“My name is Victoria Winters. There are no limits to the things some men will do.”
The story so far: Don’t worry about it. Seriously. Yes, you’ve missed 209 episodes, but it’s 1967 and nobody has Hulu. As a genre, soap operas are perpetual-motion narrative engines designed for the continuous onboarding of new viewers, and Dark Shadows in this period is even slower than average. The interesting thing is still 20 minutes in the future; you’re just in time.
Right now, all you need to know is that the Collins family lives with all their sins and secrets in a big mansion on a hill in Collinsport, Maine. There’s Elizabeth, the matriarch, and her teenage daughter Carolyn; there’s Liz’s brother Roger, and his young son David. There’s also a governess, Victoria, who’s meant to be the central character, but over the next few months she starts to lose her position as the focus of the show.
There’s an unwelcome guest staying at Collinwood — Jason McGuire, an old friend of Liz’s dead husband. Jason showed up a few weeks ago, and he’s blackmailing Liz over some dark secret that’s hidden in the basement. As if that’s not bad enough, Jason has brought along his shady associate, Willie Loomis. Willie’s been bothering the young women of the house, starting bar fights in town… and showing a peculiar interest in the old family portrait that’s hanging in the foyer.
There are some other characters and dangling storylines, but nothing you should worry about. Every other story is about to get blown off the screen exactly 20 minutes from now.
So we start out with Jason confronting Willie in the Collinwood foyer. Over the last few days, Willie’s been admiring the jewelry pictured in some of the Collins family portraits, and he’s heard that some of the family members may have been buried with their jewels, in a mausoleum in the old Eagle Hill cemetery. Jason knows that Willie’s got something going, but Willie stays quiet.
Elizabeth calls Jason into the drawing room and throws an envelope of money at him — she’s paying Willie to leave town. She tells Jason to count it, but he turns on the charm, assuring her, “It’s all there. I can tell by the feel of it.” She barks at him that his friend should leave the house immediately. He apologizes: “I wanted this to be kept quiet. You know, the same way you wanted something kept quiet?” She walks out, and as soon as her back is turned, he opens the envelope and counts the money. Jason is funny. We like Jason.
Then there’s a scene of Willie in a tool shed, silently putting tools in a bag, with his back to the audience. After thirty seconds, there’s a dramatic sting and we go to commercial. That’s how things work in the early days of Dark Shadows; you just go ahead and take the act break whenever you feel like it.
Like I said, it’s okay if you’re a little lost here at the start. This is the first episode that I saw, back in sixth grade, and it’s where the reruns and home video releases always start. Dark Shadows wasn’t a vampire show when it premiered in 1966 — it was just a gloomy soap opera, with a couple of “is that a ghost or am I seeing things” moments. The show was limping towards cancellation when they decided they might as well go out with a bang, as we’ll see.
But when I started watching the reruns, nobody explained that this was 10 months into the show. I thought this was the beginning, so most of the conversations in these early episodes were just baffling. Why do they keep referring back to things that happened a week ago? And where the hell is the vampire?
So, to help us all catch up, Vicki and Liz stand around in the drawing room giving moody recaps to each other about Willie’s mysterious interest in the family history.
Meanwhile, Willie’s at the cemetery, breaking into the Collins mausoleum. I guess I should point out that there’s significantly more grave robbing on this show than you might expect on an afternoon soap opera. I don’t know what the average incidence of grave robbing is on daytime television, but I’m pretty sure Dark Shadows had more of it.
So Willie’s messing around in the mausoleum, trying to open the lid of a huge stone coffin. The lid won’t budge. He tries a crowbar. It doesn’t work. He gets frustrated, sits down and smokes a cigarette. He gets up and tries again. Same problem. This is all happening in real time.
Willie notices that there’s a decorative lion’s head on the wall, with a ring in its mouth. He tries to rig up a pulley by looping some rope through the ring. As he reaches out to touch the ring, he hears a pounding heartbeat sound. He’s startled, and moves away.
