Episode 889: It’s From the Past

“You mustn’t touch this, Julia. It happens to be very old.”

Barnabas was boring, is the problem. Around this time last year, they wrapped up all of his storylines — Angelique was banished back to Hell, Adam ran away, and all the other villains just burned or fell to powder. At last, Barnabas was triumphant — free from his vampire curse, surrounded by friends and family, universally respected and trusted. It was a nightmare.

With nothing else to do, he became Barnabas the butler, a facilitator for other people’s story progression. The show always faces a crisis when they don’t know what to do with the star attraction, and their usual response is to visit a different time period. When “toxic Barnabas” was getting too hot to handle in November 1967, we went back to his origin story, and when “tame Barnabas” ran out of story potential in March 1969, the show packed him off to 1897.

Barnabas is at his best when he’s on the defensive, struggling and scheming and making terrible mistakes. His trip to 1897 put him on the back foot immediately — no allies, a vampire once again, and generally confused about what he was even supposed to be doing. He had to ingratiate himself with a whole new family, and learn everybody’s secrets without letting on about his own.

And it worked! Even a month-long vacation didn’t diminish his charms; his miraculous return gave the show its all-time best ratings. But now he’s heading back home, where the outlook is even more drab than it was before he left: Quentin’s evil spirit is gone, and Collinwood is more or less at peace. The immediate future looks even more butlery than before.

So the writers, in their infinite lunacy, have decided to dodge the butler problem by making Barnabas the bad guy again. Instead of a happy homecoming, they’re giving him a mysterious new agenda, which splits him away from his friends and family.

It’s a risky idea, with the potential to squander all the good will that they’ve built up with the audience. But what is Dark Shadows except a string of terrible ideas, which sometimes turn out to be amazing?

889 dark shadows barnabas altar

So, the new status quo: There’s this ancient time-traveling death cult who believe that the water shall nourish each grain of sand, wedged between ancient sacred stones. I don’t know what that means, and I suspect that they don’t either, but they seem super serious about it.

Two converts named Oberon and Haza set up a pop-up sacrificial altar and recruitment stand on a busy transit route near Collinwood, and when Barnabas walked by, they pounced, offering him a free stress test. Once they’d got his attention, they gave him some kind of magical space roofie that turned him into the leader of their unearthly conspiracy, following instructions as prophesied in a forbidden book stolen from the library at Miskatonic University. It’s a screwy thing to do, but Oberon and Haza think of themselves as disruptors. Bless their hearts, this is what they think a startup is like.

Now Barnabas has used the magic altar like it’s a TARDIS, traveling from 1795 all the way to the present day. Shimmering into existence in a clearing that nobody was using anyway, Barnabas exits the contraption, carrying his legendary book. Lightning and thunder crash wildly as he exits the cairn, although it doesn’t seem to be raining anywhere. But you can make a special request to get lightning for dramatic emphasis; they’re usually really cool about it.

889 dark shadows julia barnabas sinister

Arriving at the Old House, Barnabas finds his best friend Julia, who’s been waiting and worrying for who knows how long. She runs to his arms, and he gives her one of those sinister soap opera hugs where he looks at the camera and has secret feelings.

So this is the moment we’ve been waiting for, since Barnabas exited 1897 last week — the Junior Detectives, reunited in the present day. Their plan worked; he didn’t get killed with a stake after all. Now they get to catch up — he’ll tell her about what happened to Quentin, and then she can fill him in about Chris and Sabrina and the painting that she found, and they’ll be a team again, wrapping up one case and getting to work on the next.

It’s not often that I actually want to see characters sit down and recap information that we already know, but this is a special occasion. We’ve missed seeing Barnabas and Julia together, and they need to reconnect. This is the core of the show — two best friends, solving other people’s problems.

889 dark shadows julia barnabas return

Except this episode is all about denying us that pleasure. They’ve spent three days leading up to this reunion, and now that it’s happening, it’s no fun at all.

He says, “Yes, Julia. I’m back.” And then he extricates himself from the hug, and takes a couple steps away.

She hardly notices. “Oh, thank God!” she sighs. “Oh, Barnabas, I’d begun to give up all hope.”

He raises an eyebrow. “How devoted of you, to wait for me all that time.”

And he says it with a sneer, like he’d be just as happy if she’d forgotten all about him. Lose my number, is the basic vibe.

“How did you do it, Barnabas?” she beams. “How did you get back from the past?”

“The same way I went into it. Through the I Ching.”

