Episode 718: Other Than My Wife

“You are such a coward that the only way you can kill is with dolls!”

Ladies and gentlemen of the Dark Shadows audience, I would like to introduce to you a new member of our cast: slow doorknob.

Good ol’ slow doorknob actually made its first major appearance at the end of yesterday’s episode, because that’s where the career opportunities are, doorknob-wise. Let’s say you want to end an episode with an unexpected character at the door, but you don’t have the money to pay the actor just for the last two seconds. Who do you turn to when nobody turns up? A slow-turning doorknob, that’s who.

A twist to the left, a twist to the right, a couple rattles, a slow glide open, and then you cut to a cast member looking surprised, or horrified, or whatever actors are supposed to look like once you’ve stopped filming the fixtures. It’s kind of an IOU for the actual surprise, payable tomorrow.

718 dark shadows barnabas surprise

We’re in the tower room, by the way, I probably should have mentioned that. Also, it’s 1897. Barnabas got a hot tip from a knowledgeable gypsy that a terrible enemy was lurking up in the tower room, so he’s high-tailed it up there to get a good look. He found a deserted room with a bed and a busted-up doll head in the wardrobe, but he’s still pretty sure there’s an enemy somewhere, so he kind of slowly revolves for a while, waiting for the scene to start.

Then we get the slow doorknob sequence, and cut to Barnabas looking horrified, and that was yesterday.

As it turns out, at the beginning of today’s episode, the person at the door is… nobody. It just opens by itself, and then slams shut. Now Barnabas has to stand there and try to justify why he looked so astonished for no particular payoff. Go figure.

718 dark shadows angelique barnabas ta-dah

And then, from out of the shadows, here comes the wife of the party, Angelique. Ta-DAH!

Like Heather Locklear on Melrose Place, Angelique is the permanent Special Guest Star, the villainous soap vixen who was hired for a limited role in a specific storyline, and then nobody could work up the nerve to ask her to leave. Angelique has the amazing archenemy power to burst into flames, get sucked out an airplane window, fall from the top of the Empire State Building and get trapped in a time-locked TARDIS filled with angry baby tyrannosaurs, and still show up for work the next day.

You know, I bet if anybody was making Dark Shadows in 2015, Angelique would be there, living in a cave and still making speeches. There’s never a big finish for her, just an eternal big middle.

718 dark shadows angelique barnabas wife

And this is the moment when Dark Shadows officially decides that Angelique will never leave Barnabas’ life, because the chemistry between these two lunatics is eternally story-productive. Observe the technique.

Angelique:  Aren’t you going to kiss me?

Barnabas:  You know the answer to that!

Angelique:  Other men embrace their wives when they haven’t seen them for so long.

Barnabas:  But you are not like other wives! The last time I was in this room — the last time!

Angelique:  Yes, you thought you were so clever. You and Ben Stokes. “Burn, witch!”

718 dark shadows barnabas angelique here i am

She circles him, spreading her hands.

Angelique:  But here I am.


718 dark shadows barnabas angelique wives

Seriously, I have never seen such a blatant ta-DAH moment in my life. God, I love Angelique.

Barnabas:  Then there is no way to get rid of you.

Angelique:  As I am? Oh, yes. Yes, there’s a way. Shall I tell you what it is, Barnabas?

Barnabas:  If you do, I will use it, I promise you.

Angelique:  Love. Barnabas, your love would change me. Your love could make me anything you wanted me to be.

Oh, it’s gorgeous. There may be people who get tired of Angelique, but I am not one of them.

718 dark shadows barnabas angelique epic

And they’re deliberately making this The Ultimate Epic Barnabas and Angelique Scene, where they review all the old business. You can tell that Jonathan Frid recognized how important this moment is, because he’s got a continuous seven-minute dialogue-heavy scene, and he doesn’t stumble or look at the teleprompter once.

Barnabas:  I hate to be ungallant, but looking at you, I see nothing but the misery that you’ve caused. The madness, the deaths!

Angelique:  And what do you see when you look in the mirror? Oh, but I forgot — you see nothing. So you are spared your conscience.

Barnabas:  No! I am not spared that.

Angelique:  You blame me still.

Barnabas:  Who put the curse on me?

Angelique:  For a reason!

Barnabas:  Because I could not love you!

Angelique:  Well, perhaps, you will learn to love me.

So they both understand it now — their permanent place in each other’s lives, and in the show’s unfolding narrative. They will never be free of each other. Also, “for a reason!” is one of the great conversational gambits of our time.