He runs to the mausoleum door. The heartbeat sound stops. He slowly turns to look back. He takes another drag on his cigarette. He cautiously approaches the lion’s head, and hooks the pulley to the ring. He pauses.
Seasons pass. Civilizations rise and fall as Willie dicks around on the mausoleum set.
Finally, he sets up the pulley, and tugs on the rope. The ring in the lion’s mouth pulls away from the wall, and Willie hears a grinding sound as the stone wall swings open, revealing a secret room in the mausoleum.
And then there’s this perfect, completely bonkers shot: Willie shines his flashlight into the hidden room, and the camera pulls back to reveal a coffin, bound by chains.
The big famous moment actually happens about a minute and a half later, when Willie breaks the chains, opens the coffin, and then gapes in horror as a hand reaches out to grab his throat. To be honest, it’s actually a little disappointing — the hand is too slow, and Willie doesn’t really know how to react.
But that crazy, sense-defying shot when Willie peers into the darkness and discovers the mystery box — that’s the moment that reached out and grabbed the audience by the throat in 1967, and it grabbed me as a sixth-grader in 1982. And if you watch this episode today, maybe it’ll grab you too.
Tomorrow: Guess Who’s Coming to Dinner.
Dark Shadows bloopers to watch out for:
One of the pleasures of Dark Shadows is that they made a lot of mistakes, and all of those mistakes showed up on screen. In the late ’60s, videotape was expensive and editing was complicated, so they basically shot the show “live-to-tape” — as one unbroken take, including pauses for the commercial breaks.
So if you’re an actor and the scene ends with a vampire bite, you have to slip the plastic fangs into your mouth while the camera focuses on the other actor saying a line. And if you accidentally put the fangs in sideways, then either the other actor comes up with something else to say, or you just go ahead and do the scene with sideways fangs. Luckily, the show was filmed in New York, so a lot of the actors had stage experience, and they’ve got that resilient “the show must go on” spirit.
Of course, in live theater, you don’t have to perform five new half-hour plays every week, complete with dry ice and witch trials, so it’s still a fairly harrowing experience. We’re watching actors do a high-wire act on a foggy night, while a stagehand attacks them with a bat on a string.
People forget their lines. Props fall apart. In episode 290, the set literally catches on fire, and the actors keep going while people in the studio grab the fire extinguisher.
That actually happens. It’s amazing.
Of course, Dark Shadows wasn’t the only daytime show that had these problems. If you watched The Nurses, DS‘ original lead-in, I’m sure you’d see a comparable number of early-TV bloopers. But nobody ever sees them, because who the hell wants to watch The Nurses.
That being said, Dark Shadows was more accident-prone than most, partly because they used the rehearsal time for setting up the special effects, and partly because the show was assembled by lunatics.
So as we go along, I’ll point out some of the amusing mistakes.
Here are some things to look for in this episode:
At the end of the teaser, the camera pans from Willie to the portrait, but it wobbles a bit, not quite able to focus on the correct place.
In the drawing room scene, when Liz gets up from her chair to reassure Vicki, you can hear a lot of noise from the studio, including banging doors and people shuffling around. It lasts for most of the scene.
As Willie breaks the first lock on the coffin, he looks up to check that the camera’s still on him.
A boom mic shadow crosses Willie’s face as he breaks the final lock. For the most part, I’m not going to bother mentioning the boom mic shadows, because they’re in every episode. Sometimes the show feels like it’s actually the story of a boom mic shadow and the unhappy people who live underneath it.
Tomorrow: Guess Who’s Coming to Dinner.
Dark Shadows episode guide – 1967
— Danny Horn
38 thoughts on “Episode 210: Opening the Box”
Okay, WordPress is finally letting me speak. So hi, Danny! Hi, pointing portrait of Barnabas!
Yeah, Netflix helps to play along at home, at least until episode 370 (not that I’m sure I’ll keep up that long, but!)
