Episode 904: Watching the Detectives

“They’ll show you all the people you really are!”

See, this is what I’ve always said about homeschooling. I get that public schools are overcrowded and underfunded, and kids don’t get the personalized attention they really need. But you go outside the core curriculum, and what happens? Demonic possession. Every single goddamn time.

Today’s case study: young David Collins, who’s been reading a book of forbidden ancient wisdom. It’s put him under the spell of the four-headed snake, and turned him into the servant of an Elder Thing. Specifically, he just bought the Elder Thing some slacks.

Now he’s in the Chosen Room of this unholy antique shop, the dwelling place of the snuffling, tentacled pig weasel that holds David’s soul in abeyance. David has brought the blasphemous abomination some new clothes from Brewster’s department store, so it has something to wear when it moves into the next horrifying stage of its horrifying development.

But then, wouldn’t you know it, Aunt Elizabeth is just outside the door. She saw David enter the Elder-occupied antique shop, and it’s way past his bedtime. She insists on looking for him in every room in the house, up to and including.

Her hand is reaching for the Chosen Doorknob. We are teetering on the verge of a Liz-less future.

904 dark shadows david door

Now, one trope that Dark Shadows and H.P. Lovecraft have in common is the Doomed Investigator — the truth-seekers who poke into all the dark corners, and are ultimately consumed by what they uncover, sometimes literally.

The closest analogue to David’s role in Lovecraft’s work is the eponymous character in The Case of Charles Dexter Ward. Like David, Charles is an intelligent young man who reads the wrong books. He becomes obsessed with an ancestor who had a doctorate in the dark arts, and his research pulls him further and further into the darkness.

But in Lovecraft stories — as in Dark Shadows — there’s never just one investigator. As one soul falls into the pit, there’s always a friend, or a relative, or a colleague, who wants to get to the bottom of things. And then somebody has to investigate what happened to the investigator, and they get pulled in — a sequence that can go on forever, as long as the supply of detectives holds out.

Julia Hoffman arrives in Collinsport to find out what happened to Maggie Evans — and when she gets seduced and corrupted by the monster, Dr. Woodard wants to know what Julia’s discovered. Then David wants to know what happened to Woodard, and Carolyn wants to find out why David’s so upset, and the corpses just pile up.

“I have brought to light a monstrous abnormality,” Charles writes to his friend, Dr. Willett, “but I did it for the sake of knowledge. Now for the sake of all life and Nature you must help me thrust it back into the dark again.

“P.S. Shoot Dr. Allen on sight and dissolve his body in acid.”

904 dark shadows liz megan rhino

The current storyline is the most investigator-heavy that Dark Shadows has ever produced; it’s composed almost entirely of overlapping forensics teams. Even Liz is an investigator now, and typically she’s an investigatee.

Standing in her way is Megan Todd, another slave to the Elder Things. According to Megan, David couldn’t possibly be in the room that he’s in, because a) she was just in there, b) the baby is sleeping, c) the terrible breathing noise is actually the radiator, and d) “rooms” are just a social construction, and when you think about it, is there really any difference between “outside” and “inside”?

904 dark shadows desk

But as Liz stubbornly reaches for the door handle, there’s a crash from downstairs, and the women run down to the shop floor to see what happened.

They find that a desk has been overturned, knocking the telephone to the floor. Somehow this proves that David was hiding in the shop somewhere, and in his blind panic to escape aunt-enforced justice, he ran straight through the furniture, leaving devastation in his wake.

Megan claims that she has no idea why David would want to lash out at telephones like this. With steel in her voice, Liz says, “Neither have I — but I assure you, I’m going to find out.” Megan says, okay, maybe you could do that from the comfort of your own home, rather than mine.

904 dark shadows megan david machina

Once Liz is gone, David comes downstairs for some baffling post-game analysis.

David:  That was close, wasn’t it?

Megan:  When she began to open that door, I was terrified! I didn’t know how to stop her.

David:  Neither did I. But someone did!

Megan:  Who do you think it was?

