Episode 877: The Killing Club

“Do you usually kill people you disagree with?”

Why do they do it, the villains? Why do they turn on their own people?

Dracula pushes Renfield down the stairs, Gutman’s gunsel takes the fall, Blofeld shoots Mr. Osato, Tobias Vaughn decides the Cybermen have betrayed him, Barnabas declares that Willie Loomis must die…

I mean, I get it about the blundering. You work hard to come up with an evil plan, and then all the blundering happens. It’s discouraging. But killing your employees after they’ve made a mistake means that’s one less person standing between you and the hero. Yes, you’ve removed someone that you can’t trust from your social circle, but that doesn’t make the rest of them any more trustworthy. Everybody else just starts updating their LinkedIn profiles.

Continue reading Episode 877: The Killing Club

Episode 876: The Curse of the Caffeinated

“How strange to think that such a place could trap one forever!”

EEEEEEEEEEEEEEE, says Beth, as she slips off the cliff, and into something less comfortable. Running away from her lover, she throws herself off of a mountain and into the sea, which is just like what happened to Josette, except this time it’s Beth and nobody cares.

So Love is dead, as a motivating force behind soap opera storytelling. It had a nice long run, but nothing lasts forever, especially in this town. Beth is dead, and Amanda is gone, and Angelique has vanished, and Kitty is turning into Josette, and Judith has decided to concentrate on vengeance and nothing else. As far as heterosexual love stories go, there isn’t a lot of room to maneuver.

We’re currently stumbling through the dying days of the 1897 storyline, and this week is especially grim. The next five episodes are wall-to-wall villains and henchmen, each one entirely devoted to exterminating all of the others. Count Petofi, Reverend Trask, Charles Tate, Evan Hanley, Tim Shaw, Aristede — it’s the entire 1897 rogues’ gallery, minus the ones that we like.

In fact, tomorrow, one of the villains decides to kill another villain by using a third villain to summon a brand-new fourth villain, who then marches around for the rest of the week strangling literally every single person that he sees.

Dark Shadows is currently taking place in a post-apocalyptic world, with the few scattered survivors driving around in the desert, and challenging each other to Thunderdome cage matches. So, fine, if that’s how they feel about things, we might as well skip the show today, and go read another comic book.

Continue reading Episode 876: The Curse of the Caffeinated

Episode 875: Switchback

“That hand — the power of it — has been gravitated to you!”

Yes! and the bedpost was his own. The bed was his own, the room was his own. Best and happiest of all, the Time before him was his own, to make amends in!

“I will live in the Past, the Present, and the Future!” Scrooge repeated, as he scrambled out of bed. “The Spirits of all Three shall strive within me. Oh Jacob Marley! Heaven, and the Christmas Time be praised for this! I say it on my knees, old Jacob; on my knees!”

Continue reading Episode 875: Switchback

Episode 874: The Rape of Kitty Soames

“I mean, that makes a girl feel all creepy, having all that ‘ocus-pocus said over her!”

What do you think it feels like?

When you “switch off”, I mean. When you suddenly wake up and you’re wearing clothes that you don’t recognize, and you find out that you just had a fight that you don’t understand, with somebody that you’ve never met.

You haven’t been drinking; it wasn’t a blackout. You were just sitting in a room, and you heard a strange sound, and the next thing you know, it’s an hour later, you’re downstairs, and you’re screaming at an oil painting.

And what do you think it feels like, when somebody that you hardly know looks you right in the eye, and tries to convince you that you’re the intruder?

I don’t know about you, but if that happened to me? I’d probably punch that person in the face, and keep on punching until there’s nothing left to punch.

Continue reading Episode 874: The Rape of Kitty Soames

Episode 872: Tick Tock

“So much happens in this house! So much what you can’t understand!”

The mad wizard Count Petofi, currently assuming the guise and garb of black sheep pop star Quentin Collins, is holding the temples of the renowned painter Charles Delaware Tate. He’s guiding the artist on a magical mystery tour through the cosmic corridors of the I Ching, hoping to discover the hexagram that leads to another time. It’s actually going really well so far.

Gazing into the infinite, Tate describes what he sees. “It’s the drawing room at Collinwood,” he breathes. “It’s different… and the people are different, too. There’s a little boy, and a little girl, and a woman. Another woman’s just come into the room. They’re greeting her, and calling her Julia.”

Which is just entirely unfair. Tate’s watching a better episode of Dark Shadows than we are!

