Episode 987: Truly Two

“I know that what he really wanted to do was to see if I was real!”

“With every day,” writes Dr. Jekyll, “and from both sides of my intelligence, the moral and the intellectual, I thus drew steadily nearer to that truth: that man is not truly one, but truly two.”

He doesn’t say anything about how many woman is, because it’s 1886 and not really his concern, but in this case, I think it’s safe to round up.


Because this is Parallel Time, that strange dimension on the other side of the sun, filled entirely with doubles and doppelgangers of the characters that we know and love.

This isn’t the Quentin Collins that we know and have a nationwide crush on, and that’s not Angelique, the curse-flinging sorceress. It’s probably not even parallel Angelique; it’s a separate entity claiming to be her twin sister, Alexis. If there was ever a time when somebody is truly two, it’s this broad. Two is a minimum.

Just to drive that point home, the set designers have hung mirrors on every flat surface they can find. It’s dangerous to have this many mirrors on Dark Shadows, because it’s easy to catch a glimpse of the cameras and studio lights, but these are dangerous times.

Quentin has just lost Maggie, his second wife in a row, because he kept feeding her crabmeat and wouldn’t let her edit the guest list. Maggie just endured her first miserable week as mistress of Colinwood, and everybody kept going on about how much they missed the first Mrs. Collins, Angelique, who was prettier and smarter and had her own theme song. Maggie could have stood that, of course, it was just a marketing problem. But then the door opened and in walked an Angelique-alike, and Quentin refused to let Maggie usher her out again.

So Maggie took one look at the situation, and decided to focus on her film career for a while. You can’t live in a house where new Angeliques are going to crop up at irregular intervals, scheming and smiling and tying handkerchiefs around things. You’d never have a moment’s peace.

250 dark shadows stake

Maggie’s not the only one who made for the door last week — we also lost Violet Welles, the third member of the writing team. Her replacement is returning champion Joe Caldwell, on his second tour of duty writing for Dark Shadows.

Caldwell worked on the show back in 1967, when Barnabas was kidnapping Maggie and trying to turn her into Josette. During a period of the show when the main tactics were recap and delay, Caldwell wrote episodes that each felt like a complete little story, with a beginning, middle and end. He imposed a dramatic structure on each episode, rather than letting the characters drift from one day to the next with no real purpose, and it was an enormous step forward for the show.

Caldwell wrote all of my favorite episodes from that period, like episode 250, which was a clever three-character bottle episode where Maggie tried to enlist Willie’s help in destroying their vampire tormentor. Caldwell also wrote Julia’s introduction in episode 265, establishing her weird dominance over anyone else who came along, and episode 270, a perfect little melodrama about Elizabeth and Jason’s wedding, which ended with Liz finally admitting that she killed her husband. And then there’s episode 290, when Julia teased Barnabas into trying to murder her, setting up the vampire-cure storyline. Oh, and episode 341, when Barnabas forces Julia to inject Dr. Woodard with heart-attack juice. Basically all of the good episodes were Joe Caldwell.

He left the show after six months, apparently to work on a play or something. Everyone refers to Caldwell as a playwright, but I’ve never been able to track down the name of a single play that he wrote. I know his TV credits — Dark Shadows, a couple episodes of Matinee Theater in the mid 50s, and a couple swings at Canadian DS knockoff Strange Paradise in early 1970. And I know that he wrote The Pig Trilogy, a well-regarded sequence of novels about an American living in Ireland. But everything else is a blank to me, especially the playwriting part. I’m sure he kept busy somehow.

Anyway, now Caldwell’s back on Dark Shadows, and he’ll spend six months here, all the way through Parallel Time and up to the brink of the 1840 storyline. I don’t remember if he wrote anything special during this period, but I guess this is our opportunity to find out.


Let’s get back to Alexis. The Angelique of Parallel Time has been dead for six months, having died in a mysterious seance-related accident, and there are several people on the estate who are convinced that she’ll find a way to return from the grave. And just when her husband brings home a second wife, all of a sudden here’s Alexis, Angelique’s twin sister. She managed to chase Maggie out of the house in twenty-two minutes, and now she’s sitting around in the drawing room wearing Angelique’s nightgown, and talking about how great Angelique was.

“Even though we were twins, we were always so different,” Alexis sighs. “She had an inner radiance that was reflected in every movement. People were enchanted with her.” Quentin responds by taking a slug of whatever’s handy.

Alexis continues, “It wasn’t easy being her sister, believe me. Everything was so easy for her, and nothing was easy for me. Especially imitating Angelique, and I tried to do that, believe me! What woman wouldn’t want to be all that she was?”