David:  I don’t know, but that doesn’t matter. What matters is: something had to be done, and one of us was there to do it.

I don’t know what we’re supposed to make of that. Apparently, the Leviathans have deep-cover interior decorators activating all over the place, ready to rearrange the furniture at a moment’s notice. This is going to play merry hell with the feng shui, if it keeps up.

904 dark shadows olivia julia sherry

Meanwhile, in a tangentially related storyline across town, we find two dueling investigators. Actress and art collector Olivia Corey showed up the other day, and Julia instantly recognized her as Amanda Harris, Quentin’s girlfriend from 1897, who was brought to life from a magical portrait, painted by the sporadically magical Charles Delaware Tate.

If Olivia recognizes Julia from the 19th century, she doesn’t admit it; it’s the curse of these characters that nobody confides in anybody else. Everyone is involved in some kind of time-hopping scheme, but instead of being upfront about it, they all pretend not to recognize each other. Olivia says that she’s actually Amanda Harris’ granddaughter, and what are you going to do, pester someone until they produce the long form birth certificate?

Julia bought a Charles Delaware Tate landscape a few weeks ago, which she hopes will lead her to the portrait of Quentin Collins. She suspects that Olivia has the same goal, and that’s why Olivia is planning an art show of Tate’s work. Apparently, Julia believes that you can’t just go up and ask someone if they like Quentin Collins, even though that’s an incredibly common conversation starter among teenage girls in 1969.

Olivia wants to see the painting that Julia bought, so Julia says she’ll send it over with the Collins family’s chauffeur. Olivia is thrilled, and I expect the Collins family will be, too; they’ve been hoping to get their Uber for Oil Paintings service off the ground.

As soon as Julia’s out of the room, Olivia summons Mr. Nakamura, her mysterious confederate. “Mr. Nakamura, things are going exactly as the way I planned,” she says, which isn’t quite the correct line but it’s close enough.

904 dark shadows julia chris companion

Meanwhile, Julia also has a confederate, because everybody does, these days. Usually, Julia gets together with Barnabas when she wants to play Junior Detectives, but Barnabas is currently occupied being the leader of the monstrous Elder Things conspiracy. So the doctor has a new companion, werewolf dreamboat Chris Jennings.

When the show came back from the late 19th, they announced that Chris could turn into a wolfman at any moment — he’s not tied to the lunar cycle anymore, for no particular reason. But it’s been four weeks and he hasn’t changed yet, because the show has other things to attend to. Right now, he’s following Julia around, as she tries to figure out if Olivia is actually Amanda. This is not directly relevant to his problem.

Now, Julia has a sample of Amanda’s handwriting — a love letter to Quentin, which she found in an old trunk full of papers in the west wing of Collinwood. This random scrap of paper was preserved for posterity, because the 1897 Collins family killed all of their servants, so litter just piled up everywhere, until they finally had to close off the west wing and forget about it.

Julia wants Chris to pretend to be Liz’s chauffeur, bring the painting to Olivia, and get a sample of her handwriting to compare it to Amanda’s.

“I think that Olivia Corey has a secret,” she announces.

“How can you think that,” Chris asks, “considering the life she leads? Everyone knows all about her!”

Do they,” Julia replies, raising an eyebrow or two. “Do they know everything about her? Perhaps there’s one thing that they don’t know, and that’s the one thing that we have got to find out!” This is why we love Julia.

904 dark shadows chris nakamura olivia

So that’s how we end up here, in a sequence where a werewolf chauffeur brings an oil painting to a famous actress, to find out if she’s actually her own grandmother. It’s just that easy.

Olivia hands the canvas to Mr. Nakamura, and pretends that he’s going to photograph the painting. Nakamura actually hustles it down to the hospital to get it X-rayed, which is another thing that people can do in Collinsport.

Anyway, the point is that everyone on this show is lying to each other about everything right now; I’ve never seen this kind of dedication to the principle of not trusting anybody.