This isn’t true, and she knows it — she told Carolyn that she locked the basement door so that nobody would disturb the I Ching hexagram, so if he’d returned that way, he’d be stuck downstairs. She gets a little twinge of uncertainty, and the audience waits to see what she does.

We know that there’s a problem here, and we want her to figure it out. We can already tell that the happy reunion scene is off the table, snatched away from us at the last minute. So now our attention is focused on helping Julia realize what’s going on, through the power of our psychic audience telepathy.

889 dark shadows julia barnabas chair

She stammers, “But, Barnabas,” and he says, “What, Julia?” like he doesn’t even want to deal with her.

“Nothing,” she says. “I didn’t think it was possible.”

“Well, it was. And here I am.”

And then he sits down in a marked manner, indicating: that part of the evening is over.

So this is what it looks like, when Barnabas turns evil again. He doesn’t kidnap pretty young women this time, or torment nine-year-olds, or feast on the blood of the living. We won’t see him doing anything remotely like that, for a while. His new reign of terror basically consists of having awkward conversations with Julia. As a piece of villainy, it’s fairly subtle, and it underscores how important this relationship is to the show’s appeal.

She looks at him closely. “Barnabas, are you all right?”

“Is there any reason I shouldn’t be?”

“Well, I don’t know. Did anything happen to you, on the way back?”


And then he just looks at her. It’s devastating.

889 dark shadows julia barnabas wanted

But Dr. Julia Hoffman doesn’t give up without a fight. She parks herself in a chair, and keeps on pressing.

“Well, tell me what happened there. You came back because everything got resolved, didn’t you?”

“I came back because I wanted to.” Another roadblock.

She asks about what happened to Quentin and Petofi, and he gives her one sentence apiece, and then says that he’s tired and doesn’t want to answer questions anymore.

So that’s just unforgiveable; he’s breaking every rule of soap opera. What kind of character comes home with a hundred story points in his pocket, and refuses to recap? Count Petofi, Nicholas Blair, Reverend Trask — even the show’s most fiendish villains wouldn’t pull a stunt like this.

889 dark shadows barnabas julia don't touch

And then there’s an exchange that is actually one of my all-time favorite Dark Shadows conversations. He gets up from his chair and picks up the secret mystery box, which he got from the Leviathans and left on the mantel for some reason. Deciding that he wants it to be even more conspicuous, he carries it over to a side table.

This sparks Julia’s curiosity, as naturally it would, and she asks, “Barnabas, what is that?”

“What?” he says, because Barnabas is pure stealth.

“That box. It wasn’t in the house before, where did you get it?”

“In the past.”

She reaches out, saying, “Oh, may I look at it?”

“No, don’t touch!” he snaps, and moves it out of reach. “You mustn’t touch this, Julia. It happens to be very old.”

Well, sure, cause it’s from the past. Everything from the past is old; that’s what “the past” means.

889 dark shadows barnabas julia cue

So things just keep getting worse. We cut away for a Carolyn/Sabrina scene, and when we come back — look at the body language! Barnabas has had enough of Julia, probably for life.

She’s still trying to engage him — updating him on how Chris is doing, and the Charles Delaware Tate painting that she bought yesterday — because if he’s not going to keep up his end of the recap, then she’s just going to go ahead and do her half anyway.

He says, “I see.” And then he just keeps on waiting for her to stop talking.

889 dark shadows chris julia barnabas help

Julia has one more flicker of hope when Chris comes over, panting, “I still need your help, Barnabas — desperately!” Surely this will perk Barnabas up, a new crisis to accommodate.

Barnabas’ response: “In all the time I was in the past, I found no solution for you. I am afraid there is nothing I can possibly do.”

889 dark shadows barnabas still

He’s completely still, and stone-faced. He doesn’t even use contractions. “I am afraid there is nothing that I can possibly do,” he says, as if he no longer has any use for emotions.

There’s a point late in the series’ run, when Jonathan Frid said that he was tired of playing Barnabas, and he wanted to do something new. So they hopped over to a different time band and had him play a guy named Bramwell, and it was the last nail in the show’s coffin, if you’ll pardon the expression. Losing Barnabas kills the show; everybody knows that.

The devastating thing about this story point is that it feels like even Barnabas is tired of Barnabas right now. He can hardly be bothered to walk through this scene; clearly, he can’t wait for it to be over.

889 dark shadows julia concern

So the question is — if they’re going to deny us the core pleasure of Dark Shadows, namely Barnabas and Julia playing Junior Detectives, is that okay? Does this materially damage our experience watching the show?

It could go either way, depending on how they play it. It kind of depends on whether the show sees this as a problem. If this is it — Barnabas and Julia are split up, forever — then that would be a grievously wounded show.