“A boom mic shadow crosses Willie’s face as he breaks the final lock. For the most part, I’m not going to bother mentioning the boom mic shadows, because they’re in every episode. Sometimes the show feels like it’s actually the story of a boom mic shadow and the unhappy people who live underneath it.”
Well, the show *is* called “Dark Shadows.”
Yeah, I’m hoping that by the time we get to 370, either Netflix or Hulu will add more episodes. Netflix has had the first four sets streaming since 2011, but Hulu just added theirs in July. “Binge watching” is fashionable these days, and there’s nothing more binge-watchable than 1,225 half-hour episodes…
Sorry, I don’t agree with you that the first 209 episodes don’t matter. I realized that the first time I saw them three years ago, as an adult, forty years after the show went off the air. Then a lot of things about that family made sense.
Have to agree. The Laura Collins story was genuinely creepy in places. And no boom mike shadow can compare with the point (don’t know the episode) where Liz opens the front door to come face to face with the very startled camera man who’s about to shoot her coming out
Love your recaps! I also grew up with DS as a kid and never stopped loving it. I found the first episodes on Youtube and have started the marathon goal of watching EVERY DS episode, from start to finish. I love seeing the 60s with all its blemishes and glory reflected in this show. The line flubs, studio noises and boom mike shadows (or actual shots of boom mikes) are hilarious and add to the authenticity: so refreshing viewed in the current era of media perfection as norm. Your comments are great and very witty, can’t wait to read them all.
I like to watch, starting around episode 123, when mysterious, long lost Laura Collins first appears. She’s lots of un-dead fun and I like knowing how things stand, well before The Vampire arrives. I think of it as the party, before the party.
I just recently wrapped up her storyline, and I liked it a whole lot, too. I’ve very much enjoyed seeing the build up to Barnabas and how the show slowly morphed from episode 1 to episode 210.
I’m really enjoying this blog post. I’ve started watching from episode 1, and I finally got to our first bona fide ghost appearance today. I was a small boy when this first started airing, but I remembered the show toward the end of its original run. HUGE hit back in the day.
I bought the giant box set just the other day and have started right from the beginning. I was born in 1973 and while having heard of the show, have never seen an episode. I am just on episode 21 right now and am really enjoying it. I just discovered your blog and wish you had started at the beginning. I guess I will jump back on your blog once I am 200 episodes in.
Spiderbite. I am old enough to have remembered bits and pieces of the couple of years of the show during its original run. Then I also decent chunks of it during syndication runs. However, the past summer, I started from the very beginning with Netflix.
I, too, enjoyed the pre-Barnabas shows a lot — especially the second half when the ghosts started becoming more frequent and the Laura Collins storyline got started. (I think Laura’s first run is actually one of the best storylines of the entire run).
I am just about to enter the Barnabas phase. I’d be glad to discuss the pre-Barnabas period with you.
Danny’s blog is fantastic, but he’s stated on here he finds the early episodes kind of boring and though I loved them, I can see why a lot of people feel that way. It does move slow and you have to get 70 episodes in to get any supernatural stuff at all.
We’re still way behind Danny. He’s way into the 1897 storyline right. I don’t how much interest he has backtracking back to us (it’s a lot to post a great daily blog and then backtrack on comments with laggards, but I hope he does. He’s got witty, great insights).
My plan is to say everything I will ever want to say about Dark Shadows by the time I reach episode 1245. 🙂
Well, funny to see that it is almost exactly 6 months since my first post and I just got to episode 210 and watched it today. I am going to watch the bonus 211 episode with the commercials from the prior disc next.
Anyway, it has been a blast and I really enjoyed the first 210 episodes. You don’t have to have nostalgia to enjoy those first 209 episodes like many have said (I am 43 and had never seen or really knew anything about Dark Shadows until I got the set last November). Just keep some patience handy and the ability to appreciate the time these episodes were written and filmed.
Some great story-lines are to be had and some were quite riveting. Just don’t drink a shot every time you hear the name “David” spoken or you will be in a coma fast.