904 dark shadows carolyn liz book

Meanwhile, Liz is still grinding away at The Mystery of Why Was David in the Antique Shop Last Night. Everybody else has already agreed on a convincing cover story — David stole the old book from the antique shop, and he was worried that he’d be caught, so he snuck back into the shop to return it.

But Liz is doubling down on the suspicion, and she has a conversation with Carolyn that pretty much sums up what Dark Shadows is like these days.

Liz:  When David came in here last night, he was carrying a box from Brewster’s. When I followed him in, he was nowhere to be seen, but the box was plainly in view on the counter.

Carolyn:  Maybe he carried the book in that way.

Liz:  No, Mrs. Todd said the box was hers.

Carolyn:  All right, he didn’t carry the book in that way. It was a different box from Brewster’s.

Liz:  Don’t you think that’s rather coincidental?

Carolyn:  Mother, you’re getting as bad as David, when you find something sinister in a box from Brewster’s.

And you have to admit, she’s got a point; all David did was go shopping. In fact, so far I don’t think the Leviathan conspiracy has done a bit of harm to anybody, except for making some annoying phone calls. What if all these investigators are over-reacting, and we should just leave the Todds and their murder baby in peace?

904 dark shadows liz david naga book

But Liz is determined to get to the bottom of this, and she’s doing an excellent job. She walks into David’s room, and what’s he doing? Reading the book! These people can’t stop conspiring for five seconds.

Liz’s interrogation is spot-on.

Liz:  What is this, David?

David:  It’s just a book. I like the colors in it.

Liz:  Well enough to have stolen it?

David:  This isn’t the book from the antique shop.

Liz:  Oh? Where’s it from?

David:  I found it somewhere in the house. I don’t know exactly where. I’ll try and remember, if you like.

Liz:  While you’re remembering, how about you remember your visit to Brewster’s last night?

And then she reveals that she just went to Brewster’s, and found David’s sales receipt. Liz is following the money. She is amazing at this.

904 dark shadows liz dreams

But she can’t keep it up forever, unfortunately; the Leviathan storyline isn’t complicated enough to support this many detectives. Julia is the lead investigator on the show, and if Liz burns through all the evidence, it won’t leave Julia with anything to do, once she wraps up whatever she’s doing with Olivia.

So they solve this problem in the Dark Shadowiest way that they can, with a four-minute dream sequence.

904 dark shadows liz dream clown

This dream is going to turn into a sales pitch for the Leviathan conspiracy, and we’ve seen one of those before; Megan was recruited in a dream two weeks ago. But Megan’s dream was just Barnabas standing next to her bed and issuing instructions. They could do that again, if they felt like it, but this is Dark Shadows, and why do anything twice?

Instead, they take Liz to a nightmare funhouse filled with mechanical clowns, just exactly like they don’t do in H.P. Lovecraft stories.

904 dark shadows david kaleidoscope

There’s calliope music and flashing lights, and here comes David in a fat suit, reflected in a pink-saturated kaleidoscope.

“Step this way, Aunt Elizabeth! Just step this way, right into the funhouse! Come on!”

Approaching the boy, Liz asks, “Why did you bring me here, David?”

“To have fun, like everybody else!” And then he laughs, and the laughter is echoed by a chorus of mechanical clown figures. There’s not a single tentacle in sight; the blasphemous Elder Things are developing their range.

904 dark shadows liz mirror blooper

Liz asks what she’s supposed to do here, and David invites her to look in the mirrors.

“Mirrors!” she says. “Will they show me all the people I could have been?”

“No,” he chuckles. “They’ll show you all the people you really are!”

So she checks herself out in the mirror, and her reflection is green and ghastly. She screams, and he laughs out loud, and directs her to another mirror.

904 dark shadows liz david fat skinny

She doesn’t like her reflection in the second mirror either, so he pulls out his secret weapon: a nursery rhyme.

“Just listen!” he cries. “Fat and skinny had a race, all around the steeplechase! Fat fell down and broke his face. Skinny said, I won the race!”