But if the show agrees that this is a problem — that we need to see Barnabas and Julia together, and this new attitude is an obstacle to overcome — then this is exciting, rather than catastrophic.

The most important thing is that they’re still interacting, even if they’re suddenly adversaries. Barnabas and Julia are one of the three main supercouples on the show — the others are Barnabas and Angelique; and Quentin and almost anyone. As you can tell from those examples, supercouples don’t have to actually be “in love” and happily married. They’re just a couple that has amazing chemistry when they’re together on screen, and seeing those people together is a major source of audience pleasure.

When Angelique was living at Collinwood and calling herself Cassandra, it was a frustrating period for the show, because she had to pretend that she didn’t know Barnabas, and they hardly had any scenes together. We don’t need Angelique and Barnabas to be friendly; most of their best scenes are fights. But they have to keep interacting, their stories revolving around each other.

An evil Barnabas is not a problem. Barnabas can be weird and cold with Julia, and the scene is still exciting. The only problem is if he actually drives her away.

889 dark shadows julia chris frightening

And hooray, Julia agrees, because her interests are entirely aligned with the audience’s interests. Barnabas hustles Julia and Chris out the door, and while they’re still standing on the porch, Julia takes issue.

“Something has happened to him!” she announces. “He’s undergone a frightening change! There’s no reason for him to lie to me!”

Chris asks what she’s talking about, and she brings up the locked basement door thing, which she and the audience have been chewing on for more than ten minutes. It seemed like she might have forgotten about it, but no, she’s on it. Have some faith. Julia is a rock star.

889 dark shadows julia breathing

So: three cheers for smart characters, who recognize when the show’s got a problem, and take steps to correct it. There must be a reason for Barnabas’ sudden character collapse, and Julia knows that if there’s a mystery to solve, there’s only one thing to do — find a mystery box, pry it open, and accept the consequences.

Tomorrow: The Curious Belief.

Dark Shadows bloopers to watch out for:

In the reprise, there are lit torches around the altar. They weren’t there yesterday.

Two episodes ago, Barnabas announced, “It is written that only this box shall accompany me.” Major chunks of today’s episode and tomorrow’s involve Barnabas and the box. But when he appears in front of the altar at the beginning of today’s episode, he’s carrying the book, not the box.

Chris talks to Julia about Sabrina: “We were engaged, you know. She’s still in Collinwood.” He means Collinsport.

Barnabas tells Julia, “Petofi may have been killed in the fire.” He should have said “killed in a fire,” because Julia doesn’t know that there was one.

When they come back from the Carolyn/Sabrina scene, Barnabas and Julia appear to start one line later than they should. Barnabas says, “Yes?” and Julia says, “Good, because there are certain things that we’ve got to deal with.” It’s the response to a question that we didn’t hear her ask.

Julia tells Barnabas, “Today, I was given reason to believe that Charles Delaware Tate may still be alive!” Barnabas’ response: “There’s no reason to believe that’s true.” That may be the line as scripted — the point of the scene is that Barnabas is blowing her off — but it’s a deeply peculiar line.

Tomorrow: The Curious Belief.

899 dark shadows altar open

Dark Shadows episode guide

— Danny Horn

18 thoughts on “Episode 889: It’s From the Past

  1. Lightning and thunder crash wildly as he exits the cairn, although it doesn’t seem to be raining anywhere.

    The rain in Maine falls mainly on the sane.

    That first image of Barnabas appearing at the cairn holding the book shows him with strange cartoon stick-figure legs, like an image from one of those Dark Shadows comic books.

    Julia forgot to mention to Barnabas that while he was away, Chris Jennings picked up a bit of work appearing in a TV commercial for Camel cigarettes.

    1. “I’ve been thinkin’ o’ takin’ up smokin’! This clinches it.”
      Ma Kelly, in ‘Johnny Dangerously’

  2. It was nice of the Leviathans to get Barnabas’ modern day clothes and cloak before sending him back. So since there is no Barnabas body in the mausoleum in 1897 anymore, what does Willie find in 1967?

    1. Why, the jewels he was lookin’ foah. That explains why he was not in the show so much, he had those jewels to live off of… “Oh, jewels. They’re so pretty, jewels are. Sometimes you can tell just by touchin’ ’em!”

    2. Barnabas’ 1960s body mysteriously fades away partway through the I-Ching trance. Where did it go? Clearly it was pulled back in time to the coffin in 1897 to act as the new vessel for Barnabas’ past astral self, which gets left behind when his future astral self exits 1897 in his past body. If you see.

