Episode 811: Deadbeat Dad

“There can be no happiness for anyone at Collinwood!”

I think Quentin Collins must be running for president, that’s the only way to explain it. When we met him five months ago, he was a heartless scoundrel working his way through a list of every pretty woman in Collinsport, including the married ones, and especially including the married ones who were married to his brother. He’s also currently threatening a young woman’s life, saying that he will murder her if she tells anyone that he’s a monster who murders young women, and by “currently” I mean literally two scenes ago.

And yet here he is, worried sick about the health of his infant daughter, who he didn’t even know existed until he murdered her mother, and who he’s expressed precisely zero interest in ever seeing. Ladies and gentlemen, I present to you: Father of the Year.

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Episode 810: The Most Dangerous Game

“Satan is determined to take over Collinwood!”

In the summer of 1969, the young set gather every afternoon at four o’clock to watch one of the great pioneers in educational programming.

Not Sesame Street, of course; that doesn’t start until November. For the summer, at least, the kids’ choice is Dark Shadows, and what they’re learning is that murder is awesome, and you can totally get away with it.

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Episode 809: Twice Burned

“She called your name, and then she became unconscious again.”

One nice thing about being a soap opera character — and overall the benefits are not numerous — is that every once in a while the writers need you to figure something out in a hurry, so they hand the entire solution to you on a platter, whether it makes sense or not.

For example: the Dark Shadows writers have decided that straight-laced Charity Trask needs to know that Quentin, her prospective fiancé, is a werewolf who murders people on the regular. So they’ve arranged an educational tableau for her to discover, on her morning walk through the woods.

Lying on the turf is the unconscious Quentin, with his shirt all ripped up and decorated with blood spatters. A couple feet away, there’s a young woman who we haven’t seen before and aren’t likely to see again, because she’s sporting the telltale fang and claw marks of a werewolf victim.

Feebly, the girl mutters Quentin’s name, and Charity finds the crucial piece of evidence in his hand — he’s clutching a piece of taffeta, torn from the young lady’s dress. There isn’t a sign that says WEREWOLF with an arrow pointing to Quentin, but Charity’s a bright girl. She can put two and two together, especially if one of the two is currently bleeding out on the green burlap that everybody’s agreed to pretend is the ground.

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Episode 808: Twisting

“I don’t understand how to believe these things.”

I talk a lot on this blog about how serialized narrative is natural selection for stories, and when I say that I talk about it a lot, what I really mean is that it’s my incessant catchphrase that I’m really hoping will catch on, because otherwise I don’t know what to do with all these T-shirts I’ve printed up.

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Episode 807: Dickens Without Poor People

“Well, you know how he gets when he possesses someone.”

Behold the educated viewer, watching an episode of Dark Shadows. Charity Trask is looking at the unfinished portrait of Quentin Collins, on the night of the full moon. To her surprise, she sees the portrait change before her eyes, the painted face transforming into the image of a werewolf.

“Ah,” one nods appreciatively, “an allusion to The Picture of Dorian Gray.” One says this to oneself, because nobody else can stand to be around one while the television is on.

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Episode 806: FML

“I say that Lucifer is trying to undo the good that I have done in this house, and that you and all the others are acting as his accomplices!”

Today, I walked into the drawing room and found my daughter reading something on a piece of paper. I said, “Good morning, my dear Charity,” but as she turned to face me, I saw not the smiling, placid face of my beloved child. In its place was a startled, hunted look, the shocked visage of an innocent staring into the endless fiery pit, and recoiling from the grisly sight. My eyes darted to the page that she held in her nerveless grip — and there saw the cursed document that Evan Hanley tricked me into signing last night — the paper that I saw burning in the fireplace not ten hours ago! This terrible, damnable lie — somehow, it survived the furnace, and now, my Charity — my dear one, my own — looked at me with eyes filled with hatred and revulsion. “It’s a confession,” she gasped. “It says that you and Mr. Hanley murdered my mother!” #FMyLife

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Episode 805: It’s In His Kiss

“You can’t burn murder, Trask, or drown it, or even poison it. You can’t kill murder.”

Spirit of Joe Lidster, I invoke and conjure thee! Co-producer of the Big Finish Dark Shadows audio dramas and co-writer of Dark Shadows: Bloodlust, I call upon the raven and the viper and all the dark creatures of nature to bring you here, so that we can watch an episode of Dark Shadows together.

Danny:  Hello, are you there?

Joe:  Yes, hello!

Danny:  I’m currently speaking to you through my fireplace. Are you okay in there? Is it hot?

Joe:  It is a bit hot. The reception’s good, though, for a fireplace.

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Episode 804: The Other Puppeteer

“I’ve never seen anyone possessed quite like that.”

The Devil tells the truth, because he has nothing to lose. He’s not trying to protect your feelings, or your friendship. He doesn’t care. He sees you clearly, and he tells you what he sees.

Now, I’m not saying that everything the Devil says is true. He’s the Prince of Lies, after all, and misleading people is part of his job description. I’m just saying that the Devil is the only one who respects you enough to tell you the truth. Everybody else lies to you 24/7.

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Episode 803: What Fresh Hell

“Well, of course you have a hand. There it is, see?”

Edward Collins comes home from a hard day of whatever, and finds his younger brother Quentin swilling brandy in the drawing room. Quentin says that he needs it, after what happened today.

“All right, Quentin,” Edward sighs. “What has happened this time?”

And then this is the nonsense that happens next.

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