Quentin is knee-deep in the adult beverages by now, and Alexis suddenly realizes she’s being insensitive. She apologizes for bringing up a painful subject, and Quentin says that’s okay, I was going to get drunk anyway. And then the very next thing she says is, “How very deeply you must have loved her.” Seriously, what can you do with a houseguest who’s truly two? It’s ridiculous.


So this is Angelique, obviously, dressing up as her twin sister so that she can punish Quentin for marrying somebody else. On the other hand, it could be Alexis, who just doesn’t know when to shut up. Caldwell is giving her enough space to be either one, which is harder than it appears.

They’re also challenging one of the major twin tropes, which is the idea of a good twin and an evil twin. They’ve established that Angelique is the evil one, the gal who might claw her way out of the grave and come back for revenge. Chris even used the E word the other day to describe her.

But Alexis isn’t necessarily the good twin, because being good is complicated. She clearly idolized Angelique — unless this is Angelique, who idolized herself — and that’s not necessarily a good twin thing to do. We don’t know exactly what Angelique did to earn the Evil Twin crown, but whatever it was, it doesn’t seem to have turned Alexis against her.


Elsewhere in Parallel Time, we’re doing Dr. Jekyll and Mr. Hyde, which is more nuanced about these concepts than people sometimes think.

We talk about Jekyll and Hyde as opposites — the good doctor, and the wicked fiend — but there isn’t really a “good” figure in the story. Dr. Jekyll says that each man is truly two, a mixture of good and evil in one frame. But when he splits and regenerates, his potion only releases the evil one. There isn’t a good twin in that story at all; there’s just the evil twin and Dr. Jekyll, who’s a mixture of good and evil. We never see an angelic version.

In fact, it’s that natural mixture of good and evil that gets Dr. Jekyll involved in the first place. He plans to release both the good and the evil, and allow them to go their separate ways, but then the only one that emerges is the evil one, and he hardly notices. He doesn’t spend any time wondering about where the purely good twin got to. He just figures that he’s the good one, and carries on. This is a common delusion that practically everyone believes — that you are basically more or less good, with occasional lapses into evil. This is probably not actually the case.

And once Jekyll realizes that Hyde is using their shared body to commit unspeakable acts, he’s not repulsed by it. He hardly even feels guilty, just pleased that he won’t be punished for Hyde’s offenses. He tells himself that he’ll never do it again, but then he gets that itch, and he returns to the bottle.

Dr. Jekyll isn’t good, and he isn’t evil. He’s a mixture of both, as we all are. When he feels tempted by the evil streak in his nature, he tries to resist, which is cute. But this is not the good twin.


And that’s what we have with Alexis, who isn’t the good twin either. She’s nice, as far as we can see; she has good manners and she hasn’t sucker-punched anybody yet. But she did kind of put the moves on Quentin the other day, which is what inspired Maggie to freak out and leave the house.

Now Alexis is playing innocent, urging Quentin to reach out to Maggie, and she’s not really taking responsibility for her role in the recent unpleasantness. In her mind, Maggie is only upset because of the physical resemblance between the two sisters. The fact that Alexis was clearly flirting with Quentin in front of Maggie doesn’t register at all.

This is evidence that Alexis is either the evil twin, or the normal Dr. Jekyll version, who’s mostly nice but occasionally deviates, just like everybody else.


And Quentin is doing a lot of truly two himself. He ends an act with a stubborn thinks monologue about how not to blame he is for Maggie’s flight — “It has to be her decision, completely! I will not go after her!” — and then as soon as the commercial break is over, he’s on the phone, trying to get in touch with her.

He ends up talking to Maggie’s sister, Jennifer, because apparently people are truly two at the Evans home as well, and nobody can stand to be one person for any length of time at all. Quentin pleads with Jennifer to tell Maggie how much he loves her and wants to talk to her again. Then Jennifer asks if Alexis has left, and he gets all cold and snappy about it, because even in Parallel Time, Quentin doesn’t put any space between himself and the females, if he can help it.


And that’s the key to what’s going on with the show right now. Parallel Quentin isn’t making a clear choice between Angelique and Maggie, or between Maggie and Alexis, because Quentin Collins is constitutionally unable to be in love with only one woman, in this universe or any other. Julia chose to become a housekeeper and Willie chose to become a writer, but Quentin cannot and will not choose between two women. This is a physical fact.

Quentin is angry at Maggie, and he’s desperate for her to come home. He hated Angelique, and he loved her; he loves Maggie, and he yearns for Alexis. When there’s a choice to be made, Quentin Collins chooses both. He’s the discordian trickster god, and he’s more truly two than anybody.