And then he breaks into furious laughter, stamping his feet with joy. It is seriously the craziest thing. Violet Welles had the following brief — “write a dream sequence for Elizabeth that makes her a part of the Leviathan conspiracy” — and this is what she came up with.

904 dark shadows david clown

Somehow, the poem has worn down Liz’s sales resistance, and she smiles. David is beyond thrilled.

“She’s beginning to smile!” he announces to the clowns. “She’s learning how to laugh!” I swear, there is nothing else on television like this.

904 dark shadows liz barnabas mirror

David tells Liz to look in one more mirror, and when she does, Barnabas appears in the mirror.

She yelps in delighted surprise. “Oh! Is it a trick, or is he really there?”

“Well, what do you think?” asks David.

“Well, I don’t know! But I like it — yes, I like it!”

She laughs, and David laughs, and Barnabas, and the clowns; everybody’s having a whale of a time. This is nowhere near what Lovecraft would ever consider, as a way to align a character with the unseen horrors, but Lovecraft doesn’t have a soundtrack album or a View-Master reel, so there.

904 dark shadows barnabas laugh

So this is the story, so far — a kaleidoscope, a hall of mirrors, where everything is refracted and doubled. Everybody has an alias and a secret motive; nobody is what they seem to be. It’s no wonder the detectives are spending their time tracking other detectives.

And here, the show is making the case for surprises and fun. No, it doesn’t make sense, but what’s so all-fired great about making sense?

Monday: Waiting for Quentin.

Dark Shadows bloopers to watch out for:

Liz tells Carolyn, “I saw him come in here late last night. I heard him leave. Yet when I questioned about him, he denied it.”

Barnabas asks, “What language is this?” Liz mutters, “I haven’t –” and then says, “I have no idea.”

In the dream, David tells Liz, “Well, that isn’t portant — important.”

When Liz looks into the first mirror, there’s a reflection of the ABC logo by her feet. In the second mirror, you can see the camera and the teleprompter. You can see both of these in the screenshots above.

The big thrill of the final shot is that we finally get a glimpse of Quentin — but he’s not quite lying in the right place, so we don’t get a clear look at him. The yellow marking tape that indicates where his head should be is several inches to his left.

Behind the Scenes:

David Selby finally shows his face, kind of, in the last moment of the episode — although the camera can’t quite get a decent shot. His credit says “Unknown Man: David Selby.”

And an urgent update on David’s room: another couple of toys that were missing on Wednesday have come back. The football player figure is back on his dresser, and there are at least two robots on the back shelves.

Monday: Waiting for Quentin.

904 dark shadows clown credits

Dark Shadows episode guide

— Danny Horn

37 thoughts on “Episode 904: Watching the Detectives

  1. The problem with these episodes is that they are trying to get us worked out and worried about a baby. And actually the baby is no even seen. They start long before the beginning (should start with a child old enough to be making trouble, as a kind of demonic “Dennis the Menace”) Since the dramatic content of a baby is nil, they have to fill in with false starts and ominous set-ups, and Barnabas trying for Nicholas style menace… And we cannot get any action, because the baby is just doing baby things…

  2. It’s funny that David Henesy wears a “fat suit” in this episode, because Denise Nickerson would soon be wearing one in WILLY WONKA.

  3. I read that Sho Onodera (Mr. Nakamura) was sent to a Japanese interment camp at the outbreak of World War II, but ended up participating in Japanese war crimes trials as a translator for the U.S.

    DS was also his last television appearance. He passed away in New York in 1974.

  4. That funhouse dream sequence, one of my favorite David Henesy moments, and as I see it one of his most memorable performances in the entire series. When reciting that nursery rhyme, he really gives it definitive personality, and the scene provides him with the opportunity to be animated and augment the performance with visual comedy as well.

    It’s super creepy when a child takes on a more adult persona in order to effect a nefarious influence on an adult, and here David becomes in essence a Mr. Strack type of character in coercing Liz into serving the Leviathans, but Henesy plays it to the hilt. Such a range of character, one of the best actors on the show.