I will break with most people and state that the Phoenix story was the least interesting to me of the early episodes. It seemed to drag too long and I was ready for it to end. But it must be said that the kid playing David does an excellent job during this story and has to be commended for his acting throughout it.
I enjoyed the love triangle of Burke, Carolyn and Joe. Carolyn’s mood swings will make you dizzy in the first 150 or so episodes. Is she written like this in the future?
Matthew and Bill Malloy’s stories were great.
The story of a single fountain pen kept me glued to the tube. That is good writing.
The Burke, Sam and Roger triangle was great (though a little anticlimactic once it all gets resolved).
Mrs. Johnson spying and her constant disparaging comments was fun (I found her to be quite humorous).
I always found something to enjoy in each one of the early episodes.
David being considered a demon child (who basically hates the father who hates him) is a great part of the show. I was disappointed to see that get pushed to the side at the end of the Phoenix story line. Though maybe it will return hopefully.
I have no idea what lays ahead other than vampires, various monsters and time travel. I am very good about staying away from spoilers on almost anything so everything will be new to me.
I am excited to see what lays ahead since Barnabas appears to be the main focal point on anything related to Dark Shadows. If I enjoyed the first 209 episodes that much, then I can’t wait for the future.
I look forward to following the blog and making the odd comment or two as I do.
Great blog Danny!
Spiderbite, you’re about to start watching a very different show. No more pens or brake parts. I actually miss some aspects of the early days, but it’s also more thrilling as you go on. Lots of mountains and valleys ahead!
I agree about David. I liked him best as a troubled child causing trouble. For the most part, he will now be victim instead of victimizer.
I love the early episodes. I only wish they had finished the storyline about Victoria and who her parents were.
I remember coming home from school to watch the show. I was in the 6th grade back then. I was intrigued. I loved the show and I still do. It’s what we talked about during recess. I liked Barnabas Collins. The only vampire with a conscience. Nice job Mr. Horn.
We must be about the same age, Michael. I’m enjoying watching DS again and reading this blog.
I agree. I wish they had finished the original storylines. Especially, the Victoria Winters story.
HI! I’m new here. I was 9 years old when DS premiered. I watched when I could during the summer, but didn’t get home from school it time during the school year 😦 I found this sight while trying to find someplace to watch episodes 1-209. I started on YouTube, but they are no longer available. I made it through episode 32(ish). Burke Devlin had just commissioned Sam Evans to paint his portrait. Roger Collins was trying to “convince” Sam to stay away from Burke. Any suggestions where I could find the rest of the episodes would be welcome. I have watched the recap, but it isn’t as satisfying as watching the storylines unfold.
Thanks in advance!
I hate that they took them of YouTube. I love the earlier episodes.
Thankyou for this exquisite blog! I first discovered DS about ten years ago (I am in my twenties) and I’m just about to commence my second complete viewing, although I will be starting from the very beginning as I am an illogical completist with these things. Very excited to read through this as I return to the world of Collinwood.
Excellent blog! I saw the show when it first ran. I do have a strange memory process. Some bits and pieces come back to me after having watched an episode. I started re-watching the show via the first four collections on Netflix in 2011. Then, I saw collections 5-7 on Hulu. Collections 8, 9 and 10 came from discs taken out of the library. Not having collection 11 there, I snagged a new set from an ebay auction for under$10. Then Hulu put more episodes on and I am now finished with collection 14.
I’m happy you have cobbled together these means to see so much of the show. Just amazing that we are watching and discussing these episodes 50 years later.
Oh, pleas, pleeeez, pretty please…take on the few shows that contained James Hall as Willie Loomis.
The world awaits.
For my money episodes 193-205 are the weakest period of the show, weaker even than the last 45 episodes. The only story that had worked in the first 38 weeks was the relationship between Vicki and David a story that had reached its conclusion at the end of the Phoenix segment. Everything then falls on Jason McGuire’s relationship with Liz. Since every scene between Jason and Liz ends with him threatening her, that turns out to be a dead end.