That’s the secret to all of the binary oppositions floating around Collinwood these days, and there are quite a few. Alexis and Angelique, Dr. Jekyll and Mr. Hyde, Parallel Time and regular time, shooting the movie and making the TV show. Yes, we will have them both, good and evil alike, full speed ahead and damn the consequences.

Tomorrow: The Staggering Weirdness of Bruno.

Dark Shadows bloopers to watch out for:

Bruno tells Cyrus, “I’m beginning to understand why you and Sabrina get it off as well as you do.” He’s mixing up “get along” and “hit it off”.

Not a blooper, but worth noting: in act 2, when Bruno’s talking on the phone to a travel agent, he’s not standing on a set; it’s just a lamp and a telephone, against a completely dark background.

Behind the Scenes:

Angelique’s headstone says 1939-1969, meaning she died at age 30. The actor playing Daniel is fourteen — so Angelique gave birth when she was sixteen? This isn’t actually a problem, of course, because this is obviously a case of soap opera rapid aging syndrome, and children on soaps can be as old as they like.

Horace Gladstone is played by John Harkins, who’s previously appeared on the show as Lieutenant Costa (during the first Phoenix story), Garth Blackwood (Aristede’s prison guard) and Strak (the Leviathan who made a deal with Paul).

When Bruno walks through the cemetery, we see gravestones for Thomas Findley and John Hart — two of the four men that Jeb raised as zombies, in the original universe.

Tomorrow: The Staggering Weirdness of Bruno.


Dark Shadows episode guide

— Danny Horn

34 thoughts on “Episode 987: Truly Two

  1. John Harkins has been getting a lot of airplay lately what with the death of Mary Tyler Moore. He played the minister in the Chuckles the Clown funeral episode and that clip has been featured on many newscasts and talk shows.

  2. You’re assuming that Daniel is the same age as David Collins and/or David Henesy.. So, if Lara Parker can play younger David Henesy can too. Also David Henesy was born in October of ’56 so he’s still 13 here.And six months before when Angelique died he was still 12. So Angelique and Quentin eloping at 18 years old does sound so odd. Also Angelique and Alexis could have been lying about their age. We;ll see more of this age problem in the 1840 storyline. And yes, I can’t wait for you to reach the Edith Collins paradox

      1. LOL…It’s always Vicki’s fault when it comes to time anomalies. Simple, but effective. My theory, when we reach that point, will be a little more complex. But I think I may have the answer, culled from several previous episodes and oddities

    1. Although I don’t like this version of Quentin, I did like the chemistry between him and Maggie.

      I admit that I thought KLS leaving the show was a real blow. A far bigger one than when Alexandra Moltke left. I didn’t lose interest in DS, but my investment was reduced. The kaiju of DS was great and impressive, but my attachments were to Maggie and Carolyn.

      1. I agree with you on the departure of KLS. Imagine how different the 1840 storyline would have been with KLS as Samantha Collins (that was the original plan).I remember reading in her book that she left on good terms and they left the door open for her return. I think had the show not been cancelled while she was traveling with her husband she very well might have come back. If not I’m guess Kate Jackson/Daphne was being groomed as the new Vicki-Maggie ingenue. In my mind I imagined her as Jennifer Evans, Maggie’s younger sister in PT and her cousin in Collinwood-Prime coming to take over as tutor to David & Hallie in 1971. But it was also clear that they were giving Nancy Barrett more to do.without KLS.

      2. Speaking of Carolyn, what are she and Willie doing? Is she asking what happened to their houseguest and why she isn’t allowed back in the basement and HONESTLY, WILLIAM, HE DIDN’T EVEN PAY US YET.

  3. Joseph Caldwell’s most notable play, or at least the easiest to find online, was “The Cockeyed Kite,” which was produced off-Broadway in 1961. I found several other titles, mostly produced off off-Broadway or staged outside of New York entirely (and a few were children’s plays for specific services or venues).

    His papers are at the University of Delaware. Not much about his series TV writing (Matinee Theater is there because it was a “television play”), but it lists a bunch of other plays (produced and unproduced).

  4. Clearly the set designers are using mirrors as a motif. In fact, the writers are cleverly (probably quite intentionally, but possibly accidentally) establishing two mirror-motif plotlines for this mirror-universe: Alexis/Angelique and Cyrus/Yeager. If I remember correctly, even Daniel’s bedroom is something of a mirror-image of David’s bedroom, with the furniture moved around. (Am I right about that?) I’m surprised they didn’t go all out at some point and refer to people’s hearts in this mirror universe leaning to the right rather than to the left, as some writers have done with parallel universes.

  5. i am loving these comments–all these things I never thought about in my-just-turning-teenager first viewing, though I think they sank into my subconscious.

