, and turns to find the werewolf sitting on a boulder, waiting to pounce. As we all know, people are the most dangerous game, but werewolves have got to be a close second. It just stands to reason.

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Episode 745: Rendezvous at the OK Corral

“What I was is not what I am. What I am is what I will be.”

So let’s say you have an entirely crazy person on your hands, and you need to keep her in your home for an unspecified amount of time. This is a common concern for modern homeowners. According to the experts, you should keep her in a warm room with indirect light, check the top of the soil before watering, and fertilize once a month in the spring and summer. No, wait, that’s ficus trees.

Well, here’s what vampire-about-town Barnabas Collins does, once he’s taken it upon himself to immure Quentin’s crazy wife for the foreseeable. He stashes her in an upstairs bedroom, locks the door from the outside, and then goes down to the basement to sleep in a coffin, leaving a note for the comedy gypsies who serve as his unwilling housekeepers.

I’m not saying that’s the appropriate way to handle it, I’m just telling you what Barnabas does.

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Episode 688: Mostly Charmless

“I was hoping you’d say it was just a wild coincidence.”

Barnabas Collins has driven a stake through a vampire’s heart, beaten a werewolf into submission with his cane, bricked up an enemy behind a wall, and burned a witch to death with a torch, and Dr. Julia Hoffman has done everything that Barnabas did, except backwards and in high heels.

So you’d imagine that these two heavyweights would have no problem dealing with an awkward social situation, like if a guy shows up at your friend’s house in the middle of the night, and you can’t get him to leave. And yet here they are, stymied. Us Weekly was right; celebrities really are just like us.

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Episode 673: The Shambles

“The blast from that gun should’ve killed any living creature. And it should’ve.”

Eccentric millionaire Barnabas Collins is out on the grounds of his family estate in the middle of the night, hunting for werewolves by the light of the full moon.

He hears something moving in the woods — and as the vicious beast advances, Barnabas lets fly with a rifle shot, smacking the animal right in the heart. But this is a supernatural creature with the raw power of whatever demon cursed its malignant soul; it shrugs off the gunshot, and comes back for more.

Thinking quickly, Barnabas tosses the rifle aside, and prepares to beat the snarling beast to death with his cane.

You know, they don’t make eccentric millionaires like this anymore. It’s a lost art.

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Episode 635: One Damned Thing After Another

“And then suddenly, he seemed to burst into flames!”

So then the whole show just goes to Hell. I mean, they did already. They went to Hell, and they talked to the devil. It happened last week.

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Episode 590: This Old House

“You have brought me to the edge of disaster, and I must find a way back.”

This week, we hit another minor milestone in our uncertain and frightening journey through Dark Shadows. It’s one of those trivial production changes that probably nobody notices when they’re watching the show on DVD, but which I will now spend the next few minutes trying to convince you is critical to understanding this period of the show.

The change is: each episode has four commercial breaks, instead of five. I know, I probably should have asked if you were sitting down before springing it on you like that. I hope everybody’s okay out there.

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Episode 547: Justice in Hell

“Instead of a dream, you threaten me with a gun. Are you bored with your tricks and your spells?”

In yesterday’s post, I did a little compare and contrast exercise between Dark Shadows and a March 1968 episode of General Hospital, which was DS’ lead-in at the time. What I found was two shows that share the same network and afternoon timeslot, but feel like they were made in different decades.

By 1968, General Hospital’s storylines were starting to break away from the old-fashioned kitchen sink approach to soap opera, where the stories are supposed to be a slice of life that the audience can personally relate to. The GH episode that we looked at includes a girl who’s accusing her stepmother of killing her father, and a woman who’s struggling to put her life back together after a traumatic car accident that resulted in a miscarriage.

Those situations aren’t really a part of typical daily life, especially when they happen to the same extended family at the same time, but they’re not outrageous.

Meanwhile, a Dark Shadows episode starts at unbelievably insane in the first scene, and then ratchets the tension up from there.

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Episode 495: The Talking Dead

“Food. That is food. Can you say it? Food.”

Okay, let me run this one past you: a teetotaling Dracula and his mad-scientist gal pal have brought a handsome Frankenstein man to life, and they’re teaching him how to speak by leaving him chained up alone in a filthy basement. Yeah, I don’t really get it either.

I mean, let’s do a quick inventory of things that Adam doesn’t have: A toy. A window. Someone to talk to. Any kind of toilet facilities. And then they try to teach him table manners. How do they possibly think this is going to go?

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