718 dark shadows angelique barnabas time

And then, because this is Angelique, they go ahead and find a whole new way to surprise us.

Angelique:  Quentin is quite curious about you.

Barnabas:  And I about him!

Angelique:  Quentin is a clever and dangerous man. Barnabas, how are you going to save David? How do you plan to solve the secret of the werewolf?

Barnabas (stunned):  You know that too? How? HOW?

Angelique:  You’re so surprised. Barnabas, I care about David. Don’t you remember, I knew him? I care for him as much as you do!

Which is absolutely not an answer to his question. How does she know?

718 dark shadows angelique barnabas travel

The answer, obviously, is that she knows what the audience knows. It would be child’s play to cobble together some kind of meaningless in-universe necrobabble explanation,  but the fact is that the Devil handed Angelique an episode guide, and that’s all there is to it.

She’s a kaiju, one of the giant monsters that rampage through Dark Shadows, knocking over buildings as they battle for the audience’s attention. The rules are different for the kaiju — they know all the secrets, and drive all the important plot developments.

And Angelique is especially important right now, because she’s the audience stand-in, who gets to flirt with Quentin and have passionate scenes with Barnabas. To prove that point, she now openly discusses everything that the audience is wondering about this time travel story.

Angelique:  You are going to need my help. How naive you are! Do you think you could come here to another century, and simply watch the action as if it were some play?

Barnabas:  It’s the only way I can find out what happened — why the ghost of Quentin Collins wants David.

Angelique:  But life will not go on here, as it did originally!

Barnabas:  Of course it will!

Angelique:  You are here now! You have already changed things! That governess — Rachel — she is already different because of you.

Barnabas:  But the end will be the same. Quentin will die as he died, walled up in his room.

Angelique:  Are you sure? Are you positive? Or will you change that too? Will David die, a victim of a cruel trick in time?

Seriously, it’s like she’s been listening to the conversations that the audience has been having all week when they meet up before homeroom. She’s read the episode guide, she understands her role in the show, and now she’s asking all the questions that we want to ask.

718 dark shadows hooded coffin

And she’s still not done with her fifth-dimensional extra-narrative showcase. They need a big finale for this sequence, so Angelique casts a spell, projecting a vision of what she says is Barnabas’ final day in the past. It’s another one of those avant-garde black box theater scenes, where the only objects on stage are a coffin and a candelabra. A silent, hooded figure enters, opens the coffin, and drives a stake into the unseen vampire’s heart.

So now Angelique is in charge of the “next time on Dark Shadows” teasers, and I don’t think they’ve even invented those yet. I think she’s the vice-president of ABC now. She might as well just reach through the screen and turn on your television, every day at 4:00.

718 dark shadows quentin jamison backacting

And that’s just act one! This episode is full of stuff like that. There’s an amazing backacting scene at the beginning of act 2, where Jamison — now standing in for the young set — stares in open-mouthed wonder as Quentin drops some more backstory on us.

Jamison:  You don’t know any more about being a spy than I do.

Quentin:  Oh, indeed? I was one, once. Not so very long ago.

Jamison:  Were you really?

Quentin:  Yes.

Jamison:  Tell me about it!

Quentin:  It’s not a story for young ears.

Jamison:  Well, can’t you even tell me where?

Quentin:  Egypt. Alexandria, to be precise.

Jamison:  Who were you being a spy for?

Quentin:  As much as I hate to admit — the police.

Jamison:  Why? Why were you their spy?

Quentin:  I told you not to ask questions!

I’m not entirely sure that he did, and he’s the one who brought it up in the first place, so whatever, but “stop asking so many questions” is writer’s code for “I have given the audience all of the foreshadowing that they need right now.”

718 dark shadows quentin cane

Besides, Quentin has other things on his mind, like projecting a black magic voodoo curse on Barnabas, using Jamison as the mouthpiece for Baal, who Quentin can apparently summon in less than sixty seconds with a three-sentence ritual and without even lighting that many candles.

Why does Quentin suddenly know how to do that? Because he’s a kaiju, that’s why, and the giant monsters can do anything they want, as long as it’s interesting and advances a plot point.

718 dark shadows barnabas magda aka

Oh, and Julia’s in this episode too, which completes our set of the four A-list kaiju.

I think this is the point where I’m just going to go ahead and treat Magda and Julia as the same character. Magda was terrified of Barnabas two weeks ago, demanded payment last week, and now, she’s protecting him and getting furious when somebody tries to hurt him.