    Though the Leviathan story has its detractors, moments like this remind me that, overall, there are as many fun and memorable moments throughout as in any other storyline on the show. One of my favorites is perhaps the most hilarious line ever uttered on the show, as spoken by a certain undead former sheriff.

    Oh yes, and coming up in an episode a few months ahead, there’s a childhood memory I have kept all these years, from one of the most profoundly compelling moments of television ever. Yup, all these treasures from the reviled Leviathan story.

      1. Other than the fact that Barnabas, Maggie and Julia disappeared from the first PT story, in order to shoot the House of Dark Shadows movie,I liked it. For the first time since Joe, Maggie was paired with someone she had some chemistry with. I actually liked her with Quentin PT. Certainly she had more chemistry with him than with Barnabas, IMHO.

        I admit that I started to lose interest in DS once KLS left. I’ll talk about it when we hit the actual storylines, but I thought they should have made an effort to bring KLS or AM back for a few weeks to end the series. I wanted KLS back more than AM, because I felt she had been a real part of the show for so long. I was one who watched the show from episode one “My name is Victoria Winters” to the very end. Timing was great. I graduated High School, DS ended and in September I went off to college, with the series all wrapped up in a bow. But I really wanted Maggie to get a good ending, that didn’t involve going off to Windcliff again.

        1. I certainly agree regarding Kathryn Leigh Scott and Alexandra Moltke. I, too, am one of those who love Dark Shadows from beginning to end, 1966 to 1971. Dan Curtis certainly didn’t want KLS to leave Dark Shadows, but it was her choice, and AM would have returned if she could have played a more juicy role, like a vampire or monster or something, “anything but boring, vitcimey Vicki” (as Moltke herself put it during the 2001 gathering at the Museum of Television & Radio).

          But at least Maggie, as played by Kathryn Leigh Scott, gets a good, strong continuation in the Big Finish audio dramas, so maybe her departure from Dark Shadows back in the day was a blessing in disguise, in the long run. 🙂

        2. I like the way PT starts – nice homage to Rebecca. But once Maggie leaves we spend way too many episodes on Alexis-is-she-isn’t-she-Angelique and Cyrus’ experiment which mostly results in Sabrina whining endlessly. Once Angelique shows up it picks up again. You definitely notice the absence of the core cast.

  5. I wonder if Lovecraft’s Charles Dexter Ward influenced the creation of
    Barnabas Collins? Both are 18th century New England bloodsuckers
    brought back by meddling with the past. In both cases initial contact is through a portrait-it influences the meddlesome fool enough to bring
    the malignant gent back to-uh-“life”.
    Perhaps the DS team knew of Ward through the intermediary of the 1963 Roger Corman adaptation The Haunted Palace?

    1. Paul Stoddard too! As someone who would frequently endure an endlessly ringing telephone if there was no one else in the house to pick it up, I could relate! Before Caller ID there was no knowing who–or what–was on the other end. When Liz answered the phone in Paul’s hotel room and heard only someone breathing, it gave me chills, because I remember getting those kinds of calls in the 70’s and early 80’s, and it wasn’t always merely breathing.

  6. Who knocked down the desk?

    Our culprit is there in the screencap of Carolyn & Elizabeth.
    Facing in the OTHER DIRECTION from where it used to be.
    Standing there trying to look innocent, but there’s a gleam in that little beady glass eye.

    J’accuse, Boar-Pig-Weasel!
    And I’m keeping an eye on you, too, Mr. Deer Head…

    PS Carolyn’s clown kaboom skirt kind of presages Elizabeth’s funhouse dream.
    (I swear this is my LAST time mentioning that skirt. Cross my heart.)

  7. Violet Welles had the following brief — “write a dream sequence for Elizabeth that makes her a part of the Leviathan conspiracy”

    Is there a source available where one can read these production notes?

  8. If it had been Roger Collins as investigator in search of David upstairs in the antique shop, he would’ve just shoved Megan aside and banged on the door repeatedly: “Open the door, ya thieving bum!”