    3. I mean, I thought the whole entire point of dragging us back through Barnabas And Josette: The Recap Relationship was to establish Barnabas back in 1795 so he can get chained up and both go to 1967 and have his body waiting for him in 1897! What the hell?

  3. I want to commend Jonathan Frid for coming up with a very different aura of evil as a Leviathan. He has gone on record saying he brought sympathy to the vampire (despite Dan Curtis’ wish that Barnabas be an out and out monster), but this version who comes back from 1897 is cold as can be. Watch him smile for the next few weeks. The real Barnabas rarely smiled, but when he did it was sort of a “sad sigh” smile. Leviathan Barnabas uses his teeth a lot, but not his eyes, and he becomes quite chilling that way.

    And it’s to Julia’s credit as the hero of this story that she’s on to something being wrong from the start. I go along with all you said analyzing their scene together, Danny. I prefer to think it was all planned, and I get a real thrill out of that whole exchange. The withdrawing/postponement of that sweet reunion we all craved is what hooks us into the next adventure and makes us wonder 1) what will Barnabas do with his box and his new evil outlook, and 2) how will Julia figure out what’s going on and foil these mysterious new villains?

    1. They found a way to make Barnabas scary, unpredictable, and dangerous again, without his being a menace to Collinwood itself… Well, that’s not exactly true, is it? 🙂

  4. Even though I have a problem with cigarette ads, there’s something reassuring about hearing that particular announcer (whoever he is).You can hardly see a set of late ‘ 60s or earl ‘ 70s commercials without hearing him at some point.

  5. It is kind of sad… in retrospect we can see that they actually broke the show with these episodes.
    I do not have one bit of empathy for actors who “get tired” of playing a role. What the heck!!!!! Truck drivers get tired of driving a truck, but they still do it, nurses get tired of taking care of patients, PBX operators get tired of answering the phone. But, you know, we still do it, because it means putting for on the table and out jobs help the world run more smoothly.
    What else was Frid gonna do??? He never did much else. So just give us Barnabas and be glad you got the opportunity to do it. Just do your job and shut UP.

  6. Jonathan Frid is just sensational in these episodes. I often think of Dan Curtis saying that if it had been up to him, they’d have cast Bert Convy as Barnabas Collins. No disrespect to the late Mr Convy, but my goodness, there’s no way on earth he could have executed this turn so effectively.

  7. Bert Convy as Barnabas? Can’t see it. Bob Barker, now that’s a different story. I always thought Bob had a faintly sinister air, especially when he smiled…

    I like the idea of re-villainizing Barnabas but I would’ve preferred the return of the pre-1795 Barnabas, the one who taunted Dr. Woodard before killing him and asked Carolyn for “comfort.” This Barnabas seems like some sort of displaced Vulcan.

    Mention must be made of Carolyn in the midnight blue dress – lovely! I hope Ohrbach’s sold a ton of them.

    1. I attended a taping of “The Price Is Right” at Television City back in 1977. The main thing I remember is Bob Barker turning on the charm during the show and turning it COMPLETELY off during the breaks.

      I’m not sure what the purpose of the breaks might have been. The lead time was such that I don’t think they were rolling in commercials. Might have just been to give everyone a few minutes without the blinding and presumably hot lights.

  8. I love this new Barnabas! Mainly because he’s not taking Julia’s intrusive shit all the time. He almost seems like a brooding teenager being interviewed about where he was last night LOL I wish GH would take another vacation or get cast in a play where she can look up at the ceiling, wring her hands, and blink all the time…she is definitely my least favorite on this show.

    I thought it funny the way Don Briscoe said “trans-FORM-ing”, almost like he forgot what he was saying, which he might’ve.

    Sabrina’s hair looked absolutely disgusting!! Someone get her wash and dry – STAT!

    This same evening ABC aired Bewitched episode #180: “Daddy Comes to Visit” where Samantha’s father gifts Darrin with a watch that also performs witchcraft. Darrin agrees to use magic for a day since Samantha has been living like a mortal for so long and he ends up going power mad! Stay tuned next week for the conclusion!

  9. I am now obsessively marking all of Julia’s facial expressions, and, by Jiminy, there are a LOT of them to mark. I’m also relieved that, back in 1969, Don Brisco got much of his cute guy mojo back simply by parting his hair on the usual side (the RIGHT side). The middle part when he was teacher Tim Shaw was stunningly dorky and the later “bad boy” Tim’s left side part just made him look like he was wearing a bad comb-over. Oh, and the new sideburns (perhaps inspired by Quentin?) add a lot, in my book. Welcome back, Don.

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