Barnabas is the inhuman monster who turned Magda’s husband into an obedient blood slave. When she sees him struck down with a bad case of karma-approved voodoo, she should be smiling and taking pictures with her phone. Instead, she races to the cottage to confront Quentin, because the kaiju are magnetically drawn to each other across time and space and logic and set design. Magda has the Julia role now, and she’s even played by Julia with a wig on, so let’s stop pretending. This is a thing that only Julias do.

So this is the first time we’ve seen the four most important kaiju on the same day — Barnabas, Julia, Angelique and Quentin. Now all we need is Professor Stokes, Reverend Trask and the werewolf, and this would be the perfect Dark Shadows episode.

Tomorrow: Haunt You.

Dark Shadows bloopers to watch out for:

The usual Angelique’s laughter problem crops up again — her laughter is heard on the soundtrack, and it’s still going when she appears on screen, not laughing.

Behind the Scenes:

Norman Parker plays the hooded figure in Angelique’s vision, the first of five appearances on the show. The other four are in October 1970, when he’s a stand-in for Judah Zachery’s headless body.

By my calculations, there are 12 episodes in the series to include Barnabas, Angelique, Quentin and Julia, if you include gypsies, Parallel Time analogues and Quentin’s identical great-uncle Quentin, which I do. Episode 1015 in May 1970 only has those four. A month later, episode 1031 has all four of them and the PT version of Stokes, plus that episode has two Julias in it. It’s nice to have something to look forward to.

Tomorrow: Haunt You.

718 dark shadows angelique barnabas close

Dark Shadows episode guide

— Danny Horn

21 thoughts on “Episode 718: Other Than My Wife

    1. I put a lot of favorite DS-isms in my everyday conversation, too – right in there with the Tarantino quotes.
      Since I started reading this blog, I’ve begun inserting a Ta-Dah! here and there also – it’s amazing how many times a day Ta-Dah! fits a situation!.

    2. I, too, have taken to incorporating my favorite DS lines into daily communications. In the last couple weeks in email contact with someone and discussing an individual we had both grown to dislike immensely, I referred to this other person as “a 14 carat solid gold little monster”, which was Carolyn’s assessment of young David very early on, and in this same email I added that this mutually disliked person was presently “about as much fun as a bag full of spiders”, which was Joe Haskell’s impression of Buzz the beatnik.

      You know, one of my favorite put-downs, which I’m dying to use in conversation some day, is a Barnabasism, the one from when Tony Peterson comes over to the Old House to confront Barnabas about what he’d seen in the Old House drawing room between he and Carolyn earlier, and Barnabas tells him, grinning disdainfully, “You know, you amuse me.” After Barnabas turns his back to Peterson and Tony objects to Barnabas’ dismissive comment, Barnabas adds, with a haughty shrug and still with his back to Peterson, “Well, then, you shouldn’t go around being so amusing.”

      I’ve always wondered what effect a bit of backacting would have when telling someone off in real-life conversation. They’d probably blow their top, and your put-downs would have double the bang for the buck. I love Dark Shadows!

      1. Better limit those back acting put downs to people you can out run!
        Bag full of spiders – I’d forgotten that gem.
        Speaking of Buzz, remember the time in the drawing room when Carolyn was trying to get him to dance with her and he quipped “Sometimes I just like to watch, ya know?”
        That’s a hard one to work into a conversation but, I’ve never forgotten it!

      2. My favorite put-down EVER was Burke Devlin’s to Roger Collins. “I used to think I wanted you to rot in prison. But now I realize that people like you rot WHEREVER they are!”

  1. This is one my top 10 favorite episodes. Everybody is smart, and the time travel discussion is Star Trek: TNG good. This is one I’ve show to my Star Trek loving friends who ask me what’s so great about DS.

    The costumes and lighting in 1897 are just fantastic. I love the Pirates of the Caribbean/Haunted Mansion lighting scheme they’ve started using. I know the Haunted Mansion ride didn’t open until August of 1969, but Pirates opened in 1967 and the lighting in that ride always reminded me of Dark Shadows.

  2. “You know, I bet if anybody was making Dark Shadows in 2015, Angelique would be there, living in a cave and still making speeches. There’s never a big finish for her, just an eternal big middle.”

    Hahaha Danny!

  3. How can anyone get tired of Angelique?

    Later in the series, Frid goes on vacation in the coffin, and she takes over on the show, and nobody misses Barnabas, because Angelique is a more powerful character than he.

    Sure, her spells go badly sometimes.

    She always recovers.

    And takes over.

  4. the dynamic between A+B is hypnotic, wow this has to be one of their best scenes together; loved how she calmly walked him through their issues and he aquiesced to a brief moment of tenderness, as shown in the screen shot above. In fact, it irritated me he shrugged her off so quickly.

    As a side note, if the silver on the head of the cane is able to create pain through the voodoo doll how in the heck is B able to carry it in his hand everywhere? i thought silver affected werewolves? i lost the continuity on that one.

    i am also starting to lose audience sympathy for Q. I don’t think a writer with children could fathom that brain-washing-devil-worship scene with Jamison. Please don’t turn me off of him. That and the tinny voice.

  5. Minority opinion report: That scene with Barnabas and Angelique is well-done, no doubt.

    But Angelique is unnecessary to 1897. We would have been better off without her in an already crowded field. Love Lara Parker? I do. They should have given her a different role. Evan Handley has a demanding wife — she would have been PERFECT in that.

    And Angelique will just randomly come and go throughout 1897. She has no stake in it. It’s annoying.

    1. now, William, i disagree. because it is in 1897 that Julia and Angelique become friends, and that is a very special part of the show for me, which resurfaces as the Leviathin business sets in. also, when Angelique finishes Barnabas’ treatments, she’s putting the frosting on her not hero and not villain, but a bit of both, complicated, actual human-like role. the moment when she jumps out of the cave and escapes Aristeed is a vision i’ll always hold on to, like a page of Tolstoy.

  6. It should be noted that this is the episode where Barnabas says what his plan is: to basically observe, see what happened, and figure out why Quentin is haunting Collinwood. He says nothing about trying to change things – he wants to obtain information then head back to 1969 and use that information to stop Quentin. That’s seems to be a reasonable plan to me; execution of said plan is another matter

  7. As a binge-watching viewer. I notice that due to recap fatigue or something, I used to be able to tolerate only three or four episodes at a sitting, With the 1897 s/l, however, I find myself watching seven at a clip. These episodes are more engaging than past DS episodes.

  8. Oh my god, this blog! “The Devil handed Angelique an episode guide, and that’s all there is to it.” – That’s the single BEST out-of-show explanation line since “please repeat to yourself: ‘it’s just a show, I should really just relax.'” Phenomenal!

    I’m going to use this line the next time someone tries to explain to me how the “Kelvin universe” “fits in” or DS fans start debating the distance to Eagle Hill Cemetery. I’ll be like, folks, stop. It’s okay. You don’t need a convoluted explanation. You don’t need ANY explanation. The Devil handed Angelique an episode guide and that’s all there is to it.

    1. I like it! And the fact that someone besides myself is re-viewing DS and reading this in 2020. I felt like I missed the boat 5 years ago, in the distant past when I didn’t have Amazon Prime. But we have this time travel tool in our present hands…

  9. Great, great scene between Barnabas and Angelique, especially Barnabas’s cynical little laugh when she starts getting mushy. Some old girlfriends just can’t take “no” for an answer.

    “I hate to be ungallant but I’m going to shoot you with a dueling pistol, strangle you, and set you on fire. Oh, and I’ll try to poison you too but it won’t work.”

  10. Oh, and another thing: Isn’t this supposed to be the room where Jenny is held? If so, where is she? Didn’t Judith and Beth just lock her up again? And that wardrobe, wasn’t it full of Jenny’s clothes just a short while ago? What happened to them?

  11. I love that Angelique brought up Barnabas changing the past simply by being there. It felt very Doc Brown (Back to the Future) to me.

    And I agree with past comments about how these episodes are the kind you can breeze through because they’re not long and drawn out like before.

    I don’t get why the silver of the cane would be harmful to Barnabas when he uses it all the time. It would’ve made more sense to use a splinter of wood on the voodoo doll.

  12. “I don’t think a writer with children could fathom that brain-washing-devil-worship scene with Jamison. ” I’ve had it with Quentin, as well. Magda calls him a coward for using dolls, but I’d call him a coward additionally for using a child both to spy for him, as well as to be a vessel for an entity from the Netherworld. And the writers still apparently expect us to accept that Quentin really cares about Jamison!

    On another subject, Jamison needs a haircut.

  13. On top of everything else, Henry Kaplan is directing up a storm at the moment — Jenny’s upside-down big face closeup in yesterday’s episode, the overlapping dissolves of Quentin and Jamison’s faces, even the cut from Magda lifting a curtain to look out the window to Quentin doing the same. Everyone’s bringing their A game today!

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