    On another note, there is one thing about Joe Caldwell that has endeared him to my heart (in a way). Everything I open up my main research document–which is a few lines short of hitting 200 pages at this time–there’s Joe, on page one, first entry–His is the oldest IMDb entry of anyone else involved in DS. Here is a copy of the first of my document:

    Movies with the actors:
    1913 A Sporting Chance (Short) (writer) Joe Caldwell

    I love the information about him in this day’s blog, and will add some of it to my “Other Works” document.

    1. Upon checking this out, I doubt that my first entry is the same Joe Caldwell. I know IMDb is not a great source, but how disappointing… Well, the search for truth continues…

      1. Dang. I have removed my first entry after following up on the research. But now I have sources for information on Joe I never had before–including his birthday–and I thank Andrew Leal for his research that I could follow up.

  6. I’m SO happy to learn that Joe Caldwell is going to be a long-term writer this time, at least until 1840. If anyone can replace Violet Welles, its him. I had always wished in the early period of the show that Caldwell had stayed on longer as a writer. Now I’ve gotten my wish!

    Interesting incite about the thematic about doubles, especially in morallity. I feel that this perfectly describes Barnabas as a character, someone who is never completely good or evil. This goes for Julia and Quentin as well. It will be interesting to see if this theme continues throughout 1970PT.

    1. When I’m wishing the show had been different, I sometimes try to imagine particular parts as they might have been played by different actors- Harvey Keitel or Fredric Forrest in place of Roger Davis, for example. Picturing them as they might have been is a mental exercise that helps me keep awake during dull moments.

      When I’m trying to figure out what the strengths and weaknesses of the show were, I focus more on unreasonable demands made of the writing staff, and the counter-factual that comes to mind is what it might have been like if they’d had a head writer to coordinate long-term planning, a story editor to keep track of continuity, five senior writers (one to take the lead on each day of the week,) and a number of associate writers to handle detailed work and address special needs.

      I think of these hypothetical senior writers in terms of actual writers. Mondays would be in the hands of someone like Ron Sproat, who was good at making the plot intelligible for new viewers and keeping the characters intelligible for returning viewers. Tuesdays would go to someone like Gordon Russell, who could take a new story point and use it to get the whole plot moving. Wednesdays would belong to Joe Caldwell, who would pick a few characters and show what effect the events of the story were having on them psychologically and on their relationships to each other. Thursdays would be for Violet Welles to show us characters exchanging sparkling dialogue while engaged in action that mounts to near-lunacy. And on Friday, Sam Hall would take near-lunacy as his launching pad and blast off into realms beyond madness.

      I think that a pattern like that would have been sustainable for however long they could find personnel to fill the slots. Of course it would have been very different from the show we know and love, so I can’t wish they had done it that way. But it would be nice to have access to a parallel universe where they did, so that we could make the comparison.

  7. I find the Quentin Collins in this universe to be something of an asshole. He overreacts to some very legitimate concern’s of Maggie’s and never bothers to take any responsibility for them. That kind of behaviour is all the more confusing when you consider that at the end of this storyline he reveals that he never really loved Angelique and begged her for his freedom.

    I’ve tried to take Mr. Horn’s advice and not expect this show to make any sense but many times I want to hurl something at my TV screen,

    1. I get they want PT Quentin to be the “opposite” of Quentin Prime, but the problem is, he’s not. He’s still a drunk, he’s still a player, he still relies on everyone around him to do everything while he drinks and decides which chambermaid to hit on today. All they did was remove his charm and his redeeming qualities of loving David/Daniel and Amy.

      When he smooches Alexis, it’s not some “I don’t know why I did that, horrors!” kind of I had an emotional meltdown and you were there, it was we’re both hot, we’ve both got lips, what are we waiting for?

  8. What was up with what looked like cold sores on the right side of Bruno’s lips while he was playing piano? Ewww. More Max Factor, please!

    1. Maybe he got too close to someone’s pet dog in the bar. (See Tom Baker in Doctor Who – The Pirate Planet.)

  9. He’s the discordian trickster god, and he’s more truly two than anybody. oh! Danny, you’ve surpassed your own predilection for exquisiteness.

  10. Quentin mentioned a couple of times since he came home with his new bride that she really is young and innocent. Quentin doesn’t think of Maggie as a partner, as his equal. She’s a child, one he loves in a somewhat patronizing way.

  11. Maggie’s innocence is why he fell in love with her. He thinks he wants a simple, uncomplicated girl. After Angelique, I can see that.

  12. Perhaps Curtis got free glycerin tears with every bucket of fake blood he purchased? Both Bruno and Alexis seem to be dripping in fake tears.

  13. I’m glad to see there’s a PT Sabrina. Lisa Richards has started to grow on me now that they’ve given her a bit of a storyline.

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