  9. Yes, someone from 1897 shows up!

    Chris brings up a plot hole though. If Amanda Harris became so famous as Olivia the actress to the point that “everyone knows all about her,” why hasn’t anyone looked at photos of her in productions throughout the 19th and 20th centuries and said “Hmmmm, that chick reminds me of someone…”

    1. Because sane people would look at the two pictures and go “wow, those two really look alike”, as opposed to “wow she must be an immortal.”

      1. There was no indication that Amanda Harris was an actress, was there, so why would anyone look at pictures of Amanda/Olivia before now? Isn’t it possible (or perhaps it’s establish somewhere) that Olivia only took on this actress persona in current time. Eventually, of course, people would need to wonder why she doesn’t age. And regarding images of Amanda from the 19th century, didn’t Charles destroy all the portraits?

  10. “Right now, he’s following Julia around, as she tries to figure out if Olivia is actually Amanda. This is not directly relevant to his problem.” But this is relevant to Chris’s problem, isn’t it? Isn’t Julia trying to chase down Charles Tate in order to find Quentin’s portrait in order to (maybe, somehow) help Chris with his curse? She has told Chris this. Julia knows that Olivia, by virtue of must being Amanda Harris, must have some connection to both Quentin and his Tate portrait.

  11. Amandolivia says that “…everything is going according to plan…” (or something to that effect); how many times do we hear that on DS? And how many times does ‘the plan’ actually ‘go’?

  12. The dream sequence was positively psychotic. It’s matched in weirdness by only two episodes of The Twilight Zone but reaches a new level of crazy and disturbing.

    Lovecraft himself may never have envisioned his material being adapted for a daily soap opera, but I think he’d have been rather impressed with the spectacle of a character being twisted and seduced to the service of Evil through a nightmare funhouse vision.

  13. Henesy is great with stuff like this. There are damn few kid actors who could pull off the kind of lunatic scenes he’s asked to perform on a regular basis.

    Offbeat question: Is this the only time we hear Barnabas laugh?

  14. Oh, and another thing: does Olivia Corey always carry a few framed headshots of herself, to personalize whatever hotel room she happens to be using?

    (Actually, I could imagine Grayson Hall doing that.)

  15. Can anybody explain what’s going on with Grayson’s chin? She seems to have a bandage over it that’s covered with foundation makeup, but only in some episodes. It keeps disappearing and reappearing.

  16. As a Frasier fan, and having never before viewed this episode, I had to giggle about 4:00 minutes in when the mystery customer (Quentin) places his hand on a metal elephant clock in the antique shop and Carolyn flirtatiously coos, “(that clock) is one of my favorite things in the shop.”

    The Frasier-famous “pewter bear clock” (https://www.worthpoint.com/worthopedia/michael-ricker-limited-ed-pewter-1880197267) is very reminiscent of this elephant clock.

    Appraiser: So, Martin, what can you tell us about this pewter clock?

    Martin: Well, it is a clock set in the stomach of what appears to be a bear.

    Appraiser: Actually, it’s much more than that. It’s Russian, made in the mid-nineteenth century.

    Martin: That’s pretty much what I figured.

    Appraiser: Actually, it’s a stunning piece. It was made by Andrei Kuragin, who worked for Tsar Alexander II.

    Martin: That is pretty much what I figured.

    Appraiser: I don’t know if you’re descended from the Romanovs, Martin, but all of Kuragin’s known bear clocks were done exclusively for the Romanov family and are now in the Hermitage Museum. [A captivated Frasier and Niles shuffle into the shot]. Martin, you may be surprised to learn that this clock at auction would easily bring $25,000.

    Martin: Ca-ching!

    Frasier: What he means is ‘that’s pretty much what we figured.’

    1. What they didn’t figure on is how the Crane family actually got the piece. Hint: They weren’t related. Discovering themselves to be the descendents of petty theives is the ultimate disgrace, of course.

  17. So Barnabas mows down Quentin with his car in the final scene. My question is who taught Barnabas to drive. Did Willy give Barnabas driving lessons when he was in Barnabas’ thrall ?

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