Anyway, James Hall’s truly loathsome version of Willie is the one saving grace of the show during that dismal period. He’s scarier than any of the supernatural monsters we will see later, and the other characters react to him in ways that are painfully realistic.
Wow this show is addictive.
I started at episode 210 and watched till the end, reading this whole blog on the way.
Then I checked out the movies, the 1991 revival and the CW pilot.
Then I started back at the beginning and came around full circle.
I’m not going to keep watching all over again, am I?
Maybe just till Julia’s introduction…
If you’re like the rest of us, that is what you’ll do.
Who is James Hall and at what point did he play Willie Loomis? Why are you so excited about that Nonchalance?
Because it would be ultra funny to read Danny’s take on James Hall.
—the former Nonchalance until I remembered my WP.
In the last pre-Barnbas moment in Willie’s life, he is seen her diggin’ life and livin’ large. He positively scampers up those stairs at Collinwood and there’s a spring in his step that even Jason can’t seem to deter. Speaking of Jason, there is something more than a tad familiar between Jason and Willie at the beginning of this scene. Jason is behaving like Willie’s been stepping out on all him all night, like a jealous lover.. And the raised eyebrow moment at the end of the lead-in scene is DS at its most sublime. . A real shame the camera cut too quickly to the portrait cause Karlen gives this scene his all.
But back to these two and their actual relationship. To be fair, Willie and Jason actually make a great couple and for 1967, this is avant-garde television and then some. I mean, with dialogue like, “Hey, you gonna get rough with me?” and “I’ll pound some sense into that head,” and Willie’s big smile at the prospect of same, well, let’s just say that there is more than a hint of something definitely kinky happening at Collinwood. Liz would be well-advised to keep the dungeon locked up at night.
I want to say – the way you write these things are delightfully hilarious. You have a great sense of humour, and just the right balance of that and a serious passion for our favourite obsession. I should say Dan Curtis would most likely be proud!
As I’m nearing the end of this amazing blog, Danny, I just want to say that this has been an incredible ride–and I wish you’d written up the first 209 episodes. The absence of your commentary on those episodes is noticeable. You could make them far more enjoyable.
The short answer is that I don’t want to. The long answer is that it would bring about the Great Unwinding, and the destruction of all joy and surprise in this timeline.
I assumed that the scene where Willie gathers tools to go treasure hunting took place in the garage. We saw the garage in episode 13, when Vicki caught Burke hanging around Roger’s car, and heard about it several times in the “Who Sabotaged Roger’s Car?” era. Though some characters say in the next episode that they saw Willie near “the toolshed,” I like to see a reminder of the early days at this turning point in the show.
When I first saw this episode (has to circle back to “the opening”) it looked like the place where Noah took Daniel & reveled everything that was going to happen.
I know they reuse a lot of sets, so I’m sure this went from the garage to the toolshed to some cabin like structure down by the water!
Finally saw Willie do the deed after 55 years. Started watching in the summer of 68. Saw some of the earlier shows in various reruns through the years. Now watching 2 a day on Decades. They only have the first year. So I’ll follow your blog that way this time through.
Have to give props to Lela Swift and John Karlen for an amazing episode. Basically what they do here is take five minutes’ worth of material and drag it out for twenty minutes, yet it’s spellbinding. By contrast, a couple of days ago, an entire episode took place in the Blue Whale (Burke and Willie’s bar fight) and not even the stalwart Mitch Ryan could save it!
The screengrab below the second iteration of
Henry Kaplan and John Sedwick sometimes attempted set-ups like that, but rarely pulled them off as effectively as Lela.
I wish there was similar coverage of the episodes before 210. There’s some great writing and acting leading up to the introduction of Barnabas. One great example is a line from Burke Devlin once Roger confesses to vehicular manslaughter. “I thought I wanted to see you rot in jail, but people like you rot wherever they are.” Exit stage right. Magnificent.