Continue reading Episode 872: Tick Tock

Episode 871: Give Me Back My Talent

“The time is over when no one would listen to you. The time is over when you were alone.”

“Angelique!” he gasps.

The wicked witch smiles. “Hello, Quentin.”

“How did you escape from Petofi?”

She looks away. “I just did,” she shrugs.

Okay. Well, screw you too, I guess.

Continue reading Episode 871: Give Me Back My Talent

Episode 870: The Collapsing Cat

“Have I come back to tragedy and death again?”

We left off yesterday with Erwin Schrödinger and his magical cat, trapped in a thought experiment about quantum indeterminacy that threatens to destroy us all.

Here’s how it works: The theoretical cat is placed in a sealed chamber with a Geiger counter, a hammer, a flask of cyanide, and a small chunk of something radioactive, which may or may not decay over the course of an hour. Within that hour, there are two possibilities:

#1. The atom decays, which is detected by the Geiger counter, which trips a sensor that makes the hammer smash into the flask, releasing the cyanide and killing the cat.

#2. The atom doesn’t decay, which means no Geiger, no hammer, no cyanide. In that case, the cat is alive at the end of the hour, and it can go about its business.

Now, according to quantum mechanics, the atomic decay in the radioactive substance is in both states simultaneously — both decayed and not — until it’s observed, at which point it resolves into one state or the other. And if the cat’s life is determined by the unresolved atomic decay, then the cat is both alive and dead at the same time — until you open the box and look inside, which causes the wave function to collapse into either “alive cat” or “dead cat”. And then you feed the cat, or bury it, as appropriate.

But Schrödinger completely missed the third alternative, which is that the cat would look at all this equipment, and figure out what’s going on.

At that point, you have an undead cat, sitting alone in a steel box with a flask of cyanide, a hammer and an active source of plutonium, and nothing to do for the next fifty-five minutes but think about the future. Schrödinger has created a dangerous supernatural entity, and provided it with an arsenal.

You don’t resolve a situation like this by opening the box. Opening the box is the beginning of act two.

Continue reading Episode 870: The Collapsing Cat

Episode 869: Schrödinger’s Vampire

“We’re clearly in the presence of two distinctly different bodies.”

You know, everyone talks about quantum superposition, but nobody does anything about it.

The scientific protocol is as follows: You put a vampire into a box, while the actor goes to Illinois and appears in Dial M for Murder. After four weeks, there’s a fifty-fifty chance that audience interest in the story has decayed.

While the mystery box is closed and the audience can’t observe the vampire directly, the storyline exists in two states simultaneously, a superposition of “dead vampire” and “alive vampire”. This is soap opera quantum mechanics. When you open the box, the two possible quantum states collapse into one, and the audience can observe whether the vampire is alive or dead.

The problem is that Edward Collins and Count Petofi have just opened the coffin, and there’s both a dead Barnabas lying in the coffin and an alive Barnabas collapsing on the cave floor. They’re supposed to choose one or the other; Schrödinger will be simply furious when he hears about this.

So here we are — at the peak of Dark Shadows’ ratings success, cresting the last great surprise before the show begins its long, gradual decline. In this moment, the show’s rising popularity meets its impending defeat; it is simultaneously a blockbuster hit and a soon-to-be-forgotten novelty.

It’s time for reality to collapse into one position or another — and on Dark Shadows, when things collapse, they really collapse.

Continue reading Episode 869: Schrödinger’s Vampire

Episode 868: A New Man

“This man is dead! We know he’s dead, don’t we?”

So I suppose you could say that there’s good news, and bad news. The good news is that Dark Shadows hits its all-time ratings peak this week, thanks to the return of TV’s cool ghoul Jonathan Frid, who’s just coming back from a month-long vacation.

Barnabas has been off camera for four weeks now, chained up in a coffin with a stake through his heart. Yesterday, we finally saw him again — but he’s still staked, still chained, not getting much use out of that FitBit we got him for Christmas. And yet, here he is, the deceased Barnabas Collins, lying around in a doctor’s office and getting his pulse taken, like the show-off that he is.

We’re going to spend the next few days trying to figure out if this really is Barnabas, or some unlikely lookalike with the same name and address. Either way, there’s some kind of narrative sleight-of-hand going on, and everybody’s tuning in to see how they’re going to pull it off. The ratings have been going up steadily all year, thanks to Quentin and the 1897 storyline, and this week is the apex of Dark Shadows’ popularity. That’s the good news.

Continue reading Episode 868: A New Man