Tag Archives: convenient rooster

Episode 296: United Stakes

“Is this really happening, or am I imagining it?”

We’re not good people, I think is the main thing. Every few years, somebody notices that there are a lot of popular TV shows where the protagonist isn’t a very nice person. The current list includes Don Draper, Walter White, Dexter Morgan, Jax Teller and assorted Bluths. In earlier days, it was Tony Soprano, Amanda Woodward, Bart Simpson, J.R. Ewing and Basil Fawlty, in a fictional rogues’ gallery that stretches all the way back to Falstaff and Tom Jones. (From the Henry Fielding novel, not the guy who sang “What’s New Pussycat”. Well, maybe him too.)

The disturbing thing — or, at least, the thing that disturbs people who are disturbed by things like this — is that after a while, you find yourself rooting for the bad guy. You want them to evade the police, to get away with murder, to swindle and seduce and blackmail and crush the opposition.

So, apparently, we’re not good people, at least as far as our television loyalties go. There’s a very short list of things that a fictional character can do that would make the audience actually turn against them. The only ones that I can think of are hurting a young child, or being cruel to cute and/or endangered animals.

Amazingly, in the female-focused world of the soap opera, a popular protagonist can even bounce back from committing rape, as fans of General Hospital’s Luke Spencer and One Life to Live’s Todd Manning know. That also applies to fantasy-metaphor rape, see also: Angel and Spike and Eric Northman and Damon Salvatore and every other sexy vampire in fiction.

Which brings us to Maggie Evans, who was fantasy-metaphor raped in a fairly comprehensive way, and now we’re rooting for the monsters who are trying to conceal their crimes.

Continue reading Episode 296: United Stakes

Episode 222: Whom It Was

“Hello, Miss Evans. The expression on your face is one of surprise.”

It’s evening at the Evans’ house, and it’s time for more acting. We hear running feet, and then Maggie comes through the front door, panting. She locks the door behind her, and then looks around the room. She takes a few careful steps forward, breathing heavily, and turns on a lamp. Then she looks back over her shoulder at the locked door.

Now, I’ve seen people acting before, and in my opinion, what Maggie is trying to express is that she’s afraid of something outside.

Continue reading Episode 222